Quotes of All Topics . Occasions . Authors
I can remember when I was just, like, about four years old in Compton, and my mother would have me stack 45s, stack about ten of them, and when one would finish, the next record would drop. It was like I was DJ'ing for the house, picking out certain songs and so this song would go after that song.
I remember when Lindbergh arrived in Paris, I was one of the first persons to know about his landing, because as the French people know that I was born in St. Louis, thinking I would be very proud to announce it to the public, they gave me the news first. I was then starring in the 'Folies Bergere.'
I absolutely remember when I decided upon playing Ernie Ball strings, and it was right then and there at the guitar store up in Seattle when I picked up my first guitar ever. They said, 'What kind of strings should we put on it?' And I just looked at the brightest color package and said, 'That one!'
I have lexical-gustatory synesthesia. I can taste, and always have tasted, words. I remember when I was a kid and learning to read I mentioned to my mom that certain words I was learning tasted certain ways, thinking everyone was like that, and didn't understand why she didn't get what I was saying.
I remember when James Wan and I did the first 'Saw' movie, a lot of people would say to us, 'Well, you left the door open for a sequel.' And we would say, 'No, we literally closed the door!' We thought it was a nice ending. Little did we know that the producers had other ideas once the film was a hit.
I started writing songs when I was real young, when I was 3 years old. The piano spoke to me - I don't remember when I wasn't playing piano. My second grade talent show was the first time I performed my own thing. I dressed up as Dracula and played a song called 'Monster Rock' that I wrote. And I won.
I remember when I read the screenplay for 'Sicario,' I fell in love with it, but at the same time, I went, 'Oh no, not again.' I mean, I would love to fall in love with something that is more light, like a rom-com or a comedy. I would love to. Because it's very demanding to go to dark places like this.
I remember when I was in high school I didn't have a new dress for each special occasion. The girls would bring the fact to my attention, not always too delicately. The boys, however, never bothered with the subject. They were my friends, not because of the size of my wardrobe but because they liked me.
I remember when I was rehearsing 'Scottsboro Boys,' I was in 'American Idiot,' so, every night, I was screaming, singing these high, belty Cs and Ds, and then, during the day, I would be doing these legato lines - I am very lucky that I have had the training that I have so that I could handle all of that.
I remember when my mother, Shyamala Harris, bought our first home. I was thirteen. She was so proud, and my sister and I were so excited. Millions of Americans know that feeling of walking through the front door of their own home for the first time - the feeling of reaching for opportunity and finding it.
In general, questions are fine; you can always seize upon the parts of them that interest you and concentrate on answering those. And one has to remember when answering questions that asking questions isn't easy either, and for someone who's quite shy to stand up in an audience to speak takes some courage.
I remember it was Dr. Seuss' birthday, and I got to read to the little ones and that was just an awesome experience. I remember when I was a young knucklehead and having that access to an after-school program in my community. It's something that hits home to me and something I wanted to always be a part of.
I remember when the great composer Madan Mohan had suddenly passed away, the producer-director H.S. Rawail had approached me to complete three of the pending songs in the Rishi Kapoor-Ranjeeta starrer 'Laila Majnu.' I refused saying I am not worthy of sharing a soundtrack with a genius like Madan Mohan saab.
I remember when 'A League of Their Own' was coming out in '92, when I was doing interviews, it seemed like every interviewer at some point would say, 'So... would you consider this a feminist movie?' People are worried that it's a taboo thing, so I took great relish in saying, 'Yes, I would. Write that, yes.'
I remember when I was in graduate school and someone in workshop would say, 'I'm going to bring in a chapter of my novel.' The thought that someone could think they'd write a whole long thing... I could only see twelve pages ahead. But then I realized that if you could see twelve more after that, you can start.
I remember when President Bush, George W. Bush, came into office, he focused on No Child Left Behind, and with - and before very long, suddenly, Republicans were thought of as being as interested and as competent in education as Democrats, and why? Because they were talking about it and doing something about it.
I didn't want to be looked at. I remember when I was six or seven asking my mom why people were looking at me. She said, 'They're looking at you because you're a beautiful little girl.' But I didn't believe her. And yet I put myself in a business where people have to look at you. I think I learnt to block it out.
I remember when I was writing 'The Tin Drum,' I had the totally misguided idea of giving Oskar Matzerath a sister, and he just wouldn't have it. There was no space for a sister, yet I had the character of the sister in my head. In fact I used her in later novels, in 'Cat and Mouse' and 'Dog Years,' Tulla Pokriski.
Do you remember when you were 10 or 11 years old and you really thought your folks were the best? They were completely omniscient and you took their word for everything. And then you got older and you went through this hideous age when suddenly they were the devil, they were bullies, and they didn't know anything.
I remember, when I was a teenager, people telling me, 'You know, when you are a mother, you will never feel lonely. You will feel so much love, and you will be fulfilled by this love.' Then I became a mother. And I learnt that is absolutely wrong: you can feel very lonely with your children, even if you love them.
I remember when being a 'a company man' was a badge of honor; today in Silicon Valley it may brand you a loser or, in the best case scenario, someone afraid to take risks. Ten years ago, if you saw a resume that had multiple jobs in ten years, you would be worried about the capability of the individual. Not so now.
From a young age in England I felt technical skills were coached out of me. I remember when I was 15 doing a rainbow flick over a player's head in training and the coach telling me off and shouting: 'This is not the Eni show.' That discouraged me from expressing myself individually with the ball in that team again.
The thing about a music career is that it ain't over until the fat lady sings. Look at all the times people threw in the towel on Dylan - or Neil Young. Remember when Young was doing things in the '80s like 'Trans' and the rockabilly album and being completely lambasted by critics who now think he is wonderful again?
I remember when we first bought Teleflora, I made a very expensive mistake when I produced a brochure with the slogan, 'The way America sends love.' The bouquets and prices I pictured could not be duplicated by the florist - they were too expensive. I had relied on people I thought were in touch with the marketplace.
When I see Kate Moss out and about, I think she looks more beautiful than when her hairdresser and make-up artist try and make her look like something else. And I remember when Madonna first asked Versace to book me to shoot a campaign with her, she came to see me wearing hardly any make-up, and she looked incredible.
I'm an American designer. It's important to riff on that. I remember, when my mom and I first came to the States, she was so shocked that everyone was so dressed down in sandals and shorts. It's not quite like that in Asia. To give that a superluxurious makeover? For me to make street wear? It's sort of chic to do it.
I remember when I was like, 'I want to get another shot.' And some of the other actors on 'Sister, Sister' were like, 'Do you know that's like a 1%, 2% chance for you to get another successful show? That just doesn't happen.' But whenever I hear, 'No,' or 'You can't,' something inside of me just goes, 'Oh no, yes I can!'
The best simulator for spacewalking is underwater - it allows full visuals and body movement in 3D. Virtual reality is good, too, and has some advantages, like full Station simulation, not just part. Like all simulators, they have parts that are wrong and misleading: an important thing to remember when preparing for reality.
I remember, when I was 6 years old, we were having an event at school where different dolls were on display. I said that the tallest doll needed to be on the end, and my little friend said to me, 'Oh, you're just so bossy.' I remember thinking that wasn't a good thing. But I kept insisting the doll had to be on the end anyway.
I remember when Manchester United came into the league and I remember saying, 'Wow, this is huge. This is huge for a club like this to have a women's team.' It's so important for clubs with all this tradition, history, power, influence to have a women's team and to see the progress that they've made and what they've put into it.
I remember when I was at the first showing of 'John Dies at the End' at Sundance, and I was talking to some of the people in the standby crowd who were outside and didn't have tickets. They were just waiting in line to see if they could get in. It was this whole gang of die-hard sci-fi wacko people, and they were just fantastic.
I went to Los Angeles, because I have a manager, and - I can't remember when, but we met in London maybe six months or a year beforehand, and he said, "Listen, if you really want to get a job out of L.A., you really need to come." And I was like, "Well, can't I send a tape or something?" And he was like, "No, no, you need to come."
I remember when I was in Mid-South and they used to tape interviews every Wednesday morning, and I wasn't required to go to the interviews because I was a rookie and I wasn't cutting any interviews - I was a curtain jerker. But I went every Wednesday anyway because I was going to watch those guys and I was going to glean from them.
I remember when Saif was a baby, the pediatrician had recommended that we give him orange juice to drink, but my mother said he was too small to be able to digest it and that I should dilute it with some water. I didn't listen and Saif had a tummy-ache. I guess mothers do sometimes know best and it's also the experience that counts.
I remember when TiVO first came out I was all about TiVo. I came home and that thing was frozen, and I thought 'This is awful. This is the end of the world'. Then I unplugged it, and I plugged it back in, and still frozen. It was paralyzing. I called them. They said, 'Just unplug it longer.' Fixed. But it also taught me I'm an addict.
I remember when I went to try out for the Olympic team in 1972, Coach Iba told me he didn't care how many points I could score because if I couldn't guard anybody, I wasn't going to make the team. I knew to make the team I had to become a better defender. If you can play offense, you can defend. It just comes down to competitive will.
I remember when I first came to Liverpool, Pepe Reina helped with everything, and he made it easy for me. When I was Atletico Madrid captain, I tried to help everyone. These are the basics in football: you need to create an atmosphere and try to create a group of friends. It's not easy, and it doesn't always happen, but you have to try.
I remember when 'Aladdin' had come to India, there were a bunch of people who auditioned. We had to record a video, which I did on my phone. I had worn this red outfit and had to read the dialogues for Jasmine. The scene went really well, but then they also asked us to sing and I can't sing to even save my life. So I really got rejected.
Remember when John Roberts was seeking confirmation of the Supreme Court, and he said judges should be just like umpires, just calling balls and strikes? Well, turnabout is fair play. What baseball needs behind the plate are umpires like those judges who are called strict constructionists, which means you follow subtle law to the letter.
Bill Clinton fascinates me because, at the time, it seemed like his shenanigans and the people after him were the biggest political stories you could ever imagine. I remember when the 'Starr Report' was published in the newspaper, all of us were reading it in the high-school cafeteria, and a dean started taking the newspapers away from us.
I remember when I was younger, and in school, our teachers showed us films of plastic in the ocean, starving polar bears and so on. I cried through all the movies. My classmates were concerned when they watched the film, but when it stopped, they started thinking about other things. I couldn't do that. Those pictures were stuck in my head.
I remember when I was 8 years old when I first started playing organized basketball, and the coaches had the kids in single file doing two-line layups and they were struggling to get the ball up there. Me, I'm doing reverse cradle layups with the backhand spins on it, like, jump from the right side and lay it up on the left side backwards.
Certainly when I was a kid, in the early '90s, men couldn't show weakness. It was very much a case of suppressing pain and getting on with it. I remember when I was six years old, I was playing football with kids who were three years older when, one day, I fell over and began to cry. And my dad was like, 'Don't ever let someone see you cry.'
I remember when we ignored Europe and we were totally committed to the Commonwealth and the former Empire, and thought imperial preference was the only thing which enabled us to survive, that was a mistake, and it's a similar mistake to feel Britain can't be a hugely successfully country - economically and in any other way - outside the E.U.
I remember when I was about 15 and still listened to Pet Shop Boys and Chas And Dave, some lad at school lent me a Blur tape, and it had on it a song called 'Bank Holiday.' I said, 'What's this? I liked that tape, but that one song is a bit fast'. He said, 'Yeah, it's punk. It depends what mood you're in.' And then something sort of clicked in me.