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I remember, when I was working in Bengaluru, Rajinikanth's film 'Sivaji' was releasing, and I wanted to watch it the first day, first show. My manager did not want me to take the day off, and I made up excuses stating that there was an issue at home and I had to go.
I remember when I was 6 years old and my brother used to go seek out guys that were 13 to come over and play football against me while he was the 'permanent quarterback.' I didn't know exactly what the age difference was, but I was already playing against older guys.
I remember when I was younger and seeing guys like The Rock cut these promos telling the world how terrible they are. How they are a bunch of losers and stuff like that. He was so funny when he did it that you couldn't wait 'til he came out and started insulting you.
Do you remember when Fabio got hit in the face with a pigeon on the roller coaster, and it broke his nose? Sometimes I feel like I'm the pigeon, and the Internet is Fabio's face. Actually, I don't know if I'm the pigeon, or I'm Fabio's face. Depends on the day, I guess.
I remember when I was a kid and I used to go and see Queen play live. It was like there was Queen the album band, and then Queen the four dudes on stage playing the songs on stage, and it never lacked anything to me when it was just the four dudes playing the big songs.
Noises and smells, those can bring back powerful memories. I remember when I was going to school one Fourth of July, and there were a lot of fireworks going off. I knew that I was in Richmond. I knew that I was a college student. But I thought people were shooting at me.
I found in the past when I did a bit of punditry, I was very conscious of not saying anything negative about people I played against, because players are elephants and they remember when someone says something - I stored things for years and just waited for my opportunity.
I remember when I first saw Whoopi Goldberg doing standup, and she was wearing a sheet on her head, basically pretending to be this little white girl with long luxurious blonde hair. Everyone can relate to that. It's an oral history of black women's lives through laughter.
I remember when Muhammad Ali got beaten the first time. I remember when Lennox Lewis got beaten the first time, Sugar Ray Leonard, Mike Tyson. All of those were legendary fighters, and they came back, and that's what made them different - what they did after they got beat.
There's a Norwegian equivalent to 'BBC Introducing' called 'P3 Untouched,' and I remember when they played the first song I ever wrote that I'd put online. I was 16 at that point. That was the first moment where I was like, 'Oh, maybe this is something I want to do more of.'
I remember when I was first time in Serie A, we were down the bottom, no one was speaking about Cagliari. And we were safe, one day before the final match. With Parma, we went down, but we were positive right to the end. There are the little details, but you have to continue.
I remember, when I was doing 'Nicholas Nickleby', James Archer came to see me at the interval and said, 'My father would like to see you after the show.' It felt rather as if I had been summoned by the Queen, and I was cocky enough to think, 'Who the hell is he to summon me?'
I remember, when I went away to college at Southern Methodist University in Dallas, my aunt sent me a book with the rules of being a Southern Belle. One of the rules was to never wear white after Labor Day. Fashion has a lot to do with confidence and making up your own rules.
I remember when I was young, before we started lifting and working out, I looked like I was bench-pressing other humans. I looked different than other girls. I had to be OK with the fact that I had a strong physique, no matter if people looked at me in an accepting way or not.
I remember when I was a kid, if you had your name on a piece of vinyl, man, you were, like, in the halls of Valhalla; all of sudden, you were hanging out with Odin and being at the table of the gods. You were the real deal; you weren't some guy struggling in a garage somewhere.
I remember when I told my mom that I wanted to come out, and my mom was a little hesitant. She was saying, 'Are you sure? Do you think that might affect your scores?' or, 'Is it something that you think that you need to do?' And I told her, 'I don't care. It's important to me.'
I remember when I made 'A Scanner Darkly,' going, 'I hope people see it in theater - but I think it's going to be seen in someone's room at two in the morning.' It's that kind of movie. And I would have loved if it had been available on multiple formats at the moment it opened.
I can remember when I was 24, and I broke up with my first serious girlfriend for the first time. She was a very nice person, but she had a little bit of a tendency toward melodrama... Her response was to take the key to my apartment off of her key chain and hand it back to me.
I remember when I fought Kevin Randleman, I was so wary about him taking me down, I figured it if he takes me down, was going to be so hard for me to get back up because he's just so good at ground and pound and keeping you on your back and it takes so much energy to get back up.
I remember when I interviewed at MSNBC, one of the first things they said to me was, 'In your tapes, you had a mustache, right?' I said, 'Yeah, I recently took it off.' I said, 'If you hire me, you get to decide if you want it or not.' They said, 'No, no, we're fine with it now.'
I remember when I first met Jason Reitman with the 'Whiplash' script; he quickly became a mentor figure who guided me through the process and also protected me and made sure that when it came time to actually make 'Whiplash,' I was able to make exactly the movie I wanted to make.
I remember, when Paul Collingwood first came into the dressing room, we did everything together. We practised together, trained together, had dinner together; we batted together and did well in games together - we were thick as thieves. When he got established, he just binned me.
I remember, when I was 7, my dad found a pregnant dog on the railroad track one day and brought her home. So my mom explained about how this dog was married but that her husband had passed away - she didn't want me to even think that a dog could have babies without being married.
I remember when I saw 'King's Speech' or 'Girl With the Pearl Earring;' there are moments in my life where I was blown away and thought, 'Wow, that's why I chose to be a film composer.' These films are so beautiful and so strong, and the music can be very much part of the emotion.
I love when I go to conventions, and often it'll be the younger kids who will refer to us by our character names - how can you not find that absolutely charming? I remember when I used to go to conventions when I was a kid when I would stand in long lines to get people's autograph.
I remember when I drove into Notre Dame, getting ready for the first day of work. I had an electrical charge go up my back because I realized all of a sudden that I was responsible for the traditions that the Knute Rocknes and the Frank Leahys had set, and what Notre Dame stood for.
I remember, when I was young, to have a literary or artistic vocation was really dramatic because you were so isolated from the common world. You felt that you were marginal, and if you dared to try to organise your life around your vocation, you knew you'd be completely segregated.
I remember when I was in third grade, I was in a classroom, and the teacher said, 'What do you want to do when you get older?' We were going around the room. I said, 'I want to be a professional basketball player.' She's like, 'That's not realistic.' I thought to myself, 'OK, watch.'
There was a lot of improvisation on 'Step Brothers.' I remember it being really frightening, and it took me a long time to get used to it and grow to be able to hold my own. But I remember when it was done feeling like, 'I don't know if I ever want to go back to working another way.'
I remember when I was little, my mom asked me, 'Would you like to play the violin or the piano?' I looked at that giant monster and said to myself - I am not going to lock myself on that bench the whole day. This is small and lightweight. I can play from standing, sitting or walking.
I remember, when I was a kid, listening to the radio and hearing 'Big Bad John' by Jimmy Dean - and it just blew me away. I used to sit there and call the radio stations and request that song. And then the Beatles were obviously out already, but I really didn't know about the Beatles.
So, I remember when I was a kid, I was waiting for my mom to come home when she was working late, and, you know, I was like, 'Oh my God, what happened to her? Is she OK? Did something happen to her getting in the car?' I was a little kid. But those are actually early onsets of anxiety.
I remember when I was in 'Hairspray' - my first Broadway show - I truly was in awe of the voices I got to hear on a nightly basis around me. I'm thinking, 'Wow! Why aren't these people selling millions of records?' They're the ones that are out there, you know, belting their faces off!
I remember when I started performing, I thought, 'Why is this something that we do after hours, underground?' I was waiting on the world to change and the idea of this art to become mainstream, and I think that's what 'RuPaul's Drag Race' has really accomplished in such an eloquent way.
I remember when I took Quentin Tarantino with me to a very private screening of the documentary 'Roman Polanski: Wanted and Desired,' which shows some of the legal irregularities of his case. I was involved by the film, and it was an amazing experience to see people weep at the end of it.
I literally remember when I made my audition tape for 'Buffy'. I went to the Arsenal Mall. I got my outfit at Contempo Casuals in the Arsenal Mall and put some safety pins in my jeans. I remember telling whoever the clerk was that I was making a tape for 'Buffy', and they were so excited.
I remember when I first came out as an artist, back in 2004 or 2005, the record label used to take me to all the radio stations and just have me sit in, like, their lunchroom or their conference room, and play for the whole staff. Just to introduce them to me so they would play my records.
I remember when I first came out on tour, it was Greg Norman and Nick Price. We forget how big Norman was, what a presence he was. I remember one of my first tournaments, Greg threw an orange peel down on the ground and some fan ran over and grabbed it. 'This is Greg Norman's orange peel!'
As soon as I get on the mic that's something you can't really match with me, so whenever I accompany Andrade to the ring I make sure that no matter what it was I was doing, I make sure that I was a part of it and to make sure that the moment you will remember when Zelina does a crazy thing.
I remember when I was very young, I had a fever - a long rheumatic fever in bed for four months. And in the days, I stayed alone with the maid. I only had my father's books with me. They were fantasy books about ghosts, and also books by Edgar Allen Poe that made a forever impression on me.
I always felt that everything that happened was incredibly exhilarating and massively puzzling at the same time. I can even remember, when I was six or seven, digging a hole beneath a tree. And I would go into this tomb, this cave that I had made, and would lie there, meditating, for hours.
I remember when I first came to Los Angeles being staggered by the range of roles open to me. These were leading parts in shiny new projects, and what always excited me was knowing there was a possibility that I could actually get these parts. I always had the impression that I had a chance.
AIM started in 1997, and I remember when I started using it in earnest, in 1999, when I joined TheStreet.com from 'The San Jose Mercury News'. We digital journalism pioneers communicated obsessively by AIM, and as a newbie, I recall being amazed that the whole newsroom was 'chatting' this way.
I remember when I first got into the England side, going to meet ups where you were just doing a job, you were almost looking to go back to your clubs as soon as you arrived. That changed. The Lionesses got the feel of a club; it was a place you wanted to be, a set-up you couldn't wait to join.
'Humsafar' is addictive; it's a good nasha to have. I remember, when the show was on here in Pakistan, my friends would keep asking me what's going to happen next. And those who didn't see it when it was aired the first time watched all episodes back-to-back because they found it very gripping.
I remember when I became an actress and when people would come and ask me if they could take a picture with me, I would say no. Then my mom told me, 'Who do you think you are? You are what you are because of them. The day they will stop coming to you, you will be no one.' I realised I was wrong.
Remember, when you go to YouTube, you do a search. When you go to Google, you do a search. As we get the search integrated between YouTube and Google, which we're working on, it will drive a lot of traffic into both places. So the trick, overall, is generating more searches, more uses of Google.
There was always music in our home. My mom and my dad loved music. I remember when we were kids we would have these great parties at the house with congas and bongos and African drums, and it was amazing. It wasn't until years later that I found out that they were actually Black Panther meetings.
I remember when we were shooting 'Boogie Nights,' all of my stand-ins were wiping out all the time. I'd practice before I got to the set, but they'd just show up and put on the roller-skates, and they'd be skating over these wires and cables, so they would all fall over. It was totally dangerous.
I've been thinking of humorous things since I was... I can't remember when. All the way through elementary school, all the way through junior high, all the way through high school, through college and after college, I was thinking of the same kinds of things that I say in front of an audience now.