Whether I do an original film, a dance, or a remake of my dad's hit songs, I have always been compared to him.

It was amazing to remake and rewrite a song like 'Sweet Like Chocolate.' It feels like a good way to come back.

I really wanted to do 'Band Baaja Baraat.' No regrets though, I did its remake in Tamil and felt a little content.

Doing a remake of an iconic song is always nerve-racking because you never know if you can actually do justice to it.

People think that buildings are permanent, but in China, this isn't true; we can always demolish and remake it better.

I was approached for the remake of Maniyara,' the yesteryear film that starred actors Mammootty and Seema in the lead.

I prefer to remake flops. Dirty Rotten Scoundrels was a remake of a flop, and The Quiet American is a remake of a flop.

'Chronicle' could have been a video-game movie. The original 'RoboCop' and the remake could have come from video games.

While producing a remake, one is sure of the success that it will have as the project has been tried and tested earlier.

Nobody wants to make a bad 'Flight of the Navigator' remake. There's just no interest. We're going to do it if it's good.

There is no assurity that something will be a success because it is a remake or because it does/does not have a superstar.

France loves American cinema because when an American remake is successful, it makes us money to produce more French films.

The remake of 'Gulaabi Aankhein' went into a bad spin and I'll only hold myself responsible for it. I shouldn't have done it.

I didn't much care for the 'Dawn' remake. It was a well-made action movie but really wasn't anything like my 'Dawn Of The Dead.'

Almost all of my stories can be understood to be elaborations on our drive to remake the world and our adjustments to the result.

If I could remake any Eighties project, it would be less an action flick than a character-driven drama with a rich story to tell.

We used to watch the muscle movies on Saturday matinees, such as 'Hercules Unchained.' Then we'd go outside and do a remake of it.

If I was ever gonna remake a Peckinpah film, it would be 'Bring Me The Head of Alfredo Garcia.' That's my favorite Peckinpah film.

I often wonder why people remake movies. Is there just a lack of imagination out there that they can't come up with an original idea?

'House of Wax' is a remake, but 'House of Wax' is very different. It's like a background concept, but it's a completely different story.

I'm just curious how it'd look like if someone tried to remake my work. But I really believe that it's hard to remake of any of my work.

My husband won't remake films and won't allow anyone to remake his films. It's like making your child study like your neighbour's child.

But I'm tone deaf - window-shattering tone deaf. I can't sing for the life of me. I can't sing or dance, so no remake of 'Grease' for me!

If I have to answer one more time, 'Why did you want to remake 'Straw Dogs?'' with the emphasis on the word 'why,' I'm going to flip out.

I wouldn't be posting videos of me in drag or doing a remake of Zoolander's orange mocha frappuccino scene if I didn't still like attention.

In my mind, I'm no longer daunted by the idea of a remake. In fact, I now look at it as a genre unto itself - so long as you make it your own.

My father is a big fan of Amitabh Bachchan and always wanted to work or star in a remake of any of his film. But he didn't get the opportunity.

I would never remake something that was like 'The Godfather.' Things that are truly important to me, I could never remake or reboot, or whatever.

It's a different kind of satisfaction, different kind of enjoyment than making your own songs, to remake someone else's song that you really like.

I think a lot of fans immediately go, 'ugggh' when they hear that someone is doing a prequel or a remake, they sort of assume the worst sometimes.

After 'Saw,' we got offered every horror remake under the sun, and I was just always thinking, 'I don't see how this could be interesting for me.'

When I was approached to remake 'Vinnaithandi Varuvaaya,' I felt that it was a good way to reach out to a wider audience, every director wants that.

It's interesting how the view from abroad can shift and remake perceptions of homegrown celebrities, the ones who are part of the gross domestic product.

I would buy Barbies and take them apart and then remake their looks. I used them for hairstyling. It was a whole process. I had a lot of dolls - like 150.

As you know, in America there's no rights for the artist, so whatever films I've made kind of belong to the studio, so if they want to remake it they can.

The most extreme among the Brexiters are convinced they can ride the chaos and deploy the 'shock doctrine' to remake the nation in their ideological image.

I'm thinking of remaking 'Psycho' again. Doing a third remake. The idea this time is to really change it - we're talking about doing a punk rocker setting.

I felt that all of us working on our remake of '13 Assassins' had to honour the original director, Eiichi Kudo, and everyone else who created the original.

I would remake 'Club Paradise.' I thought the story was cool, the setting was great. Everything lined up, except I wrote it for Bill Murray and John Cleese.

I've said it before, and I'll say it again: I think it's really important to remake things. If you never remake the classics, no one would know Shakespeare.

After starting with 'Premam,' asking director Chandoo Mondeti to do a remake was a mistake because he has much more potential and creative ability to direct.

I once was in a project. They were going to do a remake. Somebody started a rumor I wanted more money. I said, 'This is ridiculous. I'd kill for this project!'

But one of the amazing things about documentary is that you can remake it every time you make one. There is no rule about how a documentary film has to be made.

I'd like to be Gandalf for a day - he's so wise, he's so powerful, and he's so caring. I love Gandalf. When they remake 'Lord of The Rings,' maybe I'll play it.

The one thing that I always try and take with me, if there's, like, a remake, or you're doing something again, is that every generation has a new story to tell.

There is no way one can remake 'Mughal-e-Azam.' What my grandfather did, we cannot even think of emulating. The film is a legend, and we should leave it at that.

Whether you're a believer or not, a flawed biblical epic is going to be more entertaining than a remake of a Paul Verhoeven movie or some third-rate sci-fi flick.

There are some centuries which - apart from everything else - in the art and other disciplines presume to remake everything because they know how to make nothing.

With the Internet, kids today learn things quicker than we do and they have everything there is to see, so you have to do more than just remake some old '70s film.

If somebody had started on a remake of French Kiss before I announced my own film, I would have dropped my subject. If someone else starts after me, what am I to do?

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