Quotes of All Topics . Occasions . Authors
Other actors like to rehearse on film-they like 30 or 40 takes. When you get an actor like that, it becomes difficult for me because I'm ready to quit after number two.
Every actor prepares differently and to different degrees of privacy. Some want to talk everything out. Others really don't want to talk anything out - or rehearse much.
With Geoffrey, it was the first time we did music together, we understood that everything could be well, and without any problem. And we didn't need to rehearse too much.
We used to rehearse in unused lecture halls at Imperial and recorded our first album, 'Queen,' in 1971 while I was studying for my biology finals - it is amazing I passed.
I approach music and acting the same way, through spontaneous improvisation. I never really try to rehearse anything, do it over and over, except when we're inside a take.
In my job, whenever I delivered a presentation I would rehearse several times before the actual event. In sport, it is important to be equally prepared about my opponents.
All the kids had to sing every Sunday to draw in people from the neighboring villages. Every day, we woke up at 5 A.M. to pray and to rehearse the songs. We had no choice!
I rehearse every morning starting as early as 6:30 A.M. after which I go straight to work. I lose out on social life, but as long as I am doing theatre, everything is worth it.
My background with Cummings was rehearse, rehearse, rehearse, but Tuesday liked to walk in and do the scene. I must say that she was really wonderful. Aggravating, but wonderful.
The band set up in January and just started rehearsing. If there was a song, we'd just rehearse it as a band, and it would get arranged as a band, and it got changed around a lot.
Sitcoms are more like stage drama than anything else on film - more than a one-hour and certainly more than a movie. You get a script on Monday. You rehearse all week. And on Friday, you're on.
The saddest thing is that when I sat down to rehearse for the Pixies, I couldn't believe that I had given up something that I loved. Now I hold the drum at night and I want to go to bed with it.
I still remember the first time I was on stage. It was for a short play, 'Dilnaz and the Chocolate Cake.' And the only reason why I did it was because we used to rehearse with real chocolate cake.
Actors know, with me they aren't going to be allowed to rehearse a scene for a couple of hours and then get away with doing 25 takes before we get it right. So they come with their full bag of tricks.
I think theatre is by far the most rewarding experience for an actor. You get 4 weeks to rehearse your character and then at 7:30 pm you start acting and nobody stops you, acting with your entire soul.
I started as a straight actor. I'd go onstage, and I'd think, 'Wow, this is the only thing I want to work really hard at. I will rehearse fifty times on a single scene; I don't care - I'll do it again.'
We haven't played that many of them because all our gear was over here waiting for us when we could get here. So we didn't get to rehearse any of the new stuff, so we have planned to play 3 or 4 new ones.
When we get together and rehearse, which is always living with each other, we always talk about what would make it better, what would mean more, what would say more. So we're always improving and growing.
I don't rehearse films as much as opera or theatre. When I began directing films I thought a long rehearsal was a good idea. Experience showed me that the best performance was often left in a rehearsal room.
I don't like improvising on camera, particularly, but very often, a scene will not be working, and you rehearse it once or twice, and you realize something's missing. So I'll play with it until it makes sense.
I like to rehearse with the actors scenes that are not in the script and will not be in the film because what we're really doing is trying to establish their character, and good acting to me is about reacting.
There are problems in doing television that have been plaguing me for years. I really like to have a lot of time, to rehearse and make things as good as they can be, but television often doesn't allow for that.
I found many ways around my dyslexia, but I still have trouble transforming words into sounds. I have to memorize and rehearse before reading anything aloud to avoid embarrassing myself by mispronouncing words.
Now will I rehearse before you a very ancient Breton Lay. As the tale was told to me, so, in turn, will I tell it over again, to the best of my art and knowledge. Hearken now to my story, its why and its reason.
Whenever I would go to Hrithik's vanity van to chat or rehearse lines, I'd see him working out or watching inspirational videos. One thing that I've learnt from him is that, as an actor, you have to worship your body.
Well you know, Woody doesn't rehearse, as opposed to my own method of directing where I really work with actors around a round table for weeks, examining the values of the material, so his technique is very different.
I do think taking the 20s to take the most chances you can is important, because you're not going to hurt anyone else during that time. And if you do have a partner, you need a couple years to rehearse that relationship.
I don't rehearse with my actors... the first rehearsal is the first time we turn the camera on... Sydney Pollack never rehearsed his actors, and I found out that's allowed... so you film reactions; you don't create them.
Every day is different in the world of Little Mix. Usually, I guess, we get us, and we rehearse, or we do some promo for a radio station. It changes every day, which is quite good, because I don't like having a normal job.
I don't rehearse on either of my shows, 'Family Feud' or my talk show. I never rehearse with the guests. I don't want to have any preconceived thoughts, notions, because that kills my creativity as a host and as a stand up.
I spend a lot of time on the 'Glee' set. A lot of time. Luckily we have to dance and rehearse, so we're always moving, but having such a tight schedule can make it hard to find the time to exercise. It's definitely a struggle!
Stage acting is for me the basic form of acting. If you make films all the time, you have so few possibilities to rehearse. And it's important to rehearse, because it gives you the possibility to try things which are not good!
I will not ever say that it's good to start with too little preparation, because that's patently not true. But I don't rehearse the way a lot of directors do, to stage a scene in terms of manners and attitudes and lock them in.
Miss Fontanne and I rehearse all the time. Even after we leave the theater, we rehearse. We sleep in the same bed. We have a script on our hands when we go to bed. You can't come and tell us to stop rehearsing after eight hours.
I think you've gotta be smart enough to be competent, but you've gotta be crazy enough to go out there and just let it all happen. I mean, you can rehearse and still not be musical, be tight and not be musical; we all hated that.
Many other directors, they have lots of scripts and they never rehearse as much, and you never really have time to be a part of it. With Jean-Luc, you always had time to be a part of it. It's difficult to explain to normal people.
Some people rehearse to a point where they're robotic, and they sound like they have memorized their presentation and didn't take it to the next level. Going from sounding memorized and canned to sounding natural is a lot of work.
When I was younger, I never wanted to rehearse because I thought that someone would figure out I don't know what I'm doing. Now I like to really spend the time and figure it out, and rehearsal is to try something that doesn't work.
I once did a role which I couldn't rehearse in my street clothes, I had to have the character's costume on before I could rehearse it. I just couldn't think as the character unless I looked like him, or I knew that I looked like him.
I have a phone obsession. It's really hard on set sometimes because I'll be checking Instagram, and then I have to remember, 'Oh, crap, I have to shoot a scene or rehearse.' Every now and then, I have to turn it off and live my life.
You have to learn how to dress yourself and how to walk into a room and talk to people. Once you're in rehearsal, you have to know how to rehearse and how to communicate with your creatives, even if you don't communicate the same way.
When I teach the formal curriculum, I have the chance to think about it ahead of time. I can rehearse it. I can illustrate it with self-deprecating humor and humble-sounding personal disclosure. I can try to make it comes out just right.
When you rehearse a play, you spend four weeks with one goal in mind - to wean the actor away from you. You want the actor to become completely independent and to understand all the emotional and psychological moves within the character.
I choose my actors well and get to know the quirks of their personalities - and, most of all, I share humor with them. Then I keep my eyes open when they rehearse and perform, because you never know where the next stimulation comes from.
Film is a lot different. You have the whole script in its entirety, and you have a couple of weeks to learn different scenes, really go over them and rehearse them so when you get to them they're more fleshed out. But TV shows are harder.
I took six months to rehearse how I'd ask Shah Rukh Khan if he would launch my debut novel. I thought of 100 ways to ask him. Finally, three weeks before the book hit the stands I went to pop the question and forgot everything I rehearsed.
I've been lucky enough that some designers let me borrow their dresses to wear to events. And companies such as So Low and Tart have given me items to wear to rehearse in. I wish I could take more credit for the clothes that I get to wear!
A lot of the time with an independent production, you go onto the set, and you rehearse it in front of the crew, and at that point, the cinematographer takes over. You start accommodating the camera instead of the camera accommodating you.
Storytelling enables us to play out decisions before we make them, to plan routes before we take them, to work out the campaign before we start the war, to rehearse the phrases we're going to use to please or placate our wives and husbands.
In TV, it is important to get everything on film as fast as possible. You rehearse every day of the week, and each day, the performance may be changed. The process is more result-oriented than in the movies. It's more about working quickly.