Quotes of All Topics . Occasions . Authors
I just became less rebellious with clothes, and today, I can slip into appropriate attire according to what the occasion requires, but off the red carpet, I am not that particular about what I wear, and comfort is my main priority.
Red carpet is a little bit scary. It's not about expression. It's about taking a pretty picture in a really weird, awkward way, with so many people watching. It's a glamorous part of the job, but it requires its own kind of courage.
I really enjoy watching people like Madonna, or Cher, or Barbra Streisand on the red carpet. I want to see people wearing exciting things that are different and to know that they're not just looking for the latest, most normal thing.
Transformation as a female actor is allowed up to a certain extent - as long as they can still recognize you on a red carpet. For a woman to be a shape-shifter, and to be that malleable in spirit, is really not OK with the patriarchy.
Red carpet dressing all depends on the climate. I think richer, deeper colours are more flattering on the body, but the opposite is true if you are in Cannes or St. Tropez where the light makes deep colours look heavy and unflattering.
I can see why people love the idea of a big white wedding - it is a day when they are the centre of attention and get to wear a beautiful dress. But that sounds awful to me because that is like getting ready to walk down the red carpet.
I never understood who all those people are behind the actors! When you see them on the red carpet on TV, you go, 'Why does that person need such a large entourage?' And then you realize that every single person there has a role to play.
I get accused of having a haughty smugness. I have a lopsided mouth. I can't help it. I was born with it. It looks as if I am smirking. I have had my publicist tell me, 'Don't do that smile on the red carpet.' I'm, like, 'That's my smile.'
There is definitely a 'red carpet moment' to a bride's wedding day, but when designing for bridal, it is important to focus on the details that will captivate and capture the imagination of the bride - she has to fall in love with the gown.
The first time I went to the Met Ball, I was 16. I was an intern there and saved up to buy a staff ticket to the party. That was my favorite experience going. It wasn't the red carpet; it was the experience of being there for the first time.
I remember as a kid, my mom had to trade canned food to buy my brother and me chocolate because we were living in Serbia at the time, and there were sanctions. If I catch myself complaining about going to a red carpet event, I say, 'Shut up.'
I lean into all things that are a little off. I will always wear overalls. At this point, I find a way in most of my life to wear a jumpsuit or an overall, anything that's sort of like an all-in-one situation. I do that on the red carpet a lot.
I'm not particularly good at 'celebrity'; I don't think it was something I was born to do. I think I can get by as an actor, but I've never been one for the red carpet and don't put a lot of stock in celebrities that are famous for being famous.
I had Cooper in December and was back on the red carpet in January. I picked him up and took him to work with me, you know, took him to my dressing room. So he's been raised the same way I was, which is that work is such a big part of our lives.
I'm really critical of my posture, it makes a big difference. And I try to suck my belly in. Everyone should do that whether you're on a red carpet or not. Even if you're just going out to dinner with your boyfriend you should try and suck it in.
Red Carpet Enterprise has been really well received since one guy can install it in about an hour, and it makes it trivial to deal with software management issues like deploying updates and creating standard package sets for your various machines.
One year, I went to Cannes with the film 'The Indian Runner' that Sean Penn directed. Everyone else in the film was all the same height, and on the red carpet, when they were taking photos, none of them would stand next to me, and I totally got it.
I can't promise to love someone for ever. I can't imagine anyone could promise to love me for ever. I mean, it sounds like a lovely day, but I go to red carpet events all the time and I'm the centre of attention so it's not like I'm looking for that!
If I have to do a red carpet, and there is a whole team, then it is an hour with the hair and make-up. But if I am just going out with friends, it is 15 minutes max in front of the mirror. A quick five minutes on my face, and I always wear my hair up.
I scroll through Instagram and Twitter, and whenever I see something that speaks to me, I take a screenshot to save it for red carpet inspiration. Sometimes, if I see an outfit I like on the street, I'll take a picture, too. References are so important.
Like most people - unless they're very practised at it or have no warm blood at all in their veins - I feel a little apprehensive about the red carpet. It's always a bit bewildering when people are taking pictures and asking questions before the ceremony.
Posing on the red carpet feels like you're selling something that has nothing to do with you. If you do it with someone else, it's like we're saying, 'Oh! We come as a pair! Would you like to buy both of us? We're available for weddings and Bar Mitzvahs!'
You've got to have the right attire for the right event. I attend a lot of dinners, a lot of concerts, and I have to be on the red carpet; each has its own dress code, and I have to be prepared. Jeans and a hoodie are great for a concert, but a dinner party?
All the time people ask me, like, 'Oh my God, what did you do to get ready for the red carpet?' And I'm like, 'I just had Thai food.' I love to work out and do cardio and have a healthy, active lifestyle, but I also am not going to, like, freak out over food.
I think the culture of the red carpet is too much like a modern-day coliseum. If you're being photographed all the time, and you don't like having a bad photograph taken, and if you're super, super thin, chances are you're never going to look fat in a picture.
On the red carpet, I'm playing a character. As soon as I get off that thing, I think, 'Oof, wipe that gloss off.' I'm wiping and wiping and pulling my hair out and trying to change my outfit. I'm immediately trying to get comfortable. It's really a part I play.
My life was always different growing up. I mean, even before the show, my dad was who he is. He's an Olympic athlete. And we were going to premieres, like 'Finding Nemo' premieres, and we would be little kids, like, before the show, walking down the red carpet.
What would we be without the fans? They're more important than me, because they make our sport great; they make things happen. We put on the show, but if people don't react to it, we are nothing. So, the fans, basically we should roll out the red carpet for them.
As much as I love to slay a red carpet hitting the ground running with 'Beale Street' and 'Native Son,' representing two such important voices in James Baldwin and Richard Wright let people know that I'm an artist and I really have something to say with this gift.
I love Catherine Maladrino, Angela Dean and Nicole Miller. Catherine Maladrino designs that beautiful, high-class red carpet stuff. Nicole Miller makes beautiful dresses you can wear every day. And when you just want to go and shut it down, you turn to Angela Dean.
I am not a celebrity. I work with celebrities, and it is very difficult. When a celebrity wears a dress, it's good for business, so brands fight for the red carpet. Me? I don't like it, because fashion becomes a job about dressing celebrities. And it's a bit boring.
I want to get away from couture just being done for a picture or for a single moment on the red carpet. I want to try and convince women that couture can be worn in the day and that there's a reality and relevance there, because that's what Mr. Christian Dior wanted.
When I'm out and about or walking my dogs, United fans are coming up to me saying, 'We'd rather City win the league than Liverpool.' It's strange to hear, but I can assure you the United players aren't going to leave a red carpet and say, 'Go on, City, score past us.'
I wish I had gone to Cannes with a film, but I had gone there for L'Oreal Pakistan. I cannot tell you the people that I was around, from Helen Mirren to Jane Fonda. It was a proud moment on the red carpet when they announced my name and said 'Mahira Khan from Pakistan.'
But if an actress asks me my opinion, I would tell her there are a million different designers who make faux fur. If you like that look, wear faux fur. If you're doing it on the red carpet, you're doing it for how it looks. Faux fur and real fur look the same on camera.
I can't say I have had a ton of Hollywood exposure, as strange as that sounds. But by pure happenstance, I trailed Javier Bardem on a red carpet at a film festival in Palm Springs years ago. He's one of my idols, and I endeavor to walk an artistic path similar to his own.
I think it's particularly fun not being a full-time showbiz reporter because you still have the 'Oh, wow!' factor when you go out on the red carpet and there are these big stars that are standing there. But if you're doing this day in and day out, it becomes a little blase.
It's always a weird feeling being on the red carpet, but the more I go, the more I try to connect myself to the here and now. And breathe. That's the way I make the experience a good one. If I think too much - if my head is somewhere else because I'm stressed out - it shows.
Whatever I feel comfortable in is usually what I'll wear. I go to different events and premieres and walk the red carpet... those things are awkward enough on their own. You don't want to be pulling up a top all night. I will sacrifice foot comfort though. I love high heels.
I love feminine soft shades for summers - I like pastels and bright hues, too. I like summer dresses and tank tops; I think they never go out of style. As much as I'm happy with Western wear for red carpet and social dos, I also like Indian ethnic wear for special occasions.
It is tricky because I do wear a lot of vintage on the red carpet, and usually when I'm getting ready, I'll say, 'We need to make sure that I don't look like I'm in a Scorsese film today.' Sometimes I do something a little bit more modern with my hair. You have to mix it up.
A sure way to claim a bit of cool in Hollywood - if you're an actress, at least - is to announce you don't have a stylist. Some of the most consistently elegant, inimitable women on the red carpet, like Marion Cotillard, Blake Lively, and Diane Kruger, say they go at it alone.
I love dressing up, but I do find the red carpet thing quite stressful. When I went to Venice Film Festival last month to promote 'Wuthering Heights,' I told my boyfriend beforehand 'I will be a nightmare, I will cry, I will be nervous.' Actually once I was there, it was fine.
The first red carpet I did was at New York's Paris Theatre... It was this beautiful night, and everyone is screaming my name. I'm the least pretentious actress you can ever meet. Someone said to me that I look like I've been doing this forever, and I said that's because I watch E!
When I was five years old, I remember watching the opening of the Oscars with my mother and crying as I watched celebrities walk in on the red carpet. Why would any child cry watching the Oscars? For me, the reason was simple: I wanted to be there so badly that I burst into tears.
Walking down the red carpet, suddenly I felt very special and different. All the flashlights from cameras and requesting voices from the media, the scene, it was just like what I remembered seeing on TV or a movie when I was a little girl - the scene only when movie stars appeared.
You think there's a rule book, in a way, until you realize there's absolutely no rule book, and you can use a red carpet to express something about yourself. There are so many wonderful designers in the world, and they create such wonderful things. Why go with something uninteresting?
I know, for myself, I have a very distinct style, and I know what I like, and I know what I don't like. But it has been a process of learning how to cater to the different events that happen with Hollywood and how you might want to dress for red carpet and what things photograph well.
I think always what happens when you ask men questions on the red carpet, it's always based on what projects they're working on, whatever they're about, rather than this, 'Give us little tips for all of us women'... because we're all the same. Questions should just be more individual.
What bothers me about red carpet, particularly Cannes, is that it's an extremely important festival where stunning films are shown and nothing of that ever comes in papers. It's always celebrities standing with one hand on waist, I don't know who decided that as an attractive position.