Quotes of All Topics . Occasions . Authors
More and more department stores are acting as the shop window for a range of retailers now, using space more efficiently to recreate the feel of the local market, creating new market opportunities for the small and the niche.
The mist was so challenging and the winds hit me, definitely more than I expected. It was definitely those winds, you can't re-enact them, you can't recreate them. Then my forearms started to tense up and you feel like running.
I think that the entertainment industry itself has a history of chasing success. Any time a hit product comes out, all the other companies start chasing after that success and trying to recreate it by putting out similar products.
All my work, really, is based on my brothers and sisters. I had so many adventures with them and a big part of the work is to recreate those. It's easy for me to be around a lot of people, because I can retreat. I can watch everything.
For me, 'Parmanu' was an awakening of sorts. The film is about a covert mission. It's sometimes unbelievable that we get to recreate a part of history and live an incident that made history and changed the way our country was perceived.
And doing so you can recreate yourself and you can also come up with something that is not only original and creative and artistic, but also maybe even decent, or moral if I can use words like that, or something that's like basically good.
Your purpose is to make your audience see what you saw, hear what you heard, feel what you felt. Relevant detail, couched in concrete, colorful language, is the best way to recreate the incident as it happened and to picture it for the audience.
Proof of the 'hysterical strength' phenomenon is still hearsay, mostly because it's impossible to recreate those conditions in a lab. That said, try turning a doorknob when the bass drops on 'Skyfall' without ripping that door clean off of its hinges.
Ultimately, I hypothesize that technology will one day be able to recreate a realistic representation of us as a result of the plethora of content we're creating converging with other advances in machine learning, robotics and large-scale data mining.
We are at a major epoch in human history, which is that we don't need sex to recreate the race. You can have babies without sex. This is the first time in human history that has been true, and it means, for example, we could do some extraordinary things.
Listen, acting is not surgery, it's entertainment. You're doing something to hopefully move people, to make them laugh, to transport them. But actors are vulnerable, and the reason we're vulnerable is that we're always trying to recreate human behaviour.
For two consecutive Broadway seasons, I had probably the best juvenile roles there were for an actor. Then I moved to California to recreate my role in the film version of 'Tribute.' I started working in film and television after that, and 38 years blew by!
My husband is the romantic one in our relationship. He's always doing sweet things for me. Each year, we recreate our first date - it was a blind date, and we met at the zoo, followed by a trip to the museum. I'd have to say that's my favorite romantic date.
The idea in The Man that Would Be King was that the music should recreate all that majestic surrounding and emphasize the adventure, but also speak about the frustration or, rather said, the curse of both protagonists, even before happened what happens them.
You create your life, and you can recreate it, too. In times of economic downturn and uncertainty, it's more important than ever to look deep inside yourself to fathom the sort of life you really want to lead and the talents and passions that can make that possible.
Live comedy in a club, with an audience - it's hard to recreate that experience in a digital world. With Zoom, your face is there the whole time, and you feel like you have to always be on. You feel like you always have to be paying attention, and it can be exhausting.
When I was a teenager I would lock myself in the bathroom for hours, bouffanting my hair like Patty Duke and trying to recreate Barbra Streisand's flawless eyeliner, only to comb it all out and wash it all off before stepping out into the world a butchish bisexual teen.
My best monster bass sounds have come from FM8. People think they all come from Massive, but most of the ones that kids online are trying to recreate in Massive are actually from FM8. I also really like Sylenth1, my Tone2 Gladiator and some other granular soft synths as well.
Most research into life's murky origin has been carried out by chemists. They've tried a variety of approaches in their attempts to recreate the first steps on the road to life, but little progress has been made. Perhaps that is no surprise, given life's stupendous complexity.
My wife Juliana and I first saw Eurovision while on our honeymoon in Greece in 2006, and we were amazed by it. They basically recreate a music video onstage, and pyro cannons, LED video screens, background dancers, fireworks, costume changes, and wind machines are their tools.
I never recreate dialogue. I have often been asked by people, 'You must have made this up because this is dialogue, right?' Anything in my books that is in quotes comes from some kind of living historical document: a letter, a memoir, a court transcript, a newspaper interview.
When you put something out there into the world, there's all these words you don't want to hear, that you hope people don't say. I don't like anything that starts with 're' - like retro, reinvent, recreate - I hate that. It's always like living in the past - copying, emulating.
Tim Miller's idea of Colossus was to be bigger and stronger than everyone else, so for the motion capture, they needed an extremely tall man. I'm 6-foot-4, but he wanted Colossus to be over 7 feet, so they used a stunt double to recreate his height, and he did very good job there.
Around the time I opened my second restaurant, Etta's, I had just finished judging at the Jack Daniels World Invitational BBQ Championship in Lynchburg, Tennessee. Back home in Seattle, my goal was to recreate the sweet and smoky taste of that BBQ using our local wild king salmon instead of pig.
Even when he transposes Roald Dahl's 'Fantastic Mr. Fox,' he injects so much of his own personality and his own world that it becomes a Wes Anderson story, and you forget that Roald Dahl is behind the story. That's the proof of great directors to be able to digest and recreate sometimes a classic.
We're all the same, and we all want the same thing. We all want to be secure. We all want food on the table. We want to know that our kids aren't going to be destroyed when they're not with us. We all want the same things, and if we've been hurt in our childhoods, we try and recreate the same hurt.
Earth as an ecosystem stands out in the all of the universe. There's no place that we know about that can support life as we know it, not even our sister planet, Mars, where we might set up housekeeping someday, but at great effort and trouble we have to recreate the things we take for granted here.
The first play I did was a funny one called 'The School for Wives', by Moliere. We were wearing the ugliest wigs and the worst costumes you can ever imagine to try to recreate 17th-century France in Singapore. But I got my first real pay cheque from that. I was very happy taking that cheque to the bank.
Working on 'Laguna' was great because just being in production and shooting stuff and having to go back and relive some things, and there were some lines here and there that the producers would want us to say, and just kind of, you're forced to recreate moments, and just working on the show was so much fun.
A lot of the strength of an RPG world lies in its foundation: its systems, lore, and when appropriate, its magic systems. While there are elements tied to 'Project: Eternity' that at first glance seem to be classic fantasy, that's intentional - we do want to recreate some elements of a High Fantasy experience.
One of my favourite Donald Byrd tracks is 'Think Twice,' and I didn't want to sample it. I've always enjoyed when other people have sampled it, so I wanted to instead of making a beat with it or something like that, or freak the beat of whatever. I wanted to just recreate it in my own way, like how I heard it.
The reason we see more recreations is because people want to re-introduce some iconic songs to the younger generation. I support recreations too, as long as they're done well and respectfully. I have done a couple myself too, but when I recreate a song, I do it like a tribute to the makers of the original song.
The real scares on CNN, etc. and the scares in a movie, like 'The Purge,' are totally different. One of the ways you can tell when someone, whether it's a film maker or executive or producer, wants to make a scary movie but doesn't understand that distinction is they'll want to recreate too much of what's on TV.
Don Cornelius was a genius. He created a show where he was breaking artists' songs. If you were on his show, he made the consumer want to go out and purchase your music. He will be greatly missed. If they ever try to recreate what he did, it has to been done right, authentic and real with soul! That's what Don displayed.
Performing with a hologram in a three-dimensional world feels somewhat strange. But you know, the experience of playing live in a room full of people is most exciting, it's something that the social media has not been able to recreate. There's some kind of intensity about it, something that the social media doesn't capture.
No offense to the Canadians, but I believe location is like a character, and authenticity really matters. When you're in a place like New York or D.C., you just can't beat it, and it's so hard to recreate because they are both such distinctive places. I think it's pretty easy these days to tell films that are shot in Toronto.
From the time I was five years old, theater was all I knew. I did community theater; I went to theater school. It's like going to the gym as an actor: every single night, you have to recreate the illusion of the first time, so you really have to listen and connect and stay in the moment for an hour and a half - with no breaks.
When we did the first 'Uncharted,' we weren't able to capture the audio with the performances. We would go back and do A.D.R. - Automated Dialogue Replacement - in which you would hear yourself and then repeat your line. Even when we were doing that, there was a slight disconnect because you were trying to recreate a performance.
Dancers work and they work and they work, and they master their skills so far that improvisation just comes flowing out of them. Their natural expression of the best they can possibly be comes out of them because there is no boundary to hold them back... That's the mentality that I'm trying to create, recreate and hold on to forever.
You get a chance like that maybe once in your lifetime, and you are lucky to sustain it over that period of time. It doesn't mean to say that whatever I do in the future has no substance to it - I may present some new material I've got, and there are definitely new angles of doing it - but I'm not looking to recreate another Led Zeppelin.
More than often, what you see, or what we've been able to recreate, has usually been a tampered-with version of what I have in my head, because the original idea has always been bigger. Every time I am in the mode of creating a show, there's always some level of gravity that comes in play, either of a monetary sort, or there's a space issue.