Quotes of All Topics . Occasions . Authors
I think of the Tycho sound as something separate from the band. I think the methodology and approach to production I use on the Tycho records can be applied to a lot of things. But from a performance and songwriting perspective, yes, Tycho is a live band.
We never had a billionaire brand in music; the closest thing we had was Michael Jackson. Michael Jackson sold 750 million records. I think we're gonna set the tone for other youngsters to make more money and see that a billion dollars can be accomplished.
In music, we can still record analog and then do the post production in digital. In film, sooner or later, we're not even going to be able to film because they won't be able to process. The labs won't exist anymore. You'll just have to do it with digital.
I'm very fussy about how my records sound, but I'm very aware that because of the way they sound, I will never be a big-selling, mainstream artist because the public has gotten conditioned to hearing pop music in a certain way. And I don't do it that way.
The Righteous Brothers got so heavy because of the dramatic hit records like 'Lovin' Feelin.' Bobby and I just felt like we were a couple of Orange County guys who were just having a great time singing rock n' roll, and then, boy, it became something else.
I don't like records that are the same from beginning to end, that are too styled and slick. Everything is so designed and airbrushed and Botoxed, it makes us think, 'Oh, everybody's perfect except me. Everything's smooth except me.' But nothing is smooth.
It's always been difficult to make a good record. To be perfectly honest with you, it's really about the person that's pushing the buttons. No matter what type of equipment you have, you still have to have a certain talent to be able to make a good record.
To actually put the time and energy into an album that would be better than Pull would be a hell of a lot of work, because I took that band really seriously, way more seriously than people took us. If you go back and listen to the records, you can hear it.
I'd been listening to African-American music since the first record I ever bought, which was by Sam Cooke. And it sounds more like my private thoughts that I never thought I would be able to articulate - I never thought I would be able to express publicly.
Whenever I say I made a record in the garage, people just assume that I have, like, a Lear jet parked in there or something. But really there's old luggage, a couple of bikes. It's big enough to put one minivan in. That's it. No dartboard. I'm so not macho.
I realize there will not be another Gretzky, and I will be the first one to say I will not break his records, .. But for him to say that I could, it means I am doing something right. It was probably the best compliment I could get. I'm going to remember it.
If the records that I make have one thing in common, it's that there is little recapitulation, and the idea is that it should end in a place very different from where it began, and that you've heard musicians undergo a change or be irreversibly transformed.
I started to listen to music and began collecting records around 1948. And it was fairly soon after that that hi-fi came about, so that it was possible to have really good sound - LPs and tapes and speaker systems. The whole thing came more or less at once.
The sacred rights of mankind are not to be rummaged for among old parchments or musty records. They are written, as with a sunbeam, in the whole volume of human nature, by the hand of the divinity itself; and can never be erased or obscured by mortal power.
While working for Diplomat Records, I helped several artists with their online branding and social media. Once I left the label, I worked directly with artists and noticed many artists were overlooked and underrated if they weren't in 'XXL' or 'The Source.'
With Virgin, I've just loved creating things. And as a private company, I can get away with moving Virgin from records to airlines to train companies to space companies to whatever, without ever having to worry about analysts knocking the value of my stock.
I've never had anybody produce my records. I've always produced my own records. I've worked with a guy for a while who was an engineer who helped me produce records, but I've always made my own records. I'm a control fanatic. I've got to control everything.
I've done two albums for Concord Records; one was with Al Jarreau and it did very well for us. The second album was called 'Songs And Stories,' and it had good songs and good performances, but I promised them I would do an album that was more jazz-oriented.
Well, it's been an interesting career. Since I last appeared on 'Top Of The Pops,' I've been doing about 150 live shows every year. The live shows have always been well received and they consistently worked, it's just the records that haven't been very good.
Most bands have a sound that they're already identified with, so for the producer it becomes a process of helping them find their muse in the studio to make a record that will not only satisfy them artistically, but will also do something in the marketplace.
The ACLU's record, far from showing a momentary wavering from impartiality, is replete with attemps to reform American society according to the wisdom of liberalism. The truth of the matters is that the ACLU has always been a highly politicized organization.
When you're spending your money for a nice outing, you want to go have a good time. And I always thought comedies, laughing, was something that was made for entertainment on that level. And records and maybe TV and stuff like that is really made to be heavy.
I have a solo deal with Columbia Records. So it's about, do I want to release an album, when can we do it, what kind of album should it be, how should it be released and marketed and what's the right timing? Do I have time to do it? It's all about questions.
But now it's kind of a given that a 15-year-old would have a record deal and sell a quarter of a million records. No one's expecting her to answer any deep theological questions. And I'll tell you, I was asked some deep theological questions from the git-go.
Rock & roll seemed to just come to us, on the radio and in the record stores. It became our music. . . But then we uncovered another, deeper level, the history behind rock and R&B, the music behind our music. All roads led to the source, which was the blues.
An irresistable footnote: in 1971, pension fund managers invested a record 122% of net funds available in equities - at full prices they couldn't buy enough of them. In 1974, after the bottom had fallen out, they committed a then record low of 21% to stocks.
I've looked at pictures that my mom has of me, from when I was four years old at the turntable. I'm there, reaching up to play the records. I feel like I was bred to do what I do. I've been into music, and listening to music and critiquing it, my whole life.
Surface R&B doesn't work any more. The whole heartthrob thing, songs about unrealistic love and tearing your shirt off every show - that's not really where it's at any more. It's becoming harder for those guys to sell records, and harder for them to succeed.
A lot has been written and said about why he was so great, but I think the best way to appreciate his greatness is just to go back and play some of the old records. Time has a way of being very unkind to old records, but Elvis' keep getting better and better.
I walked into Relativity Records as a musician who could not be taken advantage of. That's why I wound up owning all my own publishing and making a deal that was quite advantageous for a new solo artist. But I really didn't think of myself as an entrepreneur.
I am just glad that I can take the music to the people who want to hear it. I love my audiences. I am deeply indebted to them for giving me the chance to sing my concerts, make records, and do what I love. Whatever people call it, it is great to have a voice!
Turkey tail mushrooms have been used to treat various maladies for hundreds of years in Asia, Europe, and by indigenous peoples in North America. Records of turkey tail brewed as medicinal tea date from the early 15th century, during the Ming Dynasty in China.
I know that's how things have gotten, but I appreciate to listen to it the way it was intended to be listened to. The way the intro to the record starts. I just want you to stare at the cover, get absorbed in the whole vibe and let it take you on that journey.
Technology was changing just as we were getting started. You had these records by people like David Bowie and Talking Heads and Brian Eno that took production into a whole new direction. That really influenced us, and pushed us to find that early sound we had.
My dad was a club musician. He was always playing guitar and playing loads of soul records and '60s rock n' roll. Whenever he used to cook, he used to play Donny Hathaway, Aretha Franklin, The Kinks, and the Spencer Davis Group - a lot of really earthy things.
My earliest influence was Quincy Jones. I thought 'The Wiz' soundtrack was the most amazing thing I'd ever heard. It was my first record and you had Michael Jackson, Ted Ross, Nipsey Russell and Diana Ross on it. I even took it to show and tell in third grade!
In making a record there are so fewer people involved - at least in our case. There were no more than three or four people in the studio at once. So I really feel like I can stand by everything on the record and say this is something that I personally endorse.
A visit to the hood through a record, or through a video, or through a film, is a lot safer than actually visiting the people in real life. It became a business model. It became a revenue engine that, you know, you can get to the hood without ever going there.
I keep my ears open. The world can change overnight; that's what happens in this world. You never know. You have to keep your eyes and ears open. If you can't keep up, you ain't gonna catch up. I've been making records since 1953, and you just have to keep up.
When I think of the artists I admire and seek out musically. It's because I'm curious about where they're going to go the next time they have a chance to put a record out. It's not about where I find them on the radio dial, or how many records they're selling.
I've made classic records, and going into making 'R.A.P. Music,' I was determined to top the entire legacy of the 'Pledge' series, and the fact that I won a Grammy, and the fact that I was associated with OutKast, and the fact that I'm a Dungeon Family member.
It's so different now coming out as a new artist today than it was when I came out almost ten years ago. Now, it's all about singles, it's really quick, it's online. I came out when people sold records and they still do today but - I don't know what the key is.
We have the best customer satisfaction record, based on Transportation Dept. statistics, of any airline in America, the fewest complaints filed per 100,000 passengers carried. So you're not just getting low fares, you're also getting wonderful customer service.
My parents took an interest in nothing, at home no books, no records. My mother and my father are the emblem of indifference, dryness and bad taste. My father is also terribly stingy, in life as well as in feelings: I have never seen him filling up the bathtub.
The Fourth Amendment is quite clear on the notion that search and seizure must not be unreasonable. It is difficult to think of something more unreasonable than searching the private phone records and digital information of citizens who are suspected of nothing.
For the record, someone will ALWAYS say that you are too big, too thin, too lean, too fat, too whatever. In my opinion, they are too conceited to think that their opinion is going to change our behavior. A person with confidence won't be deterred! Keep after it!
It is curious to reflect, for example, upon the remarkable legend of the Philosopher's Stone, one of the oldest and most universal beliefs, the origin of which, however far back we penetrate into the records of the past, we do not probably trace its real source.
Lauryn Hill's always been a hero of mine. And Bruno Mars, Janelle Monae and Adele, those are the current artists I would reference in terms of who's been able to do really amazing pop records with really cool, organic throwback elements of soul in there as well.
Disco was brand new then and there were a few jocks that had monstrous sound systems but they wouldn't dare play this kind of music. They would never play a record where only two minutes of the song was all it was worth. They wouldn't buy those types of records.
I now possess the tools as a producer and a songwriter to really just go out and make smashes all day long. I could make an album full of smash records that got pop appeal. But my heart is in hip-hop. My heart is in telling stories. And it's like therapy for me.