Quotes of All Topics . Occasions . Authors
The brank, or scold's bridle, was unknown in America in its English shape: though from colonial records we learn that scolding women were far too plentiful, and were gagged for that annoying and irritating habit.
Jorgensen is tough, but Lin Dan is right up there. He is the best and biggest rival. I really want to catch all his records, but if I want to achieve that, then the most important thing for me is to stay healthy.
No one in this world, so far as I know - and I have searched the records for years, and employed agents to help me - has ever lost money by underestimating the intelligence of the great masses of the plain people.
Yeah, I was in the phase for the last ten years or so where every record I made I said OK, that's the last one, I don't want to record anymore, I don't want to do this any more, I don't want to have a public life.
Everybody gets to a stage when it's time to move on. I was bored, and the band wasn't going anywhere, so I left. I did a couple of shows on Broadway and some other things. I was busy. I just wasn't making records.
Disaster is rarely as pervasive as it seems from recorded accounts. The fact of being on the record makes it appear continuous and ubiquitous whereas it is more likely to have been sporadic both in time and place.
We strive to have new records. We strive to have new songs on the radio. That feels good that we can gain those new fans and still bring out our fans that have been with us for some of the ride or all of the ride.
When people want me to sign records they usually always have Vivadixie[submarinetransmissions], and I think that's a lot of people's favorite record. And that was sort of when I was just learning what I was doing.
I don't listen to music throughout the day very often. I don't own a record player. I don't really have a stereo system. Most of the music I listen to these days is on the web or on MySpace pages, stuff like that.
My gift's primarily literary. That being said, I ended up a musician. By the time I made the bluegrass record...I'm more impressed with myself when I push the envelope musically than I am when I push it literality.
I remember when I was coming up, the music stores where you could get guitar strings was where I got my records from. Now the place where you get your records from is where you can get your DJ mats and your mixers.
Music was massive from an early age. My parents were huge music fans, especially soul, and they played records in our house all the time, and me and my brother and sister would dance and sing about the living room.
And ultimately the people who produce my records, they know that they're here to serve the purpose of me expressing who I am at this period of time and augmenting that or pulling it forward and I love that process.
It was not the purpose of poetry to record anything and everything, to merely describe either the outer world or some subjective mood, but to speak from the imagination of the poet to the imagination of the reader.
360 deals are the new things of the industry. It's not about selling records; it's about selling T-shirts, getting a piece of your publishing, getting a piece of your touring, and all these other kind of properties.
I am a boring loner. I enjoy Friday nights at home in my rocking chair with no arms, rocking and relaxing. It's not uncommon for Netflix to be involved. Records are a possibility, but most of it is spent in silence.
I find it disturbing that no member of the Senate Armed Services Committee is willing to acknowledge that record of failure and to ask our next secretary of defense what he proposes to do to amend that sorry record.
It's easy to identify many investment managers with great recent records. But past results, though important, do not suffice when prospective performance is being judged. How the record has been achieved is crucial.
With tens of thousands of patients dying every year from preventable medical errors, it is imperative that we embrace available technologies and drastically improve the way medical records are handled and processed.
My philosophy for producing a record is for everyone involved, including myself, to get out of the way of the song, and at the same time, listen to it as closely as you can, and listen to where the song wants to go.
Girlfriend and 100 Percent Fun were my two peeks, around '92 and '96. The reality is that the times I had the most media success, sold lots of records and played bigger shows, I had the least control of my own life.
The establishment Republicans are beginning to say on the record what they had been whispering about in private for months: that Donald Trump at the top of the ticket could mean an electoral wipeout down the ballot.
The Ninja, as you know, operates by stealth. And so, case in point: I put out records... no one hears them! I make videos... (whispers) no one sees! I go on tour.... (whispers) no one knows! NINJA! I was never here!
I didn't want to do a double album. I just felt like the last two records I made were like that, and a lot of records I was buying were like that, and it started to feel like it was too much music to digest at once.
Before the 90s, black metal wasn't a selling tool [and didn't] have money behind it. Then it became a pop sensation. Now that the record industry has collapsed and started to rot, things are livening up a bit again.
I want to set the record straight for everybody who's been waiting to hear my music. The song that's out on the internet is an incomplete song that I'm still working on. When it's ready, you'll be hearing it from me.
There are all kinds of things that can be done. You can change rhythms, you can change chords, you can change whole concepts. But it will only work, on a record or in a performance, if you can make the people buy it.
Everything about my life was culturally rich, and all the people I met sort of reinforced the wackiness that was normally inside of me. No one said, 'You can't do that,' until I got to real record companies, that is.
When a record company looks at me I'm very hard to market, I don't really fit anywhere, It's hard to get me on the air, and I'm hard to demography, but! because of that I'm not subject to trends like you pointed out.
The music industry is a strange combination of having real and intangible assets: pop bands are brand names in themselves, and at a given stage in their careers their name alone can practically gaurantee hit records.
I can go write an absolutely saccharine pop record with a really catchy lyric for another artist that could become a hit without meaning anything to me, but that's more the science laboratory, that's the other thing.
We played together for so long and we got to the point where our styles blended together. Even today, sometimes I'll hear our records and I'm not really sure who played what. And we took a bunch of acid together too.
Well when I was young, when I was very young, when I was a little boy I don't remember the music I heard, but there was an article in the Brooklyn Daily written by my Aunt about how I could choose phonograph records.
Now they talk on the radio about the record set by (Babe) Ruth, and (Joe) DiMaggio and Henry Aaron. But they rarely mention mine. Do you know what I have to show for the sixty-one home runs? Nothing, exactly nothing.
I would sell 2 million records, a million went to teenagers and a million went to the adults. So, when The Beatles became so popular, I lost a million to the teenagers, but I was still selling a million to the adults.
War had always seemed to me to be a purely human behavior. Accounts of warlike behavior date back to the very first written records of human history; it seemed to be an almost universal characteristic of human groups.
The thing that I always notice that dates a record is the rhythm section. With a good arranger the music can be timeless. But, rhythm can change, because heaven knows, we didn't know rock was going to come in, did we?
What I did with my first records was, my writing process was that I didn't touch any instruments to write it, so I was making it all on the computer, and really the arrangements were coming first, the intricate thing.
Remember the Stax label and how if you liked one record, you liked all the others as well? You don't talk to a lot of people who tell you how much they love their record label. I don't care how many records they sell.
When we used to play, we thought no one can break Sunil Gavaskar's record. No one could think about 50 Test centuries at that time. This is certainly a big knock under the circumstances, better than the 200s and 300s.
Cause I can make more money going in and doing my recordings and selling them through my entities that I have, rather than going to a record co. and them release a record and pay me 5 percent of what they make off it.
It's just a compulsion to create something new and stay busy. I don't know how to do anything else. It was never exactly right. Those records came out in spite of their flaws. And because of their flaws they were good.
Well, the questioner came from Singapore, which has perhaps the best economic record in the history of developing an economy. And therefore he referred to 15 percent per annum as modest. It's not modest, it's arrogant.
With those people, I'm very far apart, because I believe that government access to communications and stored records is valuable when done under tightly controlled conditions which protect legitimate privacy interests.
I don't do much recording anymore, but before I really stopped, I was glad to get five, five cent a record. That's why when I see people today and they complain about what they get, and I picked cotton for $2.50 a day.
I don't have anything to hide. And for the record, I am not against plastic surgery. I believe that any woman that wants to do anything or fix anything that bothers her - if she's doing it for herself - I'm all for it.
Many people know that Ethiopia is poor. When I break a world record, maybe people get to know something else about Ethiopia, something good. We can't make planes or cars, we don't have the materials. We do what we can.
I've had offers to sign a record deal, but the people I've talked to have wanted to package me and have me meet with songwriters who've written stuff for Whitney Houston, that sort of thing. That's not at all my style.
You have to separate the humanitarian impulse from the record of aid itself. We all want to help. Many people would say that it's the moral impulse of the rich to help the poor, but the record of aid has been terrible.
I need to let people know who I am and instead of just trying to make great records, just be honest and make it more personal and make it more passionate, to make records with emotion and not be afraid to express that.