I can't even listen to Swans anymore. It doesn't do it for me at all, but I absolutely adore the early records and, on that same token, I wouldn't in any way wish for them to come back and repeat themselves.

I am sure that everyone will immediately discover how much 'The Brightest Void' and 'The Shadow Self' are entwined with each other but, at the same time, are two independent records which stand on their own.

Rich as we are in biography, a well-written life is almost as rare as a well-spent one; and there are certainly many more men whose history deserves to be recorded than persons willing and able to record it.

Consider this: I can go to Antarctica and get cash from an ATM without a glitch, but should I fall ill during my travels, a hospital there could not access my medical records or know what medications I am on.

If you make a record, you should ask yourself, 'Did it make someone cry, in a good way, not a bad way?' There should almost be subjective emotional criteria for evaluating work, instead of just profitability.

Recently, I've been working on anew album of material, which should be out in the new Millennium. I'm not sure which song will be put out as a single, but I'm still hoping to get another record in the charts.

When you record for a label, they own that material in perpetuity, meaning that they can release, chose not to release , or repackage it any way they so choose... with or without the permission of the artist.

As I've gotten older, now I've really got to back that up with record sales. Anytime showed me that I could still have some of those elements I wanted, but you still have to come with hit after hit after hit.

A lot of people felt I was getting work because I was Boy George. My response at the time was that there's a lot of DJs making records, they're not all making good records, but they have the right to do that.

I don't listen to my own records a lot. Once in a while - to check out my mistakes. Because you can always see a spot or two in the record where you could have done better. So you more or less study this way.

As a DJ, it's my job to break new music. And instead of it just being the stuff that's coming from the major labels or the big pop records, I've always gravitated to something that's just different, you know?

Prior to me, no one in my family is in the field of IT, but I can feel that my brothers are following my footsteps very anxiously and enthusiastically. They are posing a constant challenge to my world record.

Bob Dylan is quite a songwriter, and a great singer and musician. I won't bother with comparing myself to him, but I will say that I heard his records at a very young age and I still listen to all his records.

We have a record for Nawaz Sharif but not the others. And judging by the record, it's pretty hard to be optimistic. His [Sharif's] previous governments were very corrupt and regressive in the policies pursued.

Bob Dylan is quite a songwriter, and a great singer and musician. I won't bother with comparing myself to him, but I will say that I heard his records at a very young age and I still listen to all his records.

From the moment the tourist enters the site, everyone has to be photographed in front of every feature of note.... The photographic record of the visit has almost destroyed the very notion of actually looking.

To keep the record straight, it wasn't always John and Yoko. We've all accused one another of various business things; we tend to be pretty paranoid by now, as you can imagine. There's a lot of money involved.

I don't release many records just as "Fennesz," so when I do, I want to plan everything in detail. It's not that I want to really lead the listener somewhere; it's more about me being satisfied with a project.

I get most of my inspiration from older records. Most of the records that I listen to were probably made before I was born, and I was born in the mid-'70s. I don't know why, exactly, I'm drawn to those sounds.

I think making a movie or a record, the best things happen by accident - and those end up being the magic. Every time I've followed my gut it's been better than when I've tried to do what I was supposed to do.

Before the whole [music] business was calibrated around the selling of records. I never could have imagined that live performance would become kind of a vortex of the business. It's such a seismic shift really.

I'm coming up on 40 next year, and after making so many records and doing music for so long, I'm looking for a change and a different perspective. And every now and then, I think I have something I want to say.

As long as bands are still out there slaving away in the garage and putting out their own records and just pushing the envelope for how songs should be written or how they should be played, punk will never die.

So I'll set a cycle in motion and pop it into record and I'll lay down a drum pattern, a bass line, a keyboard and guitar part, and once the groove is going I launch into the song and sing my song over the top.

Biography, especially of the great and good, who have risen by their own exertions to eminence and usefulness, is an inspiring and ennobling study. Its direct tendency is to reproduce the excellence it records.

You know, in the days when I started, if you had Chet Atkins' name on your record as a producer and it was on RCA, you could work the road. It didn't have to be a big hit record, it just had to have that on it.

Employees who report receiving recognition and praise within the last seven days show increased productivity, get higher scores from customers, and have better safety records. They're just more engaged at work.

I have nothing to prove. I just want to follow the music. I love making records. I love playing live. That's it. There's nothing outside of that. I look forward to the weirdness that's in front of us every day.

I love it when people say things to me in public and want to meet me, because I want to meet them! Early on, my manager told me, 'If you want to sell 500,000 records, then go out there and meet 500,000 people.'

The government can still conduct clandestine searches of innocent people's private information such as library, medical, and financial records. This is wrong and should have been addressed in a true compromise.

The group disbanded prematurely in 1983, but its records made a sizable mark: Mission of Burma became a band's band; leaving noticeable impressions on the likes of Pearl Jam, R.E.M., Sonic Youth and Yo La Tengo.

I didn't make my first solo record until 1981 so I don't have any 60′s or 70′s recordings but I am working on a large boxed set called DUST to be released next year, the 20th anniversary of my first solo record.

Keeping this facility [Guantanamo prison] open is contrary to our values. It undermines our standing in the world. It is viewed as a stain on our broader record of upholding the highest standards of rule of law.

It seems like the record industry made so much crazy money in the 1960s that everyone wanted to get in on it. Now it's just become very corporate. So all of these people who despise music end up being in charge.

I was a huge fan of '90s hip-hop, and a lot of what they got their music from was funk and soul records. They just, like, take a clip of that and rap over it because, you know, that was just kind of what was up.

I have been listening to the Stooges' self-titled first album for well over half my life, and it remains one of the most exciting and essential records I have ever had the good fortune to come into contact with.

A big marker in my life was realizing you could record sound: I liked to make little recordings and then go back and listen to them. It becomes something outside of you then and you can listen to it objectively.

And then computers got to a point where you could just record directly into them. So when that happened, funny enough, I thought, Right, I'm going to learn how to do this because then I can understand that part.

We went through an era of big dance records, an era of hip-hop being the biggest thing on the planet. The people who really break through are the people who are not afraid to express themselves in how they feel.

There are such beings as vampires, some of us have evidence that they exist. Even had we not the proof of our own unhappy experience, the teachings and the records of the past give proof enough for sane peoples.

I'm not deluded enough to think that everyone who knows my name is a listener. You know, I hope that part of that interest - part of that public interest - has to do with me still making records that people like.

We've been able to record the music of cultures that did not have recording, and thus preserve it. But there is also a negative aspect to this and that is the effect of the intrusion of the West on such cultures.

I feel like records are moments in time, a modern moment that feels right then and it found its way to us then, that minute. We can all try and repeat records we have made that had success, but it's not possible.

The real amazing thing about all of this is I think I've maintained the mentality of a musician throughout it all, which I'm proudest of. And I'm still playing on people's records and singing on people's records.

There's a lot of people over time who have brought out all these funky records that everybody has started jumping on like a catch phrase... When Planet Rock came out, then you had all of the electro funk records.

The Athletic Association competed against the University. So there was an event. You cannot break world records unless it is an established event, and you have three timekeepers, and the whole thing is organized.

We grew up with all the Fat Wreck Records and all the Epitaph bands, that era. We mixed it up together. We were never purists of being just pop or just pop-punk. We always wanted to blend everything that we love.

If you listen to a Deadmau5 record or a Skrillex record, I really enjoy that stuff because, as aggressive sounding as the Skrillex records are, they're still musical, and that's why they have such a broad appeal.

You know, that was the first time [with Any Winehouse] that I probably ever used a baritone sax. And it's certainly the texture that, you know - it's all over the record 'cause it's a nice compliment to her tone.

I really don't listen to anyone that I'm not proud of saying that I listen to. Even if it's something a little bit more unexpected, I didn't get too deep into the Waka, Gucci records, but I like those with pride.

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