Quotes of All Topics . Occasions . Authors
We often leave the most precious personal direction of the Spirit unheard because we do not record and respond to the first promptings that come to us when the Lord chooses to direct us.
We had prepared, my staff had prepared for me a whole dossier on virtually - on George Bush on his votes on his records, what he had done over the past number of years in public service.
Television is not like making records. I wanna tell all you kids, do not try this at home, 'cause it's hard. It takes a lot of hard work, a lot of practice, and a lot of different takes.
If we just sit and exist, and understand that, I think it will be helpful in a world that seems like a record that's going faster and faster, we're spinning off the edge of the universe.
I was very pleased to find that once I had records out music videos were starting to happen, so I directed some of my own music videos and got to experiment in other areas of expression.
The people who were in college in the '50s were my first real audience, and their kids, the people who found my records in the cabinet during their 'Mad 'magazine years picked me up also.
I get hugs all the time from strangers. I do believe that people can feel your persona when you perform live, but it is one of the nicest things if you can translate that on your records.
How many emperors and how many princes have lived and died and no record of them remains, and they only sought to gain dominions and riches in order that their fame might be ever-lasting.
Federal agencies that own bridges have some of the worst records for on-time inspections. Nearly 3,000 bridges owned by U.S. government agencies went more than two years between checkups.
I went through this difficult time [in the 1984] when we were making our third record where I kind of lost my mind. That's when the bulimia kicked in. And that's when I got really freaky.
I buy some black metal records kind of blindly, and I end up really liking maybe 30% of them. There's a lot of duds, for me at least, in black metal. I have kind of picky tastes about it.
I've been doing instrumental records now for a long time and built up this little fan base, which is worldwide, and it's incredible how big it's gotten. People really enjoy these records.
You need two things to remain very, very present. You need to continue to write well and engage yourself in the issues of the day. And you have to continue to make good, relevant records.
When we think about big records, a lot of producers are thinking of how to make it as standard as possible. I think those days are gone. I think you have to surprise the audience in 2015.
You would think that, at this point, with records being kept and the vast amount of knowledge on these drugs, the pharmacists could wave off prescriptions that are dangerous to customers.
I got a very good life. I sold plenty of records, I get recognized plenty, I can always have somebody call up and get me a fine table at a restaurant. What do you really need, ultimately?
In 1961, when Maris broke Babe Ruth's record, he wasn't intentionally walked once. Mickey batted after Roger, and nobody was going to put a man on base with Mantle coming up to the plate.
That's what my music... I'm working on a solo record right now, it's gonna be more hip-hop than anything, like electronic hip-hop, futuristic hip-hop. I'm probably gonna be rapping on it.
Most of those takes were one take. I made those records in three minutes. I didn't have time to get nervous or scared the first time I sang it. It was all 'live' and I enjoyed it so much.
Most of them are pretty down records, pretty unhappy, pretty confused. Which only reflects how people in general were feeling, I mean really the sense that you get is society running down.
I wanted to have all the songs to be the strongest they could be and all the choruses to be catchy. One of those records you could put in your car and just drive and not have to change it.
I think that no one human being would have been able to look at [a hypothetical photographic record of the Nazi gassing of Jews]... I would have preferred to destroy it. It is not visible.
God works funny so it might have just been meant for me to be an artist that doesn't sell two million records. Maybe my records might change somebody's life rather than sell thru the roof.
Gene Krupa was my big hero, and I used to play on my mother's flour cans and sugar cans with the kitchen knives, listening to the big bands on my dad's records. Gene Krupa and Harry James.
So, when I got the contract for my album, even though it was an English record, my manager insisted on making sure we would record in Spanish as well, and it worked out really well for me.
Most artists should be able to make the album that they want. You don't necessarily pick the singles that you want when you're making a record, but for the most part it's the same process.
Solace is my favorite song. It was the last song we wrote for the record. It was right when we really started to mesh as far as music goes and we started really connecting with each other.
The fans own the records and listen to them and love them. It becomes the soundtrack to some part of their lives, and we don't control that. To me, that's what's exciting about what we do.
In my first year as governor, we solved some of the problems that had begun to undermine the Open Records Act. We gave the act teeth by providing criminal penalties for knowing violations.
We have the highest authority for believing that the meek shall inherit the earth; though I have never found any particular corroboration of this aphorism in the records of Somerset House.
I couldn't do "What's Love Got To Do With It", Tina Turner because it wasn't the right tempo; so I scratched it from the record. I wanted to do it about a year ago, but something happened.
My second record I used a producer, which was frustrating in a way, because I think a lot of the punky spirit and provocative nature of the lyrics didn't come across - the music was pretty.
I don't work under the illusion that I'm the next whatever. Every time a record comes out, if it gets a good review, I'm like, "Well, one more year, guys. We bought ourselves another year".
I also don't like to make really big records, because I feel then that the songs don't get enough space to be themselves, so I would never want to make a record that's like seventeen songs.
I want to make sure every House Republican is protected from some kind of dishonest, Democratic edge. So, let me say on the record: any ad which quotes what I said on Sunday is a falsehood.
When I get the record, all it will make me is the player with the most hits. I'm also the player with the most at bats and the most outs. I never said I was a greater player than (Ty) Cobb.
For the Archivist, this role is a result of his obligation to preserve and assure timely and maximum access to our governmental records in the evolving historic saga of the American people.
When I achieved the European record for reciting pi in 2004, this captured the imagination of Professor Simon Baron-Cohen in Cambridge and he finally diagnosed me with Asperger's that year.
Just ask yourself what record you played over and over again when you were depressed or what record made you really happy? Those will never change and you should never be embarrassed by it.
I'm used to writing something, it becomes a record, it comes out. Then I go perform and I play it and I get this immediate feedback from the audience. So that's been the pattern of my life.
Do not trust people who call themselves musicians or record collectors who say that they don’t like Bob Dylan or the Beatles. They do not love music if those words come out of their mouths.
Where the Bible is esteemed as the inspired and inerrant Word of God, preaching can flourish. But where the Bible is treated merely as a record of valuable religious insight, preaching dies.
I cleaned up my act, and I made this rap thing work for me. I thought people would respect me for that. But instead, it's, 'Oh, he's sold all these records, and now he thinks he's all that.'
As long as you're giving up quality records and you're makin' hit records, people are always gonna want to hear a hit, and they'll always want to be attached to something that's doin' great.
We moved into the back, made it into a little 50s sitting room and started to sell the records. We had an immediate success. For one thing, these Teddy Boys were thrilled to buy the records.
Yeah, the record for most titles was previously held by the Fabulous Moolah, she won it four times. And a few weeks ago, I won the title for the sixth time, which has never been done before.
I just started to do my own thing for about a year and a half, and I worked in the evening selling phonograph records. Then I said to myself, "I'm afraid I have to go to New York after all."
Are you telling me that the polite little note I sent my college alumni magazine has, by some unbeknownst series of errors, come to be printed in The Paper of Record, instead? What a fiasco!
I think it's important to remember that music supervision is not just about a fantastic record collection or knowledge of music, although that certainly helps for aspiring music supervisors.
I don't know why we sold a lot of records or why so many people came to see us. Like 'Sabotage' - would you put that song on, like, 'I'm gonna listen to that right now?' It's a weird choice.