Quotes of All Topics . Occasions . Authors
One guy records the voices, another guy times the storyboard, another guy times the sheets, one guy is the story editor. All these jobs should be covered by the director.
I prefer to record all traumas and save them for later, playing them over and over so they can haunt me for a disproportionate number of weeks to come. It's very healthy.
I'm proud of my record of negotiating agreements, representing people and making sure that both employers and employees could get the best out of going to work every day.
Anybody who says they don't want to be seen on a show which has millions of people watching it at one time when they're in the business of selling records is a bit silly.
Then I went through a whole bunch of crap with my lousy movies and pop records. I had people behind me kind of steering me in that direction, but it wasn't really my bag.
We felt that the Gates Foundation looked at our track record and our publications and decided that "this is persuasive; this needs to be done. Let's see what they can do."
How lucky can one guy get? I was a runaway, and then I was in one of the biggest bands in the world. I've sold out every arena. I've sold millions and millions of records.
I just feel my sexuality is private. I'm very shy about being sexy. That part of me has been so closed to the public eye. I've sold millions of records with my clothes on.
When I had a side-by-side-style freezer, I kept everything - soup, ground meat, steaks, cooked rice - frozen in flat packs that I filed away vertically like vinyl records.
I have to feel connected before I record and the song has to spark something inside me. Very few songs do that. I guess it's a good process because I love all of my music.
If somebody wanted to go and find songs of mine to fill an iPod, that aren't on any records. They could probably find dozens of songs besides the ones that are on records.
I have to believe that I know what's best for me. For instance, I choose all my songs. I never record anything I don't want to record. No one tells me what concerts to do.
I never stopped making pictures. There were times when more of my income was coming from other sources, and I had to devote more time to television and movies and records.
Wynton told us that Miles sold out, just wanted to make more money, just wanted to sell more records. I don't believe that Miles sold out but I'm not in a position to say.
I generally sell my records online or at the show. You can undersell the distributor and the stores, and people know what they're getting cause they've just seen you live.
I guess I probably took New York for granted. Growing up, playing in the street, going down to the Avenue to the record store and to the grocery store and stuff like that.
I realize you are going to make mistakes through life. Just don't make any bad ones, you know. Like all of my records are perfect records, but I did make mistakes on them.
The years keep going by and you realize, Wow. Doing these records is such a process: going on tour for a year and a half, then you get home and you want to do other things.
Sedimentation in the past has often been very rapid indeed and very spasmodic. This may be called the "Phenomenon of the Catastrophic Nature of the Stratigraphical Record."
Good records - from my point of view, where I grew up which was Led Zeppelin and Jethro Tull... bands that were pushing the envelope a little - musically and in production.
If you're looking for a deep album or you're looking for me to talk about past situations, it's not even about that. It's just 14 hot records that are gonna make you dance.
This record has a lot of influences that I'd love to cover, like Marvin Gaye and Earth, Wind and Fire. Maybe I'll do some covers of my major influences during my live show.
Moreover, photography has made it possible to fix these images and now provides us with a permanent record of each observed spectrum, which can be measured out at any time.
I love the fact that no one's ever bought my record because they were enamoured of the way I look. Maybe one person. There must be someone out there with compromised taste.
But we will lose the millions of records being created daily in a dizzying array of electronic forms unless we find a way to preserve and keep them accessible indefinitely.
I knew that as a DJ from 1970 on up that I would eventually come with this sound. I brought out all these other break beats that you hear so much on a lot of these records.
Just because I have two world records, everyone assumes that means automatically it is two guaranteed gold medals, but it isn't like that, and anything can happen in a race.
My brother had a big band in high school; after that we continued to play together, eventually forming a group called the Jazz Brothers, that recorded for Riverside Records.
I love genealogical research. That's the reason I bought my first computer years ago to put my genealogy records on the computer. I've always enjoyed tracing family history.
I've always tried to insert consciousness and spirituality in my records, interpreting the writings of all cultures and religions and how they apply to life in modern times.
With Dollars And Cents on the album, we had it as a band jam and I sometimes spend evenings playing with records over the top of things we were working on to see what works.
Well, I haven't seen the records. I haven't seen Hilary Rosen; I personally know three Hilary Rosen's, so I don't know that this Hilary Rosen is the one we're talking about.
Research promoted by NARA within a major coalition of Federal and private sector research partners has at last demonstrated that an Electronic Records Archives can be built.
To see a lot of the smaller labels disappear or get gobbled up by the bigger labels, that’s a shame. It was a bit of a shock at first to see the demise of the record stores.
I have a lot of memories, but I don't go into capitalizing on that. Something's got to be my own. I'm not doing the record to sit here and broadcast my memories of my father.
I know the history of the record business so well because I followed Billie Holiday into the record studios. It was so primitive compared to the sophisticated business today.
I can make a record like the [previous] one I put out, but I don't want to do that because I want to set the bar so high for myself. I don't want to do it like everyone else.
I had every major label in the world - I mean, any label that dealt with rap music wanted to sign me. I ended up going with Jive Records because I liked everything about 'em.
I really do love Diana Ross; I grew up listening to her records. I grew up in a little town in Mexico, so while we got the music, we never got the experience of watching her.
I look at my career as a body of work, not just Queens of the Stone Age records. I'm in Eagles of Death Metal, I'm in Them Crooked Vultures; I make records with other people.
The Bible is not a script for a funeral service, but it is the record of God always bringing life where we expected to find death. Everywhere it is the story of resurrection.
At one time they've been the most important thing to me. So I can't hear our records on the radio, I can't stand it, because they sound so out of what everyone else is doing.
Jay Z and Biggie and Nas always listened to my direction. They listened and they applied it and I also listened to their opinions and that's why the records came out so good.
The biggest shock of your life is when you first make a record and go to a show and then people start singing the words. Because it occurs to you that they've listened to it!
You can't get the visual thing on the record as much as you'd like to. We produced this album, and we'd never done that before, except when we produced singles for ourselves.
If someone wants to sticker a record for whatever reason, that's fine. But once it affects someone's opportunity to, you know, get that record, then I have a problem with it.
I stand on my public record as a defender of the human rights of Muslims, notably my work for Moazzam Begg and other British Muslims detained without trial in Guantanamo Bay.
The house is in turmoil with records on every space. In the kitchen and in the dining room is covered with records. I don't have a big enough house to accommodate everything.
We don't need fossils - the case for evolution is watertight without them; so it is paradoxical to use gaps in the fossil record as though they were evidence against evolution
I think I'm happier, not just because of winning Grammys and selling records, but because it's really fulfilling to have all these things happen with something you love to do.