Quotes of All Topics . Occasions . Authors
I consider the recording studio where I was born.
I also have a recording studio that I use to produce bands.
I'm portable. I carry a laptop and a little recording studio on my back.
I started a recording studio. I started producing people and doing remixes.
It is a lot cheaper to spend eight hours in a rehearsal hall than in a recording studio.
We honestly felt a bit more at home in the TV studio than we did in the recording studio.
I'm a recording studio guy, an engineer, a songwriter and a guitar player, in that order.
I am such a gearhead. In my recording studio, I personally engineer and edit everything on computers.
I'll probably have to open a recording studio at some point because I won't be able to pay the bills.
Wherever I am on location, I can usually, even in the weirdest little places, find a recording studio.
I like being in a recording studio. I like watching a song go from the simplicity of the original music.
I don't have a formal home recording studio, but I can record tracks on my computer upstairs in my office.
I got out of high school, bought a recording studio and started operating it as an engineer and a producer.
You go into any recording studio in the world, and you see candles, lights, and that Apple light from a Mac.
My job of being a musician in a recording studio has nothing to do with being a musician being on tour performing.
I studied all kinds of dance, all types of music. I got good grades. I started hitting the recording studio around 13.
I bought a Dutch barge and turned it into a recording studio. My plan was to go to Paris and record rolling down the Seine.
At the age of 15, I bought a USB microphone on a trip to the United States with my family, and that was my first recording studio.
I sing all the time but I'd never gotten what it felt like to be in the recording studio, so it was definitely a learning process.
I look at making a record and being in a recording studio as more of a craft; You have to be so much more careful and play simpler.
Somehow, magically, I've become an electronic musician, and I have a recording studio that looks like the bridge of the Enterprise.
Normally, you go into the recording studio, make a record and then take it on the road and you think... wow... I could have done THIS to it, or something.
I wanted to go back to writing for myself and my fans. I built my own recording studio, started my own label, and decided to use the Internet to sell my records.
I always wanted to be a full-time musician. Every television job I had was a means to buy a grand piano, or to put in a recording studio, or something like that.
Recording studios are interesting; a lot of people say - and I agree - that you should have a lot of wood in a recording studio. It gets a kind of a sweeter sound.
The magic can happen in a studio. Special things can happen in a recording studio, even though it may seem like a clinical environment from the outside looking in.
I knew that I could be more creative onstage, to state my own case and deliver my own interpretation of the role much more aggressively than in the recording studio.
Movies, there are moments when you're writing a song or demoing, a moment in the recording studio. Musicals much more just eat up your life for a certain period of time.
Being in a recording studio is a very different feel from performing onstage. I mean, obviously, you can't just go in and do what you would do onstage. It reads differently.
When I was in the recording studio, I needed to concentrate on what my voice was doing, which is rather difficult if you can't actually see what you are supposed to be singing.
When I go in to the recording studio, I already know almost exactly what I am going to do, but when I go to set, it is really a wildcard. I have no idea what is going to happen.
I started training with singing and dance lessons at the same time. Also, I was taking Japanese lessons too, when I was eleven or twelve. After school, I went to the recording studio.
The 'Aladdin' thing - that's not work; that's just fun. Three days in the recording studio going mad, then the animators do all the work. Not a bad way to cash a large check, my friend.
Personal songs take a little more to record, definitely. We had to bring our souls into the recording studio. It was us being very vulnerable. We heard that our fans can kind of feel that.
I really love something about being around the recording studios - you know, like, those days in the '80s they'd be, like, in the studio 'til 4, 5, 6 in the morning working on these songs.
My old man was a musician - that's what he did for a living. And like most fathers, occasionally he'd let me visit where he worked. So I started going to his recording studio, and I really dug it.
T Bone and I grew up together in Fort Worth, Texas. He had his own recording studio by the time he was seventeen years old. When we were both nineteen he made the first archival recording of my voice.
After school, my mom would pick me up and I would just go to visit my dad in the recording studio, and I would see him working with Mark Hamill or hear him doing the 'Transformers' or a 'G.I. Joe' or the 'Rugrats.'
One of the more surreal days I've ever had in the recording studio was Martin Fry teaching Hugh Grant his old dance moves. Showing him how to do the hair-flip and the point, and all these sort of trademark moves of his.
You can alter movie singing so much because you go into the recording studio and, just technology for recording has gotten so good, you can hold out a note and they can combine a note from take 2 and a note from take 8.
There was a recording studio in my school, and I knew this kid who had a key, so I'd write lyrics in school while I was in class, and then, in a 10-minute break, I recorded the song 'Hurt' in one go at the school studio.
I now have a home recording studio, which I can operate entirely on my own, as well as a portable version of the same which allows me to record anywhere I like and simply swap out the hard drives for use in the home studio.
I'm no diva but I can be annoying in a recording studio. Of course I try to be a diva in terms of confidence of performance and owning a song but I've never behaved like one in terms of the negative connotations of the word.
I've been in a recording studio enough times to know that it is not the best place to multitask. Doing a couple of takes of a song and running out to check your email to talk to someone about video production really is not good.
One of my earliest memories is being inside the recording studio and I see the shadow of a figure that looks an awful lot like Walt Disney. Then the door opened and Mr. Disney walked in and said, 'Hi Clint.' I won't ever forget that.
Yes, I would say I had quite a rough time from 1992 to 1996. After the highs of the Eighties, work became slow from around 1987 to around 1997. I was running a small recording studio in Shepherd's Bush but wasn't making a great deal from it.
I never had any formal voice training, but it's something I always wanted to do. 'So I negotiated a deal with a recording studio after I gathered enough material for a record. I put a group together and just went ahead and did it. What the hell.
That's what so great about making movies. It's that you get to do stuff you never would be able to do in real life. You get to go to a recording studio, you get to go to Navy ships and fly all over the world for press. And it's just a great job.
Well, especially now I come to realize - and then - I would do my schooling which was three hours with a tutor and right after that I would go to the recording studio and record, and I'd record for hours and hours until it's time to go to sleep.
I basically make my living writing songs, so I've been able to go around in my trailer. If I got tired of a place, I could move on and roam around. It's a nice environment for writing songs, as opposed to sitting at a recording studio console all day.