Quotes of All Topics . Occasions . Authors
Back in the Nineties, I was in an R&B group. I signed my first record deal when I was 12.
I am never writing a breakup record again, by the way. I'm done with being a bitter witch.
I download, like, forty songs a day, I'm a big music collector and a big record collector.
I love the classic crooners, but I got that from my mother - she worked in a record store.
When I first started recording music, we would record in the closet with socks on the mic.
That Yo La Tengo record, 'Painful,' has got some real awesome, noisy, mellow heartbreakers.
I'm recording another demo for another batch of record labels that we'll shop it around to.
Never try to make the same record twice, even when people are screaming for the same sound.
That's the life, really, isn't it? You write. You record. You play. And it never grows old.
No one's promised anything. You could have the biggest record on radio and sell no records.
You go through life experiences. Each record captures a different turning point in my life.
I don't sit around with my friends and talk about money, ever. On a record, that's different.
Technology has allowed people to make records really cheap. You can make a record on a laptop.
History in its broadest aspect is a record of man's migrations from one environment to another.
I'm not the guy to get big record company budgets. My budget is Britney Spears' catering money.
You gotta stick your neck out and put out a record that isn't safe... that's the Green Day way!
I could learn how to press 'Record' on a tape recorder and write for a newspaper or a magazine.
It don't matter who I'm working with. I just feel like I want to make the best record possible.
I'd always been a club kid, so I was totally unaware that people had their own record companies.
I believe the record I was allowed to help establish by the side of the president was important.
No one was more surprised that that first Boston record took off than the record company itself.
I loved 'Nothing Was the Same' so much. For me, that was the first Drake record that I got into.
I don't consider myself to be a great musician, but my first album was a record hit in Pakistan.
Bob Dylan did the first really long record - Like A Rolling Stone - I think it was four minutes.
I love the thrill of putting on a record and feeling like you got the wrong one from the factory.
I collect records pretty assiduously, so I've got, like, a massive record collection. I still DJ.
Starting in the mid-'80s, I played in a band called Meat Joy, and we made our own record, toured.
We gave up on the idea of trying to make the record a good representation of the live performance.
The first time I heard a Billie Holiday record, I thought, 'What's so great about Billie Holiday?'
I've made sure that in any situation and with any record label, I'm allowed to write my own music.
I know if I don't tour people will forget the record and you run a high risk of the record failing.
You can't come out on a record dissing the system and be on a label that's connected to the system.
The voices on the record, that was trying to treat my voice like guitar players treat guitar tones.
I always try to do better than I have before, so I think it would be good to break the world record.
I made two movies before The Police had a hit record: I did Quadrophenia and a film called Radio On.
You can now be a master of your own destiny. I'm not sure why you would sign up with a record label.
I want to have a record with Beyonce or Lady Gaga. They are both my inspirations. Especially Beyonce.
Until maybe my coworker makes a six-and-a-half-foot Nerf gun, I'm the proud holder of a world record.
I started DJ-ing in the '90s. DJ-ing is in every record I do. When I make records I make them for DJs.
Not all ideas are like a twinkling star in the sky, and you get inspired to make a record the next day.
For me, the idea of releasing a free record is powerful if everybody gets it for free at the same time.
If there's ever a live record that deserved to be mixed in surround sound, it's 'Frampton Comes Alive.'
It's easier for a camel to pass through the eye of a needle than for a rich man to make a blues record.
One other thing, if it's possible, as songwriters, you should also develop yourself as record producers.
You make a record because you have to chart your progress, not only for yourself, but for your audience.
In 2011, agricultural exports hit a record high and producers saw their best incomes in nearly 40 years.
I know I'm not gonna please everybody when I make a record. I don't let that affect any of my decisions.
It's not always easy to stand aside and be unable to do anything except record the sufferings around one.
Basically, as everybody that has had a taste of the record business knows, they are gangsters and crooks.
I get butterflies every time a record comes out. I'm like, 'I hope people like it. I hope people buy it.'