I am, of course, a frustrated rock star - I'd much rather be a rock star than a writer. Or own a record shop. Still, it's not a bad life, is it? You just sit at a computer and make stuff up.

Because of things like iTunes and streaming and social networking, it's destroyed music. It's destroyed the motivation to go out there and really make the best record possible. It's a shame.

Every Republican is on record as saying Obamacare is unacceptable, intolerable, and they're gonna do everything they could to keep it from happening. But, at the moment of truth, they're not.

My parents used to play me this album when I couldn't go to sleep. It was called 'Deep Forest.' I think it was a self-titled record. It's actually still one of my favorite albums of all time.

Johnny Mercer started Capitol Records, and he brought in Sinatra, Dean Martin, and Nat King Cole. He just let them sing whatever they wanted, and it became the best record company in America.

I was involved in the color correction and the digital color correction. In an odd way, you end up making a film many times-the DVD, the archival record of a high-definition master, and so on.

I'm a lot less concerned with Bill Clinton's escapades decades ago than I am with Hillary Clinton's consistently wrong record when it comes to foreign policy, when it comes to domestic policy.

I have a science YouTube channel where I will sometimes use my engineering skills to build things such as the world's largest Super Soaker or the Guinness World Record world's largest Nerf gun.

I would say Tracy Chapman was the first time I obsessed over an entire record. I knew every song; I knew the exact amount of seconds between each song. That's the level of obsession that I had.

I think my track record speaks for myself... I have been endorsed by the African Union, but I am a prosecutor for 121 states parties and this is what I intend to be until the end of my mandate.

Jimmy Anderson deserves everything he gets, and even though he is an Englishman I will be delighted for him when he goes past my record and becomes the most prolific fast bowler in Test history.

My brother was always in bands and on the road when I was a kid and he was my inspiration. He never made it with a big band, in fact he never made a record. Here he is fifty-something years old.

Radio is aimed at the 30-year-old market, so you have to have great music and appeal to get that age group. And you need a record company to believe in you. It's like a bit of the perfect storm.

Our movements reveal a great deal about who we are. A record of our locations over time can reveal whether we go to tent revivals or radical political meetings, abortion clinics or AIDS doctors.

It's all false pressure; you put the heat on yourself, you get it from the networks and record companies and movie studios. You put more pressure on yourself to make everything that much harder.

I don't care if people like Trump or hate him, if they voted for him or not; people just want to have a good time. They don't want to hear about immigration or whatever on a record or at a show.

I grew up in Marcy Projects in Brooklyn, and my mom and pop had an extensive record collection, so Michael Jackson and Stevie Wonder and all of those sounds and souls of Motown filled the house.

I remember Tom Baker once said to me many years ago: never go back, particularly with TV shows. This is because the track record for characters returning to series they've left is not very good.

If you record the sound of bacon in a frying pan and play it back, it sounds like the pops and cracks on an old 33 1/3 recording. Almost exactly like that. You could substitute it for that sound.

Americans are worried about climate change because they can already witness its effects. They see its signature in the drought in California, where record heat has dried the state's fertile soil.

The people who run record companies now wouldn't know a song if it flew up their nose and died. They haven't a clue, and they don't care. You tell them that, and they go, Yeah? So, your point is?

I want a president with a record of public service: someone whose life's work shows our children that we don't chase form and fortune for ourselves; we fight to give everyone a chance to succeed.

He helped make Living Things even more crazy than I wanted it to be. He added old-fashioned piano and classical folk music - that weird otherworldly vibe - all these elements got onto the record.

On my first album I was wearing a lot of guys pants, baggy clothes and stuff like that. I was 17 and I was a little tomboy. And you would never see me wearing a dress or heels on my first record.

On everything I do I'm always taking someone's money, whether it's a movie studio or a record label. Somebody's paying for it, and I'm always respectful of that. But I'm never going to compromise.

Both of my parents were super music lovers when I was growing up - they had a massive record and tape collection. I think my dad even had a couple of laser discs, but that was a short-lived thing.

A chart that weighs some ad-supported streams the same as a pay stream... encourages artists to promote free tiers to have a No. 1 record. That's great for the tech companies, but not for artists.

I think my first client other than my brother was this kid named Tallent. I was charging him eight dollars an hour to record in my room. He kept coming back, then I went up to ten dollars an hour.

A lot of people do records, and they get hit records, but we were blessed with a lot of monsters. 'Oh Carolina' was a very monstrous record in 1993; so was 'Boombastic,' 'Angel' and 'It Wasn't Me.'

The 'Burials' title really speaks to all the different levels that are on the record. It speaks to silence and panic and anxiety and loss of self and isolation and those different levels of hiding.

If you take 'Nothin' But a G Thang' by Dr Dre, that could also be an R&B record. 'Bonita Applebum' by A Tribe Called Quest could even be a jazz record. 'Bring Da Ruckus,' you gotta call it hip-hop.

Cause when you're sequencing a record, you want the listener to stick with it from beginning to end, and in order to do that, you really have to map out the journey from the first song to the last.

The world is so caught up in the 'American Idol' idealistic sort of tendency in regards to just thinking that this whole thing is what everybody wants, but it doesn't help you make a better record.

I became Iggy because I had a sadistic boss at a record store. I'd been in a band called the Iguanas. And when this boss wanted to embarrass and demean me, he'd say, 'Iggy, get me a coffee, light.'

The industry has to learn how to do CEO succession well. If your definition of success is Intel or Microsoft or HP or IBM, that's not a good track record, and yet they are the most successful ones.

And I remember going to the record studio and there was a park across the street and I'd see all the children playing and I would cry because it would make me sad that I would have to work instead.

I was 17 and just learning what high fidelity was, what good sound was, and learning the mechanics of tape machines. It was a real education, going right from the consumer end to the record factory.

Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music - not like a record that you'd put on, which would play for a while and finish.

Ten thousand years from now our civilization will have passed without leaving a trace. A new race of people will inhabit the earth. They will come to Mount Rushmore and read the record we have made.

It's funny, man, sometimes you record something that you plan on re-doing later, but then when you listen back to it, you decide to keep it because you realize that it's gonna be real tough to beat!

It's interesting what a new song can do to the other songs. A new song can be the grout of the record, tie the songs together, and define a new room in the house, helping the other rooms make sense.

But to make a holiday record that involves favorite American songs and then also get to sing about Jesus birth, it just seemed like a real easy, subtle way to combine a couple of things that I love.

By serializing two novels in 'Analog,' the world's No. 1, best-selling science fiction magazine, I've had 200,000 words of fiction and three cover stories in that magazine. Quite an enviable record.

You'd be surprised. Drummers ape each other. The way every rock n' roll record sounds like something else but not all together. Everything other drummers play, if you're playing drums, they all hear.

We record Dream Theater shows and I'll sit on the bus and listen to my playing - what worked, what didn't. A lot of times it's embarrassing and humbling, but that's what you have to do to get better.

I did a pop album, 'Sogno,' in 1999. I think it's important to record another pop album because many people love pop music. By this kind of repertoire, some people can later discover classical music.

'If I Can Dream' is my all-time favorite Elvis song. It was a big record, but not as big as it could have been. It was one of those records where you'd think it sold 10 billion copies, but it didn't.

I wish I could sing. I don't technically have a terrible voice, but it's certainly not as good as most of my friends. Whenever I hear myself on a record, it just reminds me I'm not a very good singer.

I wanted to first build a platform and then use it to shine a light on music/people that I believe in. This record label is for people across all corners of the world, to showcase all genres of music.

Don't give up, be positive and if you know someone who knows someone at a record company don't stop beating down their door till you get heard. Don't ever say it'll never happen or it'll never happen.

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