The record business sucks!

The record business has been so unpleasant and so bad for so long.

The good news is in the record business, they only count your successes.

My juices needed restoring. I needed a sabbatical from the record business.

You know, the record business is much different than being artist on stage.

Basically, as everybody that has had a taste of the record business knows, they are gangsters and crooks.

I decided to combine my musical background, business education and creative abilities - and go into the record business.

But now I realize that this record business really needs me. No one else is trying to take a chance or do something different.

I guess that my life has been a series of flukes in the record business. The first thing I ever did was the biggest record that I'll ever have.

The record business has always mystified me. Sometimes there are reasons why things sell or don't sell that can't be understood by mere mortals.

You stayed up on the record business by knowing who was doing what. You watched the Phil Spectors. That's what told you what to do, what was hot.

In my career, people in the record business have been rockin' in the same ol' boat. They all crooks - I'll say it clear and loud - especially the big ones.

Eventually, when I sell enough units, as they say in the record business, I will stop touring. I'll concentrate on what I like to do... stay in the studio.

I think that's what happened to the record business when 'Napster' came around. The industry rejected what was happening instead of accepting it as change.

Everything around a writer, or musician in the record business, probably everything in all the United States or in all of western civilization, is about competition.

People in the record business would say, Well, Pras, you know, you haven't been out in a while, maybe you should get today's hottest producer or rapper to do something.

I made an enormous amount of money in the record business as a result of owning so much of what I was doing... I owned all those albums and continued to own my catalog.

I know the history of the record business so well because I followed Billie Holiday into the record studios. It was so primitive compared to the sophisticated business today.

Fame was a mixed blessing for me because I thought I could be as big as I wanted to be, and then I realized that I couldn't because of the racist element in the record business.

The difference between me and other people in my generation is instead of saying the Internet's killing the record business, I say, 'Who cares about the record business, the Internet is enhancing music.'

He asked my girlfriend if we could come over and sing some of the songs that we had written, which we did. After he heard the songs, he said that he knew someone in the record business by the name of Bob Shad.

Because of the way the record business has kind of stumbled and disintegrated, in a way, you're as likely to sell records at your merch table at your gigs as you are to sell them in a regular record outlet or even online.

In this age when people expect to get their music for free, we have to work out how we can protect the rights of creative artists so they are compensated fairly and that the record business itself remains sound and healthy.

The record business is dangerous to the health of bands and individuals, which is something I'm just now learning. But it's not dangerous in any of the ways people think; it's not that they try to make you compromise your art. That's not the problem.

Spotify appeared nine years after Napster, the pioneering file-sharing service, which unleashed piracy on the record business and began the cataclysm that caused worldwide revenues to decline from a peak of twenty-seven billion dollars in 1999 to fifteen billion in 2013.

When you win a Grammy... you're thinking about you winning. It is amazing. Your peers and folks in the record business are saying, 'This is what we think of you.' And that's why the Grammy will always be, to me, the ultimate in what you get as far as a music trophy, because it is the one.

In the record business, if you sign an artist that don't really know too much about the business, you can really get over on them in a lot of different ways, so it's a lot of people that don't give artist the game because they're trying to make the most money in the fastest way off their artists.

At the time, there was a great disagreement over 'The Wild and the Innocent,' and I was asked to record the entire album over again with studio musicians. And I said I wouldn't do it, and they basically said, 'Well hey, look, it's going to go in the trash can.' That's the record business, you know.

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