Quotes of All Topics . Occasions . Authors
Scripture starts with the particular and then universalizes it. You are called to love your concrete individual neighbor and then to realize that every individual is your neighbor. The point is not to destroy concrete neighborhood in a fit of universalism but to expand the local neighborhood and embrace the universal neighborhood.
I think you have to make concessions in life. One of the most frustrating things about getting older is [you realize] the reason you have a plan is so you can see everything that it isn't. The plan never works. Something happens and you adjust to it and you adapt to it and you accept it and you keep going, but that's not the plan.
'Bellyache' is totally fictional. I like writing about things that aren't real. The song is about not trusting anyone and then putting trust in yourself and realizing that you don't know what you are doing, either. Or realizing that things you do with a group of people that you think are cool in the moment are ultimately all on you.
Everyone's got something that they've held onto from their childhood or from a past relationship, someone who's told you what you are, and it's leaving all that behind and living a happy life and realizing that a lot of that is inside you - really uncovering that. The story - those themes - are heavy themes that everyone can connect to.
When I made my way across childhood to the tinny AM radio, it was dark. Lights out. I listened intently. More intently than I ever had before. Something was speaking to my unformed-ness like a long lost friend. Something that I had never met but forgotten nonetheless. I was 'realizing' that music was 'different' from other things in life.
What people don't realize about Donald Trump - and I don't even know if Donald Trump realizes it - is that every tweet he unleashes against you - and maybe this isn't true for everyone, but in my case it certainly was - creates such a crescendo of anger and, in my case, again, threatening behavior that it would send my life into lockdown.
You have to learn to say no not just to things you don't want to do, you have to say no to things that you want to do, things that are good to do. You have to realize that every time you say yes to one thing you've got to take something else off the plate. Critically, I think you have to realize that it's easier to say no than to say maybe.
We can summarize electricity, magnetism and gravity into equations one inch long, and that's the power of field theory. And so I said to myself: I will create a field theory of strings. And when I did it one day, it was incredible, realizing that on a sheet of paper I can write down an equation which summarized almost all physical knowledge.
Most CEOs walk around the office like we own the place, without realizing that the place itself isn't worth owning: a business's value comes from the people who walk out the door every night, who have to decide each morning whether to walk back in. One of the simplest things you can do as a leader is honor their choice and appreciate their work.
One of the pivotal moments for me was realizing that our 'food with integrity' approach at Chipotle was satisfying my passion. That's about bringing the best quality, sustainably-raised ingredients to everyone: chicken without antibiotics; beef without hormones. These ingredients were only available in high-end restaurants, not mainstream places.
The old Johnny Carson 'Tonight Show' was great in that he was so good with the guests, and it was not about him. I think he was very smart in realizing 'I have plenty of screentime on this show. I do my monologue and we do sketches and stuff like that.' During the interview, he really made it about trying to bring the best thing out of the guest.
Neil Young, who isn't really evident when you listen to my music, is probably my favorite of the legends, besides Dylan. They're all a huge influence on me. For me, just following rock history and watching Darkness On the Edge of Town and realizing that's it's okay to be obsessed with a snare sound because Bruce Springsteen was obsessed with a snare sound.
You know how some trees have those ear mushrooms that just grow off, and you could live on one of those mushrooms and not realize that there was stacks and stacks of others? That's how I describe music scenes in New York. That's one of the trippiest things about living here - just how many parallel universes there are that you can be completely unaware of.
Through death you find yourself, because you no longer identify with form. You realize you are not the form with which you had identified neither the physical nor the psychological form of "me". That form goes. It dissolves and who you are beyond form emerges through the opening where that form was. One could almost say that every form of life obscures God.
With the television thing you have this lull of time where you're not with the character. And when you get those first pages, you're like, "Who is she again? Huh? Where did we leave off?" Then you show up at the read-through and all of the sudden the voice is there, and you realize that the character is still stewing in you all that time, even in the downtime.
You gotta have friends, and it's really hard to have friends that don't operate on the same schedule as you or do the same kind of things you do, because they don't understand it. And then you realize that your friends - your real-life friends - it's not that they become fanboys of you but they become more interested in what you're doing than how you're doing.
I didn't realize what I was doing, but once I realized, I was like "this is a gift, let me do this the right way." I don't gotta rush nothing, I don't have to be impatient. Because when you have a gift with something, it's a blessing. You just use it. You don't have to do anything drastic, because it's in you. People told me what it was, and I just stuck with it.
Canadians always make jokes about the arrogant American, but the longer I'm here, the more I realize, "Oh, it isn't that they're arrogant, it's just the way that their country is set up you really have to protect yourself and you really have to look after yourself, and with that comes the mentality of 'I'm doing my thing here, if you don't like it, get over it.'"
Going to space was a moment that people think was my Mount Everest, but it's not. I have so many Mount Everests. This just happens to be one of them. It has changed the way I approach things. I realize it's not about me; it's about what I did and about the person we had as a Canadian woman in space. I look at pictures of myself and say, 'That's the woman who did it'.
I think it's somewhere in my head, in my travel space, and it just comes out. It's a visual thing that happens unintentionally. People will tell me, "You do realize you just spoke with that accent, right?" And I'll go, "Oh, did I?" So it's not something I think about. As we talk, I have a visual about my speech and it just comes out like that. If that makes any sense!
The key moments in your life are when you realize how exciting music can be, like when you hear Nevermind for the first time. I grew up in the '70s and '80s. I was introduced to hip-hop when it first came out. Hip-hop music will always be my first love. That's why I love playing the drums. Any day of the week, I would rather listen to a hip-hop album than a rock album.
Understanding that water exists as a solid, a liquid, a vapor, as a molecule, and at some point as light is to also understand our own nature and possibilities because we are mostly made of water. After I realized that we are water I came to realize that we do not have death; we only change into higher vibrations of being. This is an irreplaceable finding for me personally.
When you are young, you always expect that the world is going to end. And then you get older and the world still chugs along and you are forced to re-evaluate your stance on the apocalypse as well as your own relationship to time and death. You realize that the world will indeed continue, with or without you, and the pictures you see in your head. So you try to understand the pictures instead.
You have to make those mistakes. You have to do the work. You have to fail. I also realized that I should practice what I preach, which is that if you only do get one kick at the can . . . When you go to places like Africa or Asia or the Indian sub-continent, you realize that a lot of the people there don't ever get a kick at the can. There are no "kicks" at the can - you just don't have that shot.
I knew Bill Cunninghamn personally, in the way that most people know him - you don't really know that much about him. So I had never been in his apartment, as most people hadn't. I really had no idea how he lived. I knew he lived in Carnegie Hall, but that was it, and I didn't really understand. I knew that he worked hard, I just didn't realize that that was what he does, that's basically all he does
Regarding the Korean Peninsula nuclear issue, we reaffirm that we are staunchly committed to realizing the denuclearization of the peninsula and upholding the international nuclear nonproliferation system. Both sides will continue to strictly enact all UN Security Council resolutions. And at the same time, we are committed to continuing to solve the North Korean nuclear issue through dialogue and talks.
Dancing is still, for me, one of those things that no matter when I do it and it sounds corny and cliche, but time stands still. I could literally dance for hours and hours on end and not realize that I've been dancing for hours and hours on end. In the right setting, I could literally dance all day and have a blast. It seems like one moment to me. There's nothing else going on, and it's the ultimate release.
The experience of going to a theater and seeing a movie with a lot of people is still part of the transformational power of the film, and it's equivalent to the old shaman telling a story by the campfire to a bunch of people. That is a remarkable thing, if you scream and everyone else in the audience screams, you realize that your fears are not just within yourself, they're in other people as well, and that's strangely releasing.
Sometimes I go to a test screening and look at the audience in line, and I start to go, "Okay, I bet this is going to work, and this isn't going to work." It's weird, but just going and facing the music and putting it out before a crowd, even before it starts playing, that exercise of putting it up on a screen for people makes you realize things even before it starts rolling. It's really weird. I've heard other people say that, too.
Sanctions kept us on our toes, it made us realize that we were drifting into a situation of growing isolation so I wouldn't go as far as to say sanctions didn't play a role but if I were to put on a scale, the issues of conscience played a much greater role than the sanctions. We could have withstood sanctions for many more years. We became experts in circumventing sanctions... So sanctions played a role but it wasn't the major role.
In old interviews I was still worried about being judged. I think my life was about how can I keep myself in control. How can I just get through this and be okay? And, you know, you turn the corner. You realize that you're not imprisoned by your life or your circumstances or your genetics or anything. I really believe that we all have the ability to come out of our story. But you have to tell your story first in order to come out of it.
The ever-present expectancy of death is never far removed from any of us - whether we realize it or not. None of us can avoid it. It comes alike to the great and to the unknown; to the righteous and to the unrighteous. Wherein we differ is not in our ability to avert it, but in the preparedness with which we meet it. At such times some question the judgments of God. Some find bitterness because of the circumstances and because of the seeming untimeliness of death.
The God who made us dust knows we're dust. We don't have to feel like perpetual failures because we aren't more than we are, and we don't have to be in contest and contention with everybody around us, because once I know myself and realize I have limitations, then two things happen: I realize my need for you, and I do not expect more from you than I expect from myself. So mercy comes with it, joy comes with it, authenticity comes with it, and freedom comes with it.
When you are frightened by something, you have to relate with fear, explore why you are frightened, and develop some sense of conviction. You can actually look at fear. Then fear ceases to be the dominant situation that is going to defeat you. Fear can be conquered. You can be free from fear if you realize that fear is not the ogre. You can step on fear, and therefore, you can attain what is known as fearlessness. But that requires that, when you see fear, you smile.
The Voice did not consider itself a conventional magazine. It took me awhile to realize that it was named The Voice for a reason. They wanted voices. At the time, good magazine stories were still believed to be written in the third person based on the false belief they were more objective. Of course some conventional stories require third person, but in the really interesting stories - the ones I got do to at The Voice and Esquire - were about subjectivity, subjectivities.
I turned 25. And I don't feel like... whatever, age is just a number. I still feel very young and excited about life and everything. For the first time ever I began to take a look at life and really value it, and realize that there are so many things that I want to do; travel, I want to see the world. I realized that I want to take more time for myself and take more time to see the world and spend time with friends. That sounds so basic but I never really realized that before.
I was very scared when I saw it, because Dune was for me very important in my life. I was very sad I could not do it. When I saw that David Lynch would do it, I was very scared, because I admire him as a movie-maker, and I thought he would do well. But when I see the picture, I realize he never understood this picture. It's not a David Lynch picture. It's the producer who made that picture, no? Who made this horror. For David Lynch, it was a job. A commercial job. It never was that for me.
The good part of what comics trains you to do is it trains you - especially if you've worked in mainstream comics like Marvel and DC, or if you're just doing your own independent comics - to compartmentalize things and work on multiple things at the same time. And that's a skill that is incredibly handy in Hollywood, because within the first year that you get here, you realize there's a reason why every successful person in Hollywood has like seven or eight projects up in the air at any point.
One of their major initiatives was getting all officers on Facebook. So the question is, why are these people who are there to train the Afghans being pressured to be on Facebook? Again, it sounds benign until you realize that the military's concern isn't the Afghans, it's convincing the American people that we should be in Afghanistan.Soldiers can put up pictures and say "See how happy the Afghans are because of our presence here." It's a way to directly influence the American people using propaganda.
The best benefit that blogs can provide a campaign is actually to build buzz. It provides earned media for the candidates the bloggers are supporting. It generates attention from traditional party organizations, the labor unions. And the issue groups that might not have even known that race existed and not have considered putting money into it now realize, 'OK, this is getting a lot of buzz, we're going to start putting resources into the race.' It motivates a lot of big-dollar donors to put money into these candidates.
I feel a responsibility, as I get older, to be responsible to what I've experienced, to what I've lived and been in a position to witness. I realize now that as a consequence of having lived the life I have, quite apart from the one, as I understand it, lived by most American writers, maybe I now know some things and have some stories to tell that others don't know about or wouldn't be able to tell. Maybe there's an intrinsic value in that lived experience and knowledge, though of course what you do with it is everything.
We need to realize that these industrial methods of farming have gotten us used to cheap food. The corollary of cheap food is low wages. What we need to do in an era when the price of food is going up is pay better wages. A living wage is an absolutely integral part of a modern food system, because you can't expect people to eat properly and eat in a sustainable way if you pay them nothing. In fact, it's cheap food that subsidized the exploitation of American workers for a very long time, and that's always been an aim of cheap food.
I was in the hospital and I was paralyzed and I went through all of these things. I've had all of these crazy experiences and jobs in my life, but I never really write about them because I've already told them as stories to friends. For me, the process of writing is the process of invention. But the hospital story felt told already. There was nothing to discover in the telling of it. The discovery had to be in the form. It wasn't really the unfamiliarity of the form, it was more about a way incorporate invention and how to realize it imaginatively.