Quotes of All Topics . Occasions . Authors
I mean you can go wherever you want with it really. No matter what story you're telling you're always representing some reality. You are always representing human beings, their fears, their shortcomings, their braveries, their doubts, their loves, their abilities, their brilliance and those things inevitably lead to bigger political systems, foreign policy and crime and religion. It's an action film. We are not taking a stance about big government.
Thus I progressed on the surface of life, in the realm of words as it were, never in reality. All those books barely read, those friends barely loved, those cities barely visited, those women barely possessed! I went through the gestures out of boredom or absent-mindedness. Then came human beings; they wanted to cling, but there was nothing to cling to, and that was unfortunate--for them. As for me, I forgot. I never remembered anything but myself.
To our way of thinking the Indians' symbol is the circle, the hoop. Nature wants to be round. The bodies of human beings and animals have no corners. With us, the circle stands for togetherness of people who sit with one another around the campfire, relatives and friends united in peace while the sacred pipe passes from hand to hand. To us this is beautiful and fitting, symbol and reality at the same time, expressing the harmony of life and nature.
Apart from their other characteristics, the outstanding thing about China's 600 million people is that they are “poor and blank”. This may seem a bad thing, but in reality it is a good thing. Poverty gives rise to the desire for changes, the desire for action and the desire for revolution. On a blank sheet of paper free from any mark, the freshest and most beautiful characters can be written; the freshest and most beautiful pictures can be painted.
I had lines inside me, a string of guiding lights. I had language. Fiction and poetry are doses, medicines. What they heal is the rupture reality makes on the imagination. I had been damaged, and a very important part of me had been destroyed - that was my reality, the facts of my life. But on the other side of the facts was who I could be, how I could feel. And as long as I had words for that, images for that, stories for that, then I wasn't lost.
We all know that each generation has its own test, the contemporaneous and current standard by which alone it can adequately judge of its own moral achievements, and that it may not legitimately use a previous and less vigorous test. The advanced test must indeed include that which has already been attained; but if it includes no more, we shall fail to go forward, thinking complacently that we have "arrived" when in reality we have not yet started.
All the worth which the human being possesses all spiritual reality, he possesses only through the State... For Truth is the Unity of the universal and subjective Will; and the Universal is to be found in the State, in its laws, its universal and rational arrangements. The State is the Divine Idea as it exists on Earth. We have in it, therefore, the object of History in a more definite shape than before; that in which Freedom obtains objectivity...
I believe every time you film anybody, you create reality with that person - whether it's fiction or nonfiction. If you acknowledge that filming is an occasion where people express things they might not otherwise express, that offers a much more insightful analysis of why documentaries - even of the fly-on-the-wall variety - are powerful. I think that our task as filmmakers is to create the most insightful reality given the most pressing questions.
The membrane between where we are right now and a very different reality, is so much thinner than we like to think. Things can go back, and things can go to the side, and things can go to places where we might not even have been on guard that they might go. I think that if there is a great gift that this [Donald Trump] election gave us, is this sort of sense of vigilance, the sense that we have to remain on guard. We have to support our free press.
Not only in geometry, but to a still more astonishing degree in physics, has it become more and more evident that as soon as we have succeeded in unraveling fully the natural laws which govern reality, we find them to be expressible by mathematical relations of surprising simplicity and architectonic perfection. It seems to me to be one of the chief objects of mathematical instruction to develop the faculty of perceiving this simplicity and harmony.
Suicide is the means of men whose resilience has been eaten away by rust, the rust of the daily round. They were born for action, but they have delayed their action; so action turns back on them with the swing of a pendulum. Suicide is an act, the act of those who have not been able to accomplish others. It is an act of faith, like all acts. Faith in one’s neighbor, in the existence of one’s neighbor, in the reality of the self and the other selves.
Difficulties with material things often come to remind us that our concentration should be on spiritual things instead of material things. Sometimes difficulties of the body come to show that the body is just a transient garment, and that the reality is the indestructible essence which activates the body. But when we can say, 'Thank God for problems which are sent for our spiritual growth.' They are no longer problems. They then become opportunities.
Some god or Weltgeist has been making a movie out of us for the past six thousand years, and now we have turned a corner on the movie set of reality and have discovered the boards propping up the two-dimensional monuments of human history. The movement of humanism has reached its limit, and now at that limit it is breaking apart into the opposites of mechanism and mysticism and moving along the circumference of a vast new sphere of posthuman thought.
What I love about the sculpture is that it makes the bones that we are always walking and playing on manifest, like in a world that so often denies the reality of death and the reality that we are surrounded by and outnumbered by the dead. Here, is a very playful way of acknowledging that and acknowledging that and that always, whenever we play, whenever we live, we are living in both literal and metaphorical ways on the memory and bones of the dead.
[It is appropriate that the Body and Blood of Christ be truly present in this Sacrament] because of the perfection of the New Covenant. The sacrifices of the Old Covenant contained the true sacrifice of Christ's Passion only in symbol....Therefore it was necessary that the sacrifice of the New Covenant, instituted by Christ, have something more, namely, that it contain Christ Himself who has suffered and contain Him not only in symbol but in reality.
Any photograph has multiple meanings: indeed, to see something in the form of a photograph is to encounter a potential object of fascination. The ultimate wisdom of the photographic image is to say: “There is the surface. Now think – or rather feel, intuit – what is beyond it, what the reality must be like if it looks this way.’ Photographs, which cannot themselves explain anything, are inexhaustible invitations to deduction, speculation, and fantasy
If God wishes to be born as man and to unite mankind in the fellowship of the Holy Ghost, He suffers the terrible torment of having to bear the world in its reality. It is a crux; indeed, He Himself is His own cross. The world is God's suffering, and every individual human being who wishes even to approach his own wholeness knows very well that this means bearing his own cross. But the eternal promise for him who bears his own cross is the Paraclete.
If I were inclined to worry that the United States was veering in a dangerously theocratic direction, here's a short list of things I wouldn't fret about: a reality television program depicting the lives of ordinary Americans; a clause in a contract between parties to a business transaction agreeing that any disputes that arise between them be resolved in compliance with shared religious principles; halal soup; halal turkeys on the Thanksgiving table.
Euripides seems to have felt that the dignified perfection of Sophocles could be challenged only by novelty and irresponsibility. The religious conditions of the Dionysian festival kept him within certain bounds. But within the imposed limits Euripides was as profane as he dared to be, making melodrama of the divine realities which his predecessors accepted religiously, using the stage merely as a convenience for popularizing his own eccentric values.
When you are influential and highly respected, people tend to tell you what you want to hear, not what you need to hear. They are seeking your approval, or they flatter you. Unfortunately, this creates a gap between what you hear and reality. If you find yourself in that situation, you will need to work extra hard to get the people close to you to speak honestly into your life. And you will have to become highly intentional in observing and listening.
I think the destiny of all men is not to sit in the rubble of their own making but to reach out for an ultimate perfection which is to be had. At the moment, it is a dream. But as of the moment we clasp hands with our neighbor, we build the first span to bridge the gap between the young and the old. At this hour, it’s a wish. But we have it within our power to make it a reality. If you want to prove that God is not dead, first prove that man is alive.
The reality is just the opposite: the master does nothing. It is in your becoming a disciple that the whole mystery lies. It is in your surrender of the ego that the whole search comes to an authentic point. It is in putting your mind aside. That is what sannyas is: an authentic discipleship. It means putting your mind aside. You have lived according to your mind up to now. If that is fulfilling, then there is no need for anybody to become a sannyasin.
I think the body image thing, everybody can identify with that. In our culture there's just so much pressure and so much attention placed on the way we look. You just turn on the TV or flip open a magazine and there's people who don't look like any of us. I think this movie is like, finally, a celebration of reality and of our imperfections. We're not all a size 2 and we're not all a size 0, and you know what? That's OK, because some of us like to eat!
Friendship, then, like the other natural loves, is unable to save itself. In reality, because it is spiritual and therefore faces a subtler enemy, it must, even more wholeheartedly than they, invoke the divine protection if it hopes to remain sweet. For consider how narrow its true path is. Is must not become what the people call a "mutual admiration society"; yet if it is not full of mutual admiration, of Appreciative love, it is not Friendship at all.
The humans live in time but our Enemy destines them to eternity. He therefore, I believe, wants them to attend chiefly to two things, to eternity itself, and to that point of time which they call the Present. For the Present is the point at which time touches eternity. Of the present moment, and of it only, humans have an experience analogous to the experience which our Enemy has of reality of whole; in it alone freedom and actuality are offered to them.
My parents never put a lot of pressure on us to be any kind of way.... I have my funny moments where I look at myself and think, Oh, this is a disaster. But you have to give yourself a reality check and go, All right, if I feel this way, I'm going to do something about it that's healthy. I can't look at somebody who is 6 feet tall and 120 pounds and say, I'm going to get that body. That's just never going to happen. You have to work with what you've got.
In overlooking, denying, evading this complexity--which is nothing more than the disquieting complexity of ourselves--we are diminished and we perish; only within this web of ambiguity, paradox, this hunger, danger, darkness, can we find at once ourselves and the power that will free us from ourselves. It is this power of revelation that is the business of the novelist, this journey toward a more vast reality which must take precedence over other claims.
Each new ontological theory, propounded in lieu of previous ones shown to be untenable, has been followed by a new criticism leading to a new scepticism. All possible conceptions have been one by one tried and found wanting; and so the entire field of speculation has been gradually exhausted without positive result: the only result reached being the negative one above stated, that the reality existing behind all appearances is, and must ever be, unknown.
Ultimately, peace is just not about politics. It's about attitudes; about a sense of empathy; about breaking down the divisions that we create for ourselves in our own minds and our own hearts that don't exist in any objective reality, but that we carry with us generation after generation. And I know, because America, we, too, have had to work hard over the decades, slowly, gradually, sometimes painfully, in fits and starts, to keep perfecting our union.
In our everyday garden grow the rosemary, juniper, ferns and plane trees, perfectly tangible and visible. For these plants that have an illusory relationship with us, which in no way alters their existentiality, we are merely an event, an accident, and our presence, which seems so solid, laden with gravity, is to them no more than a momentary void in motion through the air. Reality is a quality that belongs to them, and we can exercise no rights over it.
All beautiful forms of this world are in the process of transformation. Nothing is stable. With every moment, our reality is changing. Mother Ganges, like nature, is constant, but no manifestation of hers remains. Likewise, all that we hold dear in this world is imperceptibly vanishing. We cannot cling to anything. But if we can appreciate the beauty of the underlying current of truth, we can enjoy a reality deeper than the fickle waves of joy and sorrow.
As an individual navigating this reality, you have to make choices to survive. Sometimes you happily work for free if it's something you love and believe in. I'm not categorically saying that working for free is bad. I'm just looking at the broader implications of it, and also challenge this idea - and again, this is an argument made by certain people in the tech world - that amateurs are automatically more pure and will triumph over stodgy professionals.
In an age in which we can project an image and score that image based on immediate Facebook and Twitter feedback, thus making a video game of life and a false-reality composed of lies, what gets lost is a joyful obsession with the work we create from the purest of motives, a sheer joy in the act of creation itself that causes us to lose ourselves in something else, and in a way die to ourselves over the absolute love of a thing we are breathing into life.
Those who are saying it's possible [to balance family and business] are often in a little bit of a rarefied place where they also have the money to do that. It's not quite such an easy stance to take when you don't have the same resources. I like to remind people that these are rich Manhattanites and to keep an eye on the fact that, especially with social media and these articles and these blogs, that that is not the reality for most women, unfortunately.
I've been making a list of the things they don't teach you at school. They don't teach you how to love somebody. They don't teach you how to be famous. They don't teach you how to be rich or how to be poor. They don't teach you how to walk away from someone you don't love any longer. They don't teach you how to know what's going on in someone else's mind. They don't teach you what to say to someone who's dying. They don't teach you anything worth knowing.
I think that the ideal of young womanhood as it's seen in pop culture specifically is a really kind of vapid, conceited, concerned with money and looks kind of thing that you'll see in a lot of reality shows. And I think that's really damaging, not just because it's a terrible role model to put forth, but that it also puts across this idea to the American public that this is what young women are like, that this is what all young women in America are like.
I define Inner Space as an imaginary realm in which on the one hand the outer world of reality, and on the other the inner world of the mind meet and merge. Now, in the landscapes of the surrealist painters, for example, one sees the regions of Inner Space; and increasingly I believe that we will encounter in film and literature scenes which are neither solely realistic nor fantastic. In a sense, it will be a movement in the interzone between both spheres.
There's always a joy in newness as a painter, and in sub-Saharan Africa, I encountered different realities with regard to light and how it bounces across the skin. The way that blues and purples come into play. In India and Sri Lanka, it was no different. It became a moment in which I had an opportunity to learn as a painter how to create the body in full form, and that's a very material and aesthetic thing. This is not conceptual. It's all an abstraction.
I find that the only way to get through life is to picture myself in an entirely disconnected reality. I often imagine how people would react to my death. Mr Dunthorne's quavering voice as he makes the announcement. The shocked faces of my classmates. A playground bedecked with flowers. The empty stillness of a school corridor. Local news analysis. . . . The steady stoicism of my parents. . . . Candlelit vigils. . . . And finally, my glorious resurrection.
I'm absolutely convinced that this is a world of appearances, not reality. There's one reality and that's Light and Love. When some say, we create our own reality, I always demur and say, "Please, would you mind adjusting that a little bit? We create our own appearances." We become master of appearances and as we change our thought, we will see the appearances around us change. That gives us this huge sense of dominion and power and control over our world.
Very few of the heroes of the Golden Age of American finance had much interest in the solid realities of what underlay their structure of stocks and bonds and credits. Later on, a Henry Ford might introduce an era of intensely production-minded captains of industry, but the Harrimans, Morgans, Fricks, and Rockefellers were far more interested in the exciting manipulation of huge masses of intangible wealth than in the humdrum business of turning out goods.
Chess is one thing, but if we get to the point computers can best humans in the arts-those splendid, millennia-old expressions of the heart and soul of human existence-then why bother existing? to produce human art a computer would have to find, feel, absorb reality to the point it is overcome, to the point it sobs for release. A computer perhaps could replicate every possibility but could never transfer the energy art requires to exist in the first place.
I think that the development of any culture has something to do with the way people deal with the concept of illusion. The fact that the sound of my voice and the way I modulate it creates pictures in your head... in order for us to accumulate knowledge, we have to create symbolic exchanges that let ourselves be fooled temporarily by something that's not there - by a substitute for reality. When you talk about representation, you're talking about language.
My early self-portraits appeared effortlessly and seemed like equivalents for my deeper emotions. Many critics remarked that the images had an almost other-worldly haunting presence. For me, they were simply my own reality at that point in my life. What I was trying to reveal was my inner soul in all its fragile complexity. Without knowing it, I was trying to peel back the layers that shroud and bind us all as we struggle to reveal our own authentic selves.
We say that we often see animals in our dreams, but we forget that almost always we are ourselves animals therein, deprived of that reasoning power which projects upon things the light of certainty; on the contrary we bring to bear on the spectacle of life only a dubious vision, extinguished anew every moment by oblivion, the former reality fading before that which follows it as one projection of a magic lantern fades before the next as we change the slide.
The type of acting that I'm interested in, that I aspire to, is where I try and drag a lot of myself into whatever character it is. They can be very different types of characters, but at the heart of it, I always wanted to be a very, very believable and rooted in reality. One of the ways of doing that is to root it as much as you can in your own experiences and then tint those with different hues, different colors to give the different characters their way.
Poetry is the essence of everything, and it’s through deep contact with reality and living fully that you reach poetry. Very often I see photographers cultivating the strangeness or awkwardness of a scene, thinking it is poetry. No. Poetry is two elements which are suddenly conflict — a spark between two elements. But it’s given very seldom, and you can’t look for it. It’s like if you look for inspiration. No, it just comes by enriching yourself and living.
The passive American consumer, sitting down to a meal of pre-prepared food, confronts inert, anonymous substances that have been processed, dyed, breaded, sauced, gravied, ground, pulped, strained, blended, prettified, and sanitized beyond resemblance to any part of any creature that ever lived. The products of nature and agriculture have been made, to all appearances, the products of industry. Both eater and eaten are thus in exile from biological reality.
Now many things are beginning to come out and it was truly a reality to me when I went to Africa, to Guinea. The little things that had been taught to me about the African people, that they were "heathens," "savages," and they were just downright stupid people. But when I got to Guinea, we were greeted by the Government of Guinea, which is Black People - and we stayed at a place that was the government building, because we were the guests of the Government.
The Eucharist is not only a particularly intense expression of the reality of the Church's life, but also in a sense its fountainhead. The Eucharist feeds and forms the Church: 'Because there is one bread, we who are many are one body, for we all partake of the one bread' (1 Cor 10:17, RSV). Because of this vital link with the sacrament of the Body and Blood of the Lord, the mystery of the Church is savored, proclaimed, and lived supremely in the Eucharist.