Quotes of All Topics . Occasions . Authors
Once you begin to understand and truly master your thoughts and feelings, that's when you see how you create your own reality. That's where your freedom is, that's where all your power is. That's when you see how you can become a deliberate creator of your life. And when you are a deliberate creator of your life, and you use this law of attraction, you will have a life that is beyond what you can possibly imagine right now.
No one "discovers" the future. The future is not a discovery. The future is not a destiny. The future is a decision, an intervention. Do nothing and we drift fatalistically into a future not driven by technology alone, but by other people's need, greed, and creed. The future is not some dim and distant region out there in time. The future is a reality that is coming to pass with each passing day, with each passing decision.
I'd like something that faces reality. We have 12 million people in this country that are undocumented - that's a reality. It's not going to be like they're all going to leave. One of the reasons I'm holding this hearing in the morning is to hear from somebody who actually understands what's involved here - Janet Napolitano - and I hope that from what she says and what we hear from her, we can start building some consensus.
One can never really give a proof of the reality of anything; reality is not something open to proof, it is something established. It is established just because proof is not enough. It is this characteristic of language, at once indispensable and inadequate, which shows the reality of the external world. Most people hardly ever realize this, because it is rare that the very same man thinks and puts his thought into action.
What appear to be the most valuable aspects of the theoretical physics we have are the mathematical descriptions which enable us to predict events. These equations are, we would argue, the only realities we can be certain of in physics; any other ways we have of thinking about the situation are visual aids or mnemonics which make it easier for beings with our sort of macroscopic experience to use and remember the equations.
I don't think any actors love taking their clothes off on film, unless you're an exhibitionist, which I'm certainly not. Those are the scenes that you actually dread doing. But, so much more goes into this role. As an actress, it's all about reality, and I'm not a prude. I'm not someone who judges other people for taking their clothes off for roles. I'm not going to show everything, but nudity here or there doesn't faze me.
And when you realize that you form the events of your life in the same way, you will learn to take hold of your entire consciousness in whatever aspect it shows itself in this life. Through all of this you must realize that you are not powerless. Remember, also, that this life is a dimension of experience and reality even if it is, in contrast, a dream in a higher level of reality in which you have your larger consciousness.
[Ritual] dwells in an invisible reality and gives this reality a vocabulary, props, costume, gesture, scenery. Ritual makes things separate, sets them apart from ordinary affairs and thoughts. Rituals need not be solemn, but they are formalized, stylized, extraordinary, and artificial. In the name of ritual, we can do anything. We can do astonishing acts. In the end, ritual gives us assurance about the unification of things.
No one is really a method actor, everyone has their way of going about it, preparing for it, but method is preparation, it's what you do to prepare. So my method is to read the script. Some actors' method is to read the script a hundred times and in the doing of it, to immerse themselves in as much of the reality as possible. Me, I believe strictly in acting. If I am out of breath, I'm out of breath. I ain't running nowhere.
One reaches through to the continents and oceans of the imagination, worlds able to sustain anyone who will but play, and then lets the play deepen and deepen until it is a reality that few would even dare to entertain...The human imagination is the holographic organ of the human body, and we don't 'imagine' anything. We simply see things so far away that there is no possibility of validating or invalidating their existence.
Unfortunately our children today seem to spend less and less time with their overworked parents, and so they draw more information about the world from the images on movie and TV screens. The true power of the media is the ability to redefine reality, to alter our expectations about what constitutes normal life. TV and the movies have abused that power by advancing the notion that wholesome, ordinary happiness is impossible.
Venezuela, Bolivia and Ecuador lived through times of cruel and ruthless capitalism where the workers, the masses of the population, saw themselves living in a precarious state of employment and subsistence conditions. The impact of this reality took hold and impacted the evolution of the social situation of those countries and even though that produced movements that were not exactly political movements but social movements.
A massive campaign must be launched to restore a high-quality environment in North America and to de-develop the United States...De-development means bringing our economic system (especially patterns of consumption) into line with the realities of ecology and the global resource situation...Redistribution of wealth both within and among nations is absolutely essential, if a decent life is to be provided for every human being.
Though this world has a way of diminishing and demeaning men and women, the reality is we are all of royal, divine lineage. In that unprecedented appearance of the Father and the Son in the Sacred Grove, the very first word spoken by the Father of us all was the personal name of Joseph. Such is our Father's personal relationship with each of us. He knows our names and yearns for us to become worthy to return to live with Him.
[Mr. Gifford] made it much his business to deliver the people of God from all those false and unsound rests that by nature we are prone to make and take to our souls. He pressed us to take special heed that we took not up any truth upon trust - as from this or that, or any other man or men - but to cry mightily to God that He would convince us of the reality thereof, and set us down therein by his own Spirit in the holy word.
Seriously, I do not know what to say of this book [ Absalom, Absalom!] except that it seem to point to the final blowup of what was once a remarkable, if minor, talent… this is a penny dreadful tricked up in fancy language and given a specious depth by the expert manipulation of a series of eccentric technical tricks. The characters have no magnitude and no meaning because they have no more reality than a mince-pie nightmare.
But at the same time, in reality, what a difference there is between the world today, and what it used to be! And with the passage of more time, some two or three hundred years, say, people will look back at our own times with horror, or with sneering laughter, because all of our present day life will appear so clumsy, and burdensome, extraordinarily inept and strange. Yes, certainly, what a life it will be then, what a life!
When the nuclear weapons were sent to the racist South African government, where a few million white people subjugated more than 13 million black people, it was so they could use them against the Cuban forces that were defending Angola. These things have not been written down but they need to be told as part of the reality of history which should not be distorted the way the historians connected to the power elite tend to do.
Whatseems to take place outside ideology (to be precise, in the street), in reality takes place in ideology. What really takes place in ideology seems therefore to take place outside it. That is why those who are in ideology believe themselves by definition outside ideology: one of the effects of ideology is the practical denegation of the ideological character of ideology by ideology: ideology never says, 'I am ideological.'
As an improviser you need to experience the moment- and that includes everything in the moment. Observe the people around you-the bandleader, the bartender-what they wear, how they deal with people, the simple continuity of their presence. As you do that you'll see how you affect them , and you'll play and act accordingly. You need to study the reality of the moment, and that is very rarely about studying modes and intervals.
The fact is that in England so many of our politicians are career politicians - they've always been politicians since they left their education. And in the old days of course politicians used to be fish mongers or doctors or whatever. They'd lived life. These days, power seems to go to the hands of people that that's all they've done. And I'm not sure that's a good thing, because it does remove them from the realities of life.
Bored with obvious reality, I find my fascination in transforming it into a subjective point of view. Without touching my subject I want to come to the moment when, through pure concentration of seeing, the composed picture becomes more made than taken. Without a descriptive caption to justify its existence, it will speak for itself - less descriptive, more creative; less informative, more suggestive - less prose, more poetry.
Plot involves fragmentary reality, and it might involve composite reality. Fragmentary reality is the view of the individual. Composite reality is the community or state view. Fragmentary reality is always set against composite reality. Virginia Woolf did this by creating fragmentary monologues and for a while this was all the rage in literature. She was a genius. In the hands of the merely talented it came off like gibberish.
The enormous social change involved in a sexual revolution is basically a matter of altered consciousness, the exposure and elimination of social and psychological realities underlying political and cultural structures. We are speaking, then, of a cultural revolution, which, while it must necessarily involve the political and economic reorganization traditionally implied by the term revolution, must go far beyond this as well.
My theory for nonfiction is that nobody can be free of some kind of conceptions about whatever story they're writing. But if you can find a way to build those into the story, then the story becomes a process of deconstructing and heightening and sometimes changing those notions and that makes dramatic tension. The initial statement of your position, and then letting reality act on you to change it, is pretty good storytelling.
We all want explanations for why we behave as we do and for the ways the world around us functions. Even when our feeble explanations have little to do with reality. We’re storytelling creatures by nature, and we tell ourselves story after story until we come up with an explanation that we like and that sounds reasonable enough to believe. And when the story portrays us in a more glowing and positive light, so much the better.
How much of what the biblical writers believed about the supernatural world do I believe? They weren't us. We are products of the Enlightenment; they were not. So let's stop denying that reality. Rather than sitting in judgment on them from our Enlightenment perches, we ought to have them sit in judgment on us when it comes to informing us about the supernatural world. After all, what they wrote was ultimately overseen by God.
I've been a fan of Mads since the “Casino Royale” movie. I really sat up and paid attention to him. I was like, “Who is this motherf**ker?” Even his work in something as sort of popcorn as “Clash of the Titans,” he brings a kind of danger and reality and he grounds it in such a way that you think, yes, I'm good to work with this guy. I should come back, just stay behind him. (Laughs) Our working relationship has been fantastic.
A crucial difference between lite libertarians and the right kind is that to the former, the idea of liberty is propositional - a deracinated principle, unmoored from the realities of history, hierarchy, biology, tradition, culture, values. Conversely, the paleolibertarian grasps that ordered liberty has a civilizational dimension, stripped of which the libertarian non-aggression axiom, by which we all must live, cannot endure.
It's creepy, but here we are, the Pilgrims, the crackpots of our time, trying to establish our own alternate reality. To build a world out of rocks and chaos. What it's going to be, I don't know. Even after all that rushing around, where we've ended up is the middle of nowhere in the middle of the night. And maybe knowing isn't the point. Where we're standing right now, in the ruins in the dark, what we build could be anything.
I have committed myself to joy. I have come to realize that those who make space for joy, those who prefer nothing to joy, those who desire the utter reality, will most assuredly have it. We must not be afraid to announce it to refugees, slum dwellers, saddened prisoners, angry prophets. Now and then we must even announce it to ourselves. In this prison of now, in this cynical and sophisticated age, someone must believe in joy.
Please allow me to wipe the slate clean. Age has no reality except in the physical world. The essence of a human being is resistant to the passage of time. Our inner lives are eternal, which is to say that our spirits remain as youthful and vigorous as when we were in full bloom. Think of love as a state of grace, not the means to anything, but the alpha and omega. An end in itself. Florentino Ariza, Love in the Time of Cholera
For states' rights advocates, the Constitution is like a contract that is openly violated by one party with impunity. On paper, the states remain sovereign powers, while in reality the federal government appears able to dictate everything from the ingredients of school lunches to speed limits. Congress now routinely collects taxes in order to return the money to the states with conditions on their conforming to federal demands.
Reality cannot be photographed or represented. We can only create a new reality. And my dilemma is how to make art out of a reality that most of us would rather ignore. How do you make art when the world is in such a state? My answer has been to make mistakes, but when I can, to choose them. We are all guilt victims choosing mistakes, and as Godard said, the very definition of the human condition is in the mise-en-scéne itself.
Like medieval theologians we had a philosophy that explained everything to us in advance, and everything that did not fit could be readily identified as a fraud or a lie or an illusion... The perniciousness of the anti-Communist ideology of the Truman Doctrine arises not from any patent falsehood but from its distortion and simplification of reality, from its universalization and its elevation to the status of a revealed truth.
Photography has almost no reality; it is almost a hundred per cent picture. And painting always has reality: you can touch the paint; it has presence; but it always yields a picture - no matter whether good or bad. That's all the theory. It's no good. I once took some small photographs and then smeared them with paint. That partly resolved the problem, and it's really good - better than anything I could ever say on the subject.
If you want to find out anything from the theoretical physicists about the methods they use, I advise you to stick closely to one principle: don't listen to their words, fix your attention on their deeds. To him who is a discoverer in this field the products of his imagination appear so necessary and natural that he regards them, and would like to have them regarded by others, not as creations of thought but as given realities.
In other words, all of my books are lies. They are simply maps of a territory, shadows of a reality, gray symbols dragging their bellies across the dead page, suffocated signs full of muffled sound and faded glory, signifying absolutely nothing. And it is the nothing, the Mystery, the Emptiness alone that needs to be realized: not known but felt, not thought but breathed, not an object but an atmosphere, not a lesson but a life.
Whatever you are doing, if there is contentment and a feeling that this whole existence is nothing but the manifestation of godliness, that we are traveling on holy earth, that whomever you are meeting, you are meeting God - there is no other way; only faces are different, but the inner reality is the same - all your tensions will disappear. And the energy that is involved in tensions will start becoming your grace, your beauty.
I would not want to be the Europa League in the current format, that's for sure. Thursday night games are difficult to contend with given the level of physicality we deal with in the Premier League. We struggled with it at Newcastle and we were not alone in that among the English clubs. Until that issue is addressed, no Premier League team wants to be in the Europa League. That's the reality, even if some don't want to admit it.
Feynman's cryptic remark, "no one is that much smarter ...," to me, implies something Feynman kept emphasizing: that the key to his achievements was not anything "magical" but the right attitude, the focus on nature's reality, the focus on asking the right questions, the willingness to try (and to discard) unconventional answers, the sensitive ear for phoniness, self-deception, bombast, and conventional but unproven assumptions.
But if men would give heed to the nature of substance they would doubt less concerning the Proposition that Existence appertains to the nature of substance: rather they would reckon it an axiom above all others, and hold it among common opinions. For then by substance they would understand that which is in itself, and through itself is conceived, or rather that whose knowledge does not depend on the knowledge of any other thing.
I heard a statistic, and this one blew my mind, that 1 out of every 4 men in the church are involved in pornography. And yet, when was the last time you heard a pastor talk about pornography? ... Talk to people in law enforcement, and they will tell you that the great majority of sexual assaults were perpetrated by people that were looking at pornography and they wanted to make a reality what they were seeing in the pornography.
But compassion is a deeper thing that waits beyond the tension of choosing sides. Compassion, in practice, does not require us to give up the truth of what we feel or the truth of our reality. Nor does it allow us to minimize the humanity of those who hurt us. Rather, we are asked to know ourselves enough that we can stay open to the truth of others, even when their truth or their inability to live up to their truth has hurt us.
Italy is such a delightful place to live in if you happen to be a man. There one may enjoy that exquisite luxury of Socialism--that true Socialism which is based not on equality of income or character, but on the equality of manners. In the democracy of the caffè or the street the great question of our life has been solved, and the brotherhood of man is a reality. But it is accomplished at the expense of the sisterhood of women.
While it might be true that our reality would suggest that more writers would address these elemental issues of modern life - work, the marketplace, brutality, race - I'm not sure I have enough of a sense in aggregate of what the dominant novelists are doing to comment on why less do, or if less do. Maybe that's partly because I don't feel woven into any kind of fabric of contemporaries; I just read what I read, and do what I do.
In reality of everyday occurrences I've had to submit to people in order not to lose them. It's less the submission that bothers me, I guess, than how it makes my life miserable. And what happens if I can't forgive myself for making that choice? And what if, in order to keep on living, I have to continue to accept myself? What am I supposed to do? Conclusion: It'd be best if I'm destroyed. The best thing is for me just to vanish.
Lies 1: There is only the present and nothing to remember. Lies 2: Time is a straight line. Lies 3: The difference between the past and the futures is that one has happened while the other has not. Lies 4: We can only be in one place at a time. Lies 5: Any proposition that contains the word 'finite' (the world, the universe, experience, ourselves...) Lies 6: Reality as something which can be agreed upon. Lies 7: Reality is truth.
A particular type of film emerged from World War Two, with the Italian neorealist school. It was perfectly right for its time, which was as exceptional as the reality around us. Our major interest focused on that and on how we could relate to it. Later, when the situation normalized and post-war life returned to what it had been in peacetime, it became important to see the intimate, interior consequences of all that had happened.
It's not like it's a brand new vocabulary that permits to have a new reality. It's rather a new vocabulary that lets us see that our lives have always been more complex than traditional categories allow. So, I think, you know, maybe the introduction of new words permits us to rethink what we've taken for granted about what forms bodies take, what the name is for certain kinds of sexual, intimate relations, how we think of a life.