I had just come off my third consecutive failed television series. I had sworn off doing TV for a while. I was going to go to New York, sublet an apartment, and find my soul again. Before I got on the plane, my agent sent me the script for 'Psych.' I read it on the plane and realised it had a lot of potential.

My first show was in Patkar Hall next to Bombay Hospital. It was a total flop. I was so nervous standing in front of all those people that I completely froze. I forgot all my lines and the audience booed me off the stage. I realised that day that you have to earn the audience's appreciation. They aren't fools.

I found out when I was 18 that Dad had left my mother and the family before he realised he was ill and then died. When I asked Mum about it, she just sort of shrugged it off and said she'd thought I knew about it all along. Of course I hadn't, though I'm sure she must have been desperately unhappy at the time.

A lot of writers, especially crime writers, have an image that we think we're trying to keep up with. You've got to be seen as dark and slightly dangerous. But I'm not like that and I've realised that I don't need to put that on. People will buy the books whether they see a photo of you dressed in black or not.

I'll never forget the moment in 1985 when I was riding my motorbike down the King's Road and I first saw the words David Linley on the sign on my first shop. I nearly came off my bike. It was so incredibly public; I suddenly realised there was to be no stepping away from my work because my name was all over it.

I want to pass on my secrets to people who are going to say, 'I have realised that I love baking, and now I'm going to make my bread and sell it at the local farmers' market,' or who might say, 'I am going to use the local Post Office in our village to sell my cakes.' I want to give them that little bit of fire.

Earlier, I thought it would be better for an actress to marry a businessman or a person from other profession, as it offers more stability. But then I realised that if I marry someone who doesn't belong to the same industry , he wouldn't understand my erratic schedules and also the norms of the glamour industry.

I realised that if you get yourself labeled as the funny one, people don't look any further. I've used that as I've got older. It's controlling: I decide what part of my personality you're seeing. I don't want you to look at me, I really don't. I don't want you to comment on my clothes, my hair or the way I look.

My dad was in the Indian Army. He died in a terrorist attack in Kashmir in 1994. After that, my mum and I settled in Noida. I went to Delhi Public School in Noida and then to Shri Ram College of Commerce in Delhi University. It was in college that I realised I wanted to be on the stage and in front of the camera.

There was just this stage where I realised that people were listening to what I was saying and I could actually say something I believe in and, like... why wasn't I doing that? It's not because I think I have a responsibility as a pop star or whatever; it's because I think I have a responsibility as a human being.

I do have a touch of OCD, and I used to obsess about research. But I'm better than I was. Gone are the days when I would drive to a set of traffic lights to find out if you could turn left. I finally realised it didn't matter. A book will not stand or fall on whether or not there's a branch of Starbucks in Brixton.

I used to take formal notes in lines of blue, and underline the key words in red, and I realised I needed only the key words and the idea. Then to bring in connections, I drew arrows and put in images and codes. It was a picture outside my head of what was inside my head - 'mind map' is the language my brain spoke.

You get tough when you grow up unloved. People described me as a boyish girl - rather shy, but I didn't show it. I had an attitude. I was rather wild. I lied a lot because I knew the alternative was to be punished. As I got older I realised I didn't have to lie any more and it was a nice feeling. I could be myself.

When I had the idea for 'Shopaholic', it was as though a light switched on. I realised I actually wanted to write comedy. No apologies, no trying to be serious, just full-on entertainment. The minute I went with that and threw myself into it, it felt just like writing my first book again - it was really liberating.

I took my wife to a really expensive hotel in Dubai. This was when we were first dating, so I wanted to impress her. I had scallops, and after that, I went to the bathroom to be sick. I realised I had just paid £300 or £400 on scallops just to throw it up. My wife and I then talked about it; I knew I had a problem.

It wasn't until I realised that I could actually take nice photographs that I started to become passionate about it. I then got a few jobs working for magazines in London, and I would get terribly excited and intense about doing a job and taking photographs and looking through the lens to capture something amazing.

Because we're playing tournaments week in and week out I'd think to myself, 'What's the point in practising?' You have no down time to yourself and you're looking for some to spend with your family and friends. But I've now realised that with the game so cut-throat and standards going up every week, it doesn't work.

I think failing the qualifying or the 11-plus actually hurt me more than I realised. After I'd become a professor of physics at the Open University, I suddenly thought, 'This is a bit silly.' So I suddenly became much more open about it. But I think probably I was hurt by the failure and didn't want to talk about it.

I've always had a passion for dancing, and I wasn't lucky enough to go to stage school, so when I got onto the show, I was like a kid in a sweet shop. I went into it just to have fun. The support was overwhelming, to say the least. It wasn't until the end of the show that I realised how much I really wanted to win it.

Hendrick definitely realises that we're young and trying to learn - and wrecking cars is part of how you learn. Jeff Gordon went through 20 something clips in his first season, but Rick Hendrick realised he had to take a chance on Jeff Gordon. They wrecked a lot of cars, but Jeff Gordon has given him four championships.

Halfway through primary school, I realised that I was not as physically strong or fearless as many kids. So, in situations of conflict, I quickly learned that it worked better for me to get out of situations or maybe kind of, you know, prevail in a conflict situation by using humour than by trying to punch somebody out.

I realised that success and pure creativity are not very compatible. The more successful you become, the more you become a product of something that generates money. Instead of being able to move forward freely and do what you really wish, you find yourself stuck and obliged to repeat yourself and your previous success.

One thing I learned about Gordon Brown is you've got to have the strength to just get in there and take him on. When you first hear him spouting his statistics and boasting about his record, it can be quite intimidating. But over time, shadowing him, I just realised that a lot of it was rubbish; a lot of it was baloney.

I always had a feeling we'd have two girls and we were very excited. Krushna was scared and was like, 'oh my god, these girls would turn out to be like you.' And when I realised that I was having twins, I never said that I need one boy and one girl. I was just keeping my fingers crossed hoping that they would be healthy.

I've not been in a live-in relationship. But I've been exposed to various kinds of equations that can exist between people. When I came from Bangalore, it was black and white. Over the years, I've realised that there's more to what we see on a day-to-day basis. There are all kinds of relationships, all kinds of equations.

We're seeing a reaction - and people taking to the streets with pots and pans - in areas where the independence movement isn't supposed to exist. People have to choose between one model and another. Everyone in Catalonia has realised that not taking part means ratifying the politics of repression of the Spanish government.

I remember noticing, when I had my babies, how much I liked them, and not just loved them, but I was really into them. I knew I was going to be curious about them and up for the mayhem ahead. But at the same time, I remember noticing I was relieved this thing was present in me. And I hadn't realised there might be a doubt.

I was a very outgoing guy. I loved roaming around, hanging out with friends. From class 5th, I practised and learnt martial arts for about 7-8 years and have won medals at the national level. Then I trained in dancing on stage. In class 10th, I acted in my first play, and that's when I realised I wanted to become an actor.

Having realised that in cooking there was a vast field of study and development, I said to myself, 'Although I had not originally intended to enter this profession, since I am in it, I will work in such a fashion that I will rise above the ordinary, and I will do my best to raise again the prestige of the chef de cuisine.'

I realised I was living in my own universe with lots of assistants. I didn't have a cell phone; I didn't know how to use a computer. Everybody was doing everything for me. So I left and moved to New York. It was the end of an era, and I must say I found myself a bit lost. I wasn't in the protected Mugler universe any more.

In my 20s, I got into giving people massages and realised I was able to encourage their bodies to heal by passing my hands over them. I'd never describe myself as a faith healer - it's just that if someone believes in this type of healing, I can help release whatever blockage it is that's preventing them healing themselves.

I was whisked away by the Rajasthan police from Ahmedabad as soon as they realised I had applied for bail. They first put me in a filthy cell in the police station, then took me to jail where I was locked up with five hardcore criminals. It was a nightmare. We had to sleep on the cold floor. That's where one sleeps in jail.

I realised after doing 'Tanu Weds Manu' that I had become fat and was not performing to the mark. I realised that I had become a terrible actor. I did 'Jodi Breakers,' which did not do well. So, I moved away from the film industry and lived with the common man to know where I was lacking and what do they want from an actor.

I woke up one morning to an email from my friend Alex that said she'd had her bag stolen. Ordinarily, I'm quite quick on the uptake, but - maybe because of the way it was worded - I immediately replied, 'What??????' As soon as I hit send, I realised I was being scammed. But then they replied, and I thought, 'Well, why not?'

We wanted to describe society from our left point of view. Per had written political books, but they'd only sold 300 copies. We realised that people read crime and through the stories we could show the reader that under the official image of welfare-state Sweden there was another layer of poverty, criminality and brutality.

Frankly speaking, during the making of 'Sonu Ke Titu Ki Sweety,' we never realised that the movie is going to be such a hit and that it will change our lives so much. There have been movies which have done really well at the box office, but rarely do we have movies where actors get so much love and adulation from their fans.

Because I sometimes shopped in Waitrose, I thought I was actually quite posh. I've realised that I'm basically a scullery maid. Even the middle-class people who I meet in parliament, people who live in London - which I think is remarkable because how can anybody afford to live there - seem much, much more middle class than me.

When I took over as president, I studied the Constitution, and the more I studied it, the more I realised that it does not prevent the president of India from giving the nation a vision. So when I went and presented this vision in Parliament and in legislative assemblies; everyone welcomed it, irrespective of party affiliations.

When I started doing advertisements, I really enjoyed the whole process of shooting, and I realised that I could do the little bit of acting required quite easily. My directors also told me that I have a flair for acting and that I should polish it and try for films. Then I thought I probably had it in me - why not give it a shot?

At some point, when I finished school in Zurich, I suddenly realised that I was nobody. I couldn't find a shape. Everything I was had been invented. Initially, I took it to be a fundamental conflict. But today I find pleasure in accepting that this thing called 'identity' is the true invention. There's no way that it really exists.

My eyesight had always been good but at school I went swimming one day and the chlorine affected me badly. I was almost blinded for two weeks and from there things deteriorated. Then at the World Championship in 2007 I realised I couldn't see the back of the pocket. It was one big blur. My first two seasons as a pro it was dreadful.

Stories about mental aberration and oddity only make sense in context. Just how do people live with someone who is peculiar, gifted, strange or alien? It's odd because there's a little part of me that wants to write about exotic, strange bizarre subjects. Instead, I've rather reluctantly realised that what I write about is families.

Once I realised that my job as a model was to emote in front of the camera, I thought, 'Well now, I just have to add words, and I can do films.' But also, my success as a model made me more confident about becoming an actress because, just in case I failed, I thought, 'Well, you know, if I failed as an actress, I can do another job.'

I never thought about writing a novel until I was 13, and that happened by chance. I was on school holidays, and I was bored, and I thought I just wanted to do something to occupy myself instead of asking, 'What can I do, mum? Entertain me.' I started, and it really just took over, and I realised, 'Wow, this is an amazing experience.'

As I got older, I realised that people saw me as other things - sometimes Korean, sometimes Japanese, sometimes just Asian. When my family moved to a more affluent white neighbourhood, I started to see myself as 'other', this amorphous category. I didn't even know what 'not other' was, but I knew I wasn't it; I wasn't what was normal.

For myself, I haven't been content to carry on producing books that merely strain against the conventions - as I've grown older, and realised that there aren't that many books left for me to write, so I've become determined that they should be the fictive equivalent of ripping the damn corset off altogether and chucking it on the fire.

From having no money and coming from a very proud working class family, it was tough. But then all of a sudden we had loads and loads of cash. I realised that this was a great opportunity to do what I love for a living. I was going to tournaments up and down the country and I was able to win anything from five to seven thousand pounds.

I liked Edinburgh as a university in a way that I'd never enjoyed King's College London. I realised after I came to Edinburgh that perhaps it was a mistake to have gone to a college which was bang in the centre of a vast city. It had a bad effect on the social life of the students because a lot of them were commuting from outer London.

I remember going through school and doing art, which was the only thing that I actually found fulfilling, and I couldn't really figure out why. Then I got into college and started messing around with photography, and I realised that it was about getting the images that were in my head out in a way that didn't have to be spelt correctly.

I realised I'd been spoiled at Liverpool. We were used to winning. In Italy I grew up as a person. I didn't enjoy the football, mind. It was very defensive, but I became a better player because of the work I had to do around the box. Off the pitch, I learned about what to eat and what to drink to be successful, and I learned about life.

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