Quotes of All Topics . Occasions . Authors
Swarmers run the risk of skittering like water bugs on the surface of life. By being quickly and constantly connected, they can avoid deep contact in time-consuming and meaningful ways... You're flitting from one place to another. You're more likely to pursue superficial engagements rather than deep pursuits. It contributes to this certain MTV approach to life where you engage in something for a few minutes and then there's a commercial... You have to get a grip on reality. Unless you know what is real-what is a real friendship and relationship-neither can have an effect on you.
I was working in a church in Florida as a youth intern, which means I really didn't do much other than staple stuff. I'm from Dallas, Texas, and every time my grandmother would call-she would call me any time of the day-I'd be home answering the phone. She was like, "What do you do all day?" and sarcastically I would say, "Well, I'm trying to chalk off the next year to spend time finding a band name." And she said, "Well mercy me, why don't you get a real job?" I thought, "Wait a minute. That's the perfect name." That kind of freed up my year but that's where the name came from.
The strange thing about the apocalypse is that it's uneven. For some people, it goes one way and for others another way, so that there's always this shifting relation to the narrative of the disaster. Sometimes apocalypses are just structural fictions, and sometimes they're real. Sometimes a narrative requires an end - the fact that the beginning was always leading somewhere becomes clear at the end. There's an idea that we're always in the middle, but we posit this apocalyptic end in order to also be able to project into the past or the beginning. I think that's true and false.
When philosophers talk about reason they often have in mind Having been in the business of philosophy more than half my life, I have learned that reason doesn't change many minds. But there's a more ordinary sense of resonableness, which involves not just logic but a sensitivity to other peoples real concerns, a desire to understand, even when you don't agree. Many people are reasonable in this way.I'm willing to think that the world will be made better by the conversations of reasonable people, even if there are unreasonable people and people who don't want to converse as well.
Some kids have never seen what a real tomato looks like off the vine. They don't know where a cucumber comes from. And that really affects the way they view food. So a garden helps them really get their hands dirty, literally, and understand the whole process of where their food comes from. And I wanted them to see just how challenging and rewarding it is to grow your own food, so that they would better understand what our farmers are doing every single day across this country and have an appreciation for ... that American tradition of growing our own food and feeding ourselves.
Philosophers often think all scientists must be scientific realists. If you ask a simple question like "Are electrons real?" the answer will be "Yes". But if your questions are less superficial, for example whether some well-known scientist was a good scientist. Then, they had insisted that only empirical criteria matter and that they actually did not believe in the reality of sub-atomic entities. Ask "If that turned out to be true, would you still say they were good scientists?" The answer would reveal something about how they themselves understood what it is to be a scientist.
Skepsis. I am a true skeptic, born under the noble sign of skepsis, the sign of the man who knows that all astrology is absolutely and without reservation the bullest of bullsh*t that ever there was. It is a senseless delusion that does not even have the benefit of being harmless fun. It is a harmful bore. Harmful to the human spirit, harmful to the dignity and wonder of the real universe and the real power of the mind to think for itself. I hate astrology with a fervor that is almost frightening. - Stephen Fry (when asked what sign he would be if he could create his own zodiac)
The vested interests-if we explain the situation by their influence-can only get the public to act as they wish by manipulating public opinion, by playing either upon the public's indifference, confusions, prejudices, pugnacities or fears. And the only way in which the power of the interests can be undermined and their maneuvers defeated is by bringing home to the public the danger of its indifference, the absurdity of its prejudices, or the hollowness of its fears; by showing that it is indifferent to danger where real danger exists; frightened by dangers which are nonexistent.
The real power of this book comes from its documentation from major sources. In fact, you will quickly discover that most of my documents about Jewish Supremacism are from Jewish sources. They argue more convincingly for my point of view than anything I could write. I encourage you to go to the sources that I quote and check them out for yourself. In this book I take you along with me on a fascinating journey of discovery in a forbidden subject. I urge you to courageously keep an open mind while you explore the topics ahead, for that is the only way any of us can find the truth.
Spiritual methods are essential in Africa if you are going to survive politically. My cousin is the chief security officer for the president of Burkina Faso. He knows the key medicine man who works day and night to keep the president in power. These medicine men don't have offices downtown; they live in huts in remote areas, but that is where the real political power resides. A medicine man has no clue about the actual workings of domestic or international politics. All he knows is that a person has a seat of importance somewhere, and his job is to keep that person on that seat.
The master and the student on the journey to mastery, knows that the illusions are the illusions, decides why they are there, and then consciously creates what will be experienced next within the self through the illusions. When facing any life experience, there is a formula, a process, through which you may choose to move through mastery. Simply make the following statements: One, nothing in my world is real. Two, The meaning of everything is the meaning I give it. Three, I am who I say I am, and my experience is what I say it is. This is how to work with the illusions of life.
The problem with Antigone is that she stood up to the despot Creon, but in such a way that she ended up dying. So she bought her defiance with her death. The real question I ended up asking was, "What would it mean for Antigone to have stood up to Creon and lived?" And the only way she could have lived is if she had had a serious social movement with her. If she arrived with a social movement to take down the despot, maybe it would have taken 18 days only, like in Egypt. It's really important to be able to re-situate one's rage and destitution in the context of a social movement.
There is another side [to ego] that can wreck a team or an organization. That is being distracted by your own importance. It can come from your insecurity in working with others. It can be the need to draw attention to yourself in the public arena. It can be a feeling that others are a threat to your own territory. These are all negative manifestations of ego, and if you are not alert to them, you get diverted and your work becomes diffused. Ego in these cases makes people insensitive to how they work with others and it ends up interfering with the real goal of any group efforts.
As you know, shibumi has to do with great refinement underlying commonplace appearances. It is a statement so correct that it does not have to be bold, so poignant it does not have to be pretty, so true it does not have to be real. Shibumi is understanding, rather than knowledge. Eloquent silence. In demeanor, it is modesty without pudency. In art, where the spirit of shibumi takes the form of sabi, it is elegant simplicity, articulate brevity. In philosophy, where shibumi emerges as wabi, it is spiritual tranquility that is not passive; it is being without the angst of becoming.
You win over people just like you win over a dog. You see a dog passing down the street with an old bone in his mouth. You don't grab the bone from him and tell him it's not good for him. He'll growl at you. It's the only thing he has. But you throw a big fat lamb chop in front of him, and he's going to drop that bone and pick up the lamb chop, his tail wagging to beat the band. And you've got a friend. Instead of going around grabbing bones from people... I'm going to throw them some lamb chops. Something with real meat and life in it. I'm going to tell them about New Beginnings.
You try to do as much as you can on set because practical looks cool and practical looks great. Until you get to a point where the reality is you look at it - and I went through this in my last movie which was a war film, which my brother fought in Iraq and I did a ton of research and as much as I could made it documentary-like - and then at some point on set, the reality is somebody says to you, "You know, you can use a real squib and you can have three hours of clean up and you can lose five shots or we can do that blood explosion in post and you can get those five extra shots."
Evil is real - and powerful. It has to be fought, not explained away, not fled. And God is against evil all the way. So each of us has to decide where we stand, how we're going to live our lives. We can try to persuade ourselves and wink at evil. We can say that it isn't so bad after all, maybe even try to call it fun by clothing it in silks and velvets. We can compromise with it, keep quiet about it , and say it's none of our business. Or we can work on God's side, listen for His orders on strategy against the evil, no matter how horrible it is, and know that He can transform it.
Is it that they think it a duty to be continually talking,' pursued she: 'and so never pause to think, but fill up with aimless trifles and vain repetitions when subjects of real interest fail to present themselves? - or do they really take a pleasure in such discourse?' 'Very likely they do,' said I; 'their shallow minds can hold no great ideas, and their light heads are carried away by trivialities that would not move a better-furnished skull; - and their only alternative to such discourse is to plunge over head and ears into the slough of scandal - which is their chief delight.
That was the real secret of the Tarahumara: they'd never forgotten what it felt like to love running. They remembered that running was mankind's first fine art, our original act of inspired creation. Way before we were scratching pictures on caves or beating rhythms on hollow trees, we were perfecting the art of combining our breath and mind and muscles into fluid self-propulsion over wild terrain. And when our ancestors finally did make their first cave paintings, what were the first designs? A downward slash, lightning bolts through the bottom and middle-behold, the Running Man.
I can imagine no man who will look with more horror on the End than a conscientious revolutionary who has, in a sense sincerely, been justifying cruelties and injustices inflicted on millions of his contemporaries by the benefits which he hopes to confer on future generations: generations who, as one terrible moment now reveals to him, were never going to exist. Then he will see the massacres, the faked trials, the deportations, to be all ineffaceably real, an essential part, his part, in the drama that has just ended: while the future Utopia had never been anything but a fantasy.
Mathematical thinking is not the same as doing mathematics - at least not as mathematics is typically presented in our school system. School math typically focuses on learning procedures to solve highly stereotyped problems. Professional mathematicians think a certain way to solve real problems, problems that can arise from the everyday world, or from science, or from within mathematics itself. The key to success in school math is to learn to think inside-the-box. In contrast, a key feature of mathematical thinking is thinking outside-the-box - a valuable ability in today's world.
I see that you believe in love such as the poets and romancers have represented... The poets represent love as the sculptors design beauty, as the musicians create melody; that is to say, endowed with an exquisite nervous organization, they gather up with discerning ardor the purest elements of life, the most beautiful lines of matter, and the most harmonious voices of nature.... To try to find in real life such love as this, eternal and absolute, is the same thing as to seek on the public squares such a woman as Venus or to expect nightingales to sing the symphonies of Beethoven.
The truth is that there are no good men, or bad men,' he said. 'It is the deeds that have goodness or badness in them. There are good deeds, and bad deeds. Men are just men - it is what they do, or refuse to do, that links them to good and evil. The truth is that an instant of real love, in the heart of anyone - the noblest man alive or the most wicked - has the whole purpose and process and meaning of life within the lotus-folds of its passion. The truth is that we are all, every one of us, every atom, every galaxy, and every particle of matter in the universe, moving toward God.
The entrepreneurial struggle is the same at basically every stage in the sense that there's maybe slightly less risk but strategic issues are generally always the same. Now there's so much existential risk from another company either being able to compete or to disrupt you in the same way you're disrupting somebody else, an entrepreneur needs a real steady partner who has the ability to start working with them in the Seed or the A and be credible and value-add with strategic advice, and just be backstopped by so much capital that you can do any growth round or even a public round.
I once picked up a woman from a garbage dump and she was burning with fever; she was in her last days and her only lament was: My son did this to me. I begged her: You must forgive your son. In a moment of madness, when he was not himself, he did a thing he regrets. Be a mother to him, forgive him. It took me a long time to make her say: I forgive my son. Just before she died in my arms, she was able to say that with a real forgiveness. She was not concerned that she was dying. The breaking of the heart was that her son did not want her. This is something you and I can understand.
We try to approach everything in Life After Hate and Exit USA with compassion. While we really promote approaching things with compassion and empathy, because that's what changed us, it's very difficult knowing there are very virulent, vile people who are focused on furthering the Donald Trump cause. Right now we're dealing with a lot of fake news, misinformation, propaganda, parody. My goal is still trying to reach people through compassionate means, and to get them access to real information. My goal is to share my story and get people out of their bubble, so they can empathize.
Qian Xuesen, the father of the Chinese Space Program, studied in the United States, and he was a protégé of Theodore Von Carmen's at Cal Tech and helped start the jet propulsion laboratory there, and then he got caught up in the anti-communism wave and was accused of being a spy and was actually deported back to China where he built from nothing, their entire missile and space program. So, in a way, in a very real way, the United States in trying to protect so-called protect our secrets and throwing this guy out of the country, we helped seed and start the Chinese missile program.
Always make a note of what you are doing and where it leads. By and by, you will become aware of that which is ego and that which is nature; which is real and which is false. It will take time and alertness, observation. And don't deceive yourself - because only ego leads to misery, nothing else. Don't throw the responsibility on the other; the other is irrelevant. Your ego leads to misery, nobody else leads you into misery. Ego is the gate of hell, and the natural, the authentic, the real that comes from your center, is the door to heaven. You will have to find it and work it out.
I have spent much time in the study of the abstract sciences; but the paucity of persons with whom you can communicate on such subjects disgusted me with them. When I began to study man, I saw that these abstract sciences are not suited to him, and that in diving into them, I wandered farther from my real object than those who knew them not, and I forgave them for not having attended to these things. I expected then, however, that I should find some companions in the study of man, since it was so specifically a duty. I was in error. There are fewer students of man than of geometry.
People accuse journalism of being too personal; but to me it has always seemed far too impersonal. It is charged with tearing away the veils from private life; but it seems to me to be always dropping diaphanous but blinding veils between men and men. The Yellow Press is abused for exposing facts which are private; I wish the Yellow Press did anything so valuable. It is exactly the decisive individual touches that it never gives; and a proof of this is that after one has met a man a million times in the newspapers it is always a complete shock and reversal to meet him in real life.
There is (as I now find) no remorse for time long past, even for what may have mortified us or made us ashamed of ourselves when it was happening: there is a pleasant panoramic sense of what it all was and how it all had to be. Why, if we are not vain or snobbish, need we desire that it should have been different? The better things we missed may yet be enjoyed or attained by someone else somewhere: why isn't that just as good? And there is no regret, either, in the sense of wishing the past to return, or missing it: it is quite real enough as it is, there at its own date and place.
The social [media channel] isn't about beauty contests and popularity contests. They're a distortion, a caricature of the real thing. It's about trust, connection, and community. That's what there's too little of in today's mediascape, despite all the hoopla surrounding social tools. The promise of the Internet wasn't merely to inflate relationships, without adding depth, resonance, and meaning. It was to fundamentally rewire people, communities, civil society, business, and the state — through thicker, stronger, more meaningful relationships. That's where the future of media lies.
So-called real life has only once interfered with me, and it had been a far cry from what the words, lines, books had prepared me for. Fate had to do with blind seers, oracles, choruses announcing death, not with panting next to the refrigerator, fumbling with condoms, waiting in a Honda parked round the corner and surreptitious encounters in a Lisbon hotel. Only the written word exists, everything one must do oneself is without form, subject to contingency without rhyme or reason. It takes too long. And if it ends badly the metre isn't right, and there's no way to cross things out.
Literature, real literature, must not be gulped down like some potion which may be good for the heart or good for the brain—the brain, that stomach of the soul. Literature must be taken and broken to bits, pulled apart, squashed—then its lovely reek will be smelt in the hollow of the palm, it will be munched and rolled upon the tongue with relish; then, and only then, its rare flavor will be appreciated at its true worth and the broken and crushed parts will again come together in your mind and disclose the beauty of a unity to which you have contributed something of your own blood.
In this modern world of ours many people seem to think that science has somehow made such religious ideas as immortality untimely or old fashioned. I think science has a real surprise for the skeptics. Science, for instance, tells us that nothing in nature, not even the tiniest particle, can disappear without a trace. Nature does not know extinction. All it knows is transformation. If God applies this fundamental principle to the most minute and insignificant parts of His universe, doesn't it make sense to assume that He applies it to the masterpiece of His creation, the human soul?
Geometry, which should only obey Physics, when united with it sometimes commands it. If it happens that the question which we wish to examine is too complicated for all the elements to be able to enter into the analytical comparison we wish to make, we separate the more inconvenient [elements], we substitute others for them, less troublesome but also less real, and we are surprised to arrive, notwithstanding a painful labour, only at a result contradicted by nature; as if after having disguised it, cut it short or altered it, a purely mechanical combination could give it back to us.
but the real enemy is the cold. It steals up on you quieter than Will, and at first you shiver and your teeth chatter and you stamp your feet and dream of mulled wine and nice hot fires. It burns, it does. Nothing burns like the cold. But only for a while. Then it gets inside you and starts to fill you up, and after a while you don't have the strength to fight it. It's easier just to sit down ot go to sleep. They say you don't feel any pain toward the end. First you go weak and drowsy, and everything starts to fade, and then it's like sinking into a sea of warm milk. Peaceful, like.
Unlike most of life, what you do really matters. Your actions have real consequences. You have to pay attention and focus, and that's very satisfying. It forces you to pay great attention and you lose yourself in the task at hand. Without the risk, that wouldn't happen, so the risk is an essential part of climbing, and that's hard for some people to grasp. You can't justify the risk when things go wrong and people die. The greater the risk, the greater the reward in most aspects of life, and in climbing that's certainly true, too. It's very physical, you use your mind and your body.
'How the West was Won' was very hard, because it was a three cameras technique, meaning three cameras wide. Therefore I wasn't speaking to my fellow performer, I was speaking to a camera, or a line next to the camera. It was difficult to do, because its not real acting. I had to pretend that I was 'seeing' Agnes Moorhead or Jimmy Stewart or Carroll Baker. I wasn't, I was acting to a drawn line. It took me personally two years to make the film, because my character starts at age 16 and I end up being 92 years old in the film. By the end of that production, I was ready for a long nap.
Let me explain something to you. Look around here. How many people do you count? Sixty, eighty, eighty people? Greeks, Germans, Italians, French, Americans. Tourists from everywhere. Eating, drinking, talking, laughing. And from Bombay - Indians and Iranians and Afghans and Arabs and Africans. But how many of these people have real power, real destiny, real dynamic for their place, and their time, and the lives of thousand of people? I will tell you - four. Four people in this room with power, and the rest are like the rest of the people everywhere: powerless, sleepers in the dream.
"There is one basis of science," says Descartes, "one test and rule of truth, namely, that whatever is clearly and distinctly conceived is true." A profound psychological mistake. It is true only of formal logic, wherein the mind never quits the sphere of its first assumptions to pass out into the sphere of real existences; no sooner does the mind pass from the internal order to the external order, than the necessity of verifying the strict correspondence between the two becomes absolute. The Ideal Test must be supplemented by the Real Test, to suit the new conditions of the problem.
Nothing (at least that can be done by humans) immortalizes anyone. The Fault in Our Stars will hopefully have a long and wonderful life, but it will eventually go out of print, and eventually the last person ever to read it will die, and then the characters will no longer live in any consciousness.Also, that is okay. That is good, actually. That is how it should be. One of the things the characters in this novel have to grapple with is the reality of temporaryness. What Gus in particular must reconcile himself to is that being temporary does not mean being unimportant or meaningless.
Friends can be incredible sometimes, but have you ever had a friend that can be really annoying or really mean to you? Friends shouldn't stab you in the back. Have you ever wondered if your friend has ever said stuff about you to their other friends? It gets pretty intimidating sometimes to think about that. What I'm saying is to find your friends that are real. Don't keep the ones that are fake and are just friends with you for what you have. Be strong. Don't take no for an answer. Never back down. Stand up for what you believe in. Friends are great to have, but just be cautious. (.
When you look at the damage that many of the policies that Donald Trump has proposed can do to our citizens of the US - you can compare him to Major Storms Harvey, Irma, Maria. We're talking about life or death issues and about repealing the Affordable Care Act. There are lives at stake. Something that would affect millions and millions of people. I think it's totally appropriate. Obviously, it's a metaphor. It's not to be taken literally. But I mean that when I talk about the damage and the trauma that has been brought into our lives because of his presidency, that that's very real.
There is a certain amount of righteous indignation I hold for the American culture, because to get back to the real root of it, to get broader about it, my opinion that is my species - and my culture in America specifically - have let me down and betrayed me. I think this species had great, great promise, with this great upper brain that we have, and I think we squandered it on God and Mammon. And I think this culture of ours has such promise, with the promise of real, true freedom, and then everyone has been shackled by ownership and possessions and acquisition and status and power.
I love the culture of animation. What stop-motion has in common with live-action is that it has many of the same departments. There's hair, costume, makeup in the form of paint, gaffers, electricians. So there's the same sense of real stuff, real light. But it's not like everything happens at once, like it does in live-action. It's all subdivided into these small sets. It's where my strengths are. Live-action is just an utterly different world, and I'm not a public enough persona to be big and loud at the front of the ship. I'd rather more quietly interact with the artisan animators.
You need to understand something, you drink deeply from wells of freedom and liberty and opportunity that you did not dig. You eat lavishly from banquet tables prepared for you by your ancestors. You sit under the shade of trees that you did not plant or cultivate or care for. You have a choice in life, you can just sit back, getting fat, dumb, and happy, consuming all the blessings put before you, or it can metabolize inside of you, become fuel to get you into the fight, to make this democracy real, to make it true to its words that we can be a nation of liberty and justice for all.
I call a man a sannyasin who breaks out of these institutions and lives spontaneously. To be a sannyasin is the most courageous act possible. To be a sannyasin means to live without the mind, and the moment you live without mind you live without society. The mind has created society, and society has created the mind; they are interdependent. To be a sannyasin means to renounce all that is false but not to renounce the world, to renounce all that is unauthentic, to renounce all the answers, to be responsive, spontaneously responsive, and not to think about the reasons, but to be real.
The most obvious and yet the oldest and most stubborn error on which the appeal of inflation rests is that of confusing ‘money’ with ‘wealth’…Real wealth, of course, consists in what is produced and consumed: the food we eat, the clothes we wear, the houses we live in. It is railways and roads and motor cars; ships and planes and factories; schools and churches and theaters; pianos, paintings and books. Yet so powerful is the verbal ambiguity that confuses money with wealth, that even those who at times recognize the confusion will slide back into it in the course of their reasoning.
Everything I did to get back, if it wasnt for my team, it was for my city. Thats one thing that I bought into from Day One. Im not just here in this city to play football, Im here to actually create real change in this city. If my effort can give you hope, faith or love, then so be it. Ill give everything I have, and today was about me giving everything that I had, showing people that no matter the circumstances that you may be going through, just push through it. If you can push through it, you will encourage somebody. Today, hopefully through what I did today, somebody was uplifted.
