There's a part of me that feels like it gets really frustrating to keep working in the manner that I made the book 'Shortcomings,' where everything is pretty accurate to the real world.

Every Yom Kippur, Jewish tradition requires a strict spiritual inventory. You aren't supposed to just sit around feeling guilty, but to take action in the real world to set things right.

When you demonize Muslims as a community, as an entire group of people based on the crimes or actions of a tiny minority within that community, you have very worrying, real world effects.

Proposing inner-life solutions to our political and economic catastrophes is something done, say the critics, only by people who've spent more time in la-la land than in the 'real world.'

I actually always say that I have a son and a daughter, but I work more for my son, because I want him to respect women when he gets into the real world like he respects his mom right now.

This is my favourite thing about being raised in Africa: we don't do labels very well; we don't do this, 'Oh, you're a Democrat; oh, you're a Republican.' Because we live in the real world.

Myth and fairy-story must, as all art, reflect and contain in solution elements of moral and religious truth (or error), but not explicit, not in the known form of the primary 'real' world.

Romantic comedies seem to take over where the fairytales of childhood left off, feeding our dreams of a soulmate; though, sadly, the Hollywood endings prove quite elusive in the real world.

Unless and until I can see an opportunity of actually reversing Brexit and restoring a stable membership of the European Union, then in the real world I concentrate on minimising the damage.

Poetry, being supremely useless, by its very existence represents a protest against the so-called 'real world' of busy-ness and moneymaking, so we must embrace, salute and support our poets.

When times are tough, constant conflict may be good politics but in the real world, cooperation works better. After all, nobody's right all the time, and a broken clock is right twice a day.

I think it's important to live as much of your life as possible in the real world. If you live a life that's limited to the Westside of Los Angeles, you're only going to see people like you.

My fellow economists and academics fail to understand the economics of trade in the real world. Traditional models of academia respect free trade without considering whether it is fair trade.

My stories are pretty simplistic, but the characters are always complex and always right, and that comes from the script and my research and reverse-engineering what I find in the real world.

We all assume that if you're weak and poor, you're never going to win. In fact, the real world is full of examples where the exact opposite happens, where the weak win and the strong screw up.

People think racist abuse stops on the football pitch, but that's just the beginning. When you go home, you are still confronted with it. Football is just a magnifying glass of the real world.

If you're building a fantasy world that exists outside of the rules of our real world, why would you write it to conform to the rules and binaries that we have today? Why still limit yourself?

Old-school viewers remain adamant that 'The Real World' has deteriorated, as if the original enterprise were some pristine experiment that got sullied as the conditions in the lab got sloppier.

When I came to Harvard, I was debating between math and science, and I guess I thought in the end I wanted something that could connect to the real world. I liked puzzle-solving and connections.

You can coddle your child and tell them, 'You're the best no matter what.' But in the end, when they go out into the real world, I think it's pretty tough out there and other children are cruel.

Ultimately, criticism that 'The Real World' has devolved into a lesser enterprise comes from the viewers who came of age alongside it, not the teens of the moment that MTV has always existed for.

Social media has emboldened an army of online Islamophobes; in the real world, mosques have been firebombed and politicians line up to condemn Muslim terrorism/clothing/meat/seating arrangements.

With 'Mutant Ninja Turtles,' I wanted to play a character who lives more in the real world, although yes, I grant you, he immediately encounters, um, turtles, of the teenage mutant ninja variety.

I have made a career of creating characters who fight school authority and chomp at the bit to get out into the 'real' world and live their lives, mostly because that's the kind of teenager I was.

Being in that other world of media, TV, Hollywood, it's not a real world. For me going back to work, it was a pleasure to get back to the world I knew. That's the real world. That's normal for me.

The second Cocoon questions that and deals much more directly with the value of living in the real world with its trials and tribulations. I would say it's about that and not about aging or death.

I wish I could make music about politics. I feel like it's such an art and a talent that I admire tremendously, but when I step into the studio, I step out of the real world, and it's therapeutic.

For the longest, I was slightly naive when it came to the real world. There were a lot of fears I was afraid to conquer that were just holding me back from standing up for myself or taking chances.

You spend your childhood wanting to get out from your house and wanting to get away and out into the real world, and then as adults, we start to learn that things are not what we thought they were.

What I want to see is more mixed casts. We need it. People need to be brave - in the real world, everyone and anyone is around. So if people get to see themselves on the stage, they'll want to come.

I tend to be so lost in the work that I don't notice the weather. My partner will come home and say, 'Beautiful day, wasn't it?' and I'll say, 'Was it?' as I won't have noticed the real world at all.

I just love writing. It's magical, it's somewhere else to go, it's somewhere much more dreadful, somewhere much more exciting. Somewhere I feel I belong, possibly more than in the so-called real world.

Dictators are ludicrous characters, and, you know, in my career and in my life, I've always enjoyed sort of inhabiting these ludicrous, larger-than-life characters that somehow exist in the real world.

Sometimes I envy people who can be only half crazy, with one foot in the passion and one foot in the real world. But that's not me. I dive into the total crazy experience. That's the only way to travel.

I don't think there are beautiful women out there trying to lure men into any kind of conspiracy. I think people are out there just trying to meet someone new and interesting and live in the real world.

I'm a documentary image maker, still and moving, because keeping the real world on the agenda is really important at a time when we're increasingly disconnected from parts of the world on whom we depend.

'Line Of Duty,' for dramatic purposes, tends to create characters whose corruption is balanced on certain ethical conflicts, whereas the majority of corruption in the real world is simply based on greed.

As evidenced during my failed audition, I'm a thorough introvert who would completely hate living in a 'Real World' house. I would have taken my Ikea comforter to the confessional room and never come out.

The dojo system in Japan is something very unique. It prepared me not only for wrestling in the States and around the world, but it also prepared me for how to handle myself as an adult in the real world.

They don't actually see the real world, where 95% of the people with HIV are not treated and are dying. And even though we have some blue sky now in our country, the sky could become cloudy again very soon.

It's all discipline and schedule for me. I mean, it's very easy to get distracted by the real world and things that intrude constantly, and it takes dedication to live totally in your head and be tuned out.

If you were to ask me what the No. 1 lesson I learned from being on 'The Real World', and I challenge you to go back to the episodes and you will see that I'm right: I learned the myth of liberal tolerance.

When you play a character, you get to see the world through their eyes. Whether it's a fictional world or a real world, you do get to see somebody else's point of view, whether he's a good guy or a bad guy.

When people are performing in a musical, everybody is intuitively drawn to the right pitch. You don't want to be too broad that people can't relate to it, so it has to have some grounding in the real world.

I may be only a fish and chip shop lady, but some of these economists need to get their heads out of the textbooks and get a job in the real world. I would not even let one of them handle my grocery shopping.

Conservative policies have on the whole worked - insofar as any set of policies can be said to 'work' in the real world. Conservatives of the Reagan-Bush-Gingrich-Bush years have a fair amount to be proud of.

I really think more fledgling novelists - and many current and even established novelists - should get out into the real world and cover local politics, sports, culture, and crime and write it up on deadline.

It is easy to criticize, particularly in a political season. But to lead is something altogether different. The leader must live in the real world of the price that might be paid for the goal that has been set.

I'm not really sure what defines 'success in the real world' to be honest! It's so objective once you graduate, some people work, some people start families, some go looking for themselves up mountains in Peru.

Told that the passing grade is a B or competence and that we will help you to get there, students do competent work. The lowest passing grade in the real world is competence. Why do schools accept so much less?

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