Quotes of All Topics . Occasions . Authors
If you're playing a real person, then you want to do a certain amount of research, but that's only going to be so useful to you. Each role requires a different kind of approach to get ready.
I'm a woman, a mother, a daughter, a sister. I'm a real person operating in the world. For me to discuss the most private thing feels wrong. It feels like I'm betraying myself and my children.
I'm almost tempted, when I'm playing a real person, not to meet them. Afterwards, maybe. But, the job is the same. You still have to show up on screen and be alive and real and all that stuff.
And I think when you're playing someone who is a real person, it's extremely important to take the time and put in the effort to learn about who they are to be able to respectfully portray that.
I like to play people that are real, a real person, and then something that's interesting with that person. I think it's a lot more challenging to do that than something that's extremely fantasy-like.
Whenever you're going to play a real person, you run the risk of well, everybody in the world kind of has an image of what that person is and who he should be and so you really have to do your homework.
In the beginning, people watched me to hate on me. They thought Miranda was a real person. People just couldn't understand why this strange girl was so confident. And then slowly, I started getting fans.
There's a lot of journalism about poverty, but sometimes it just helps to see that there's a real person who becomes a real mom, who is working with unsustainable wages that could eventually destroy her.
Actors are like magicians. They'll sit there and do all their tricks to each other. It's very competitive, and the goal is to get them bonding, to get them to know the real person as quickly as possible.
The problem was to sustain at any cost the feeling you had in the theater that you were watching a real person, yes, but an intense condensation of his experience, not simply a realistic series of episodes.
'Laura' was overtly political for sure. Caspary was trying to make a point about women and independence and how men viewed them, with derision or condescension or on a pedestal, when the real person was ignored.
But when you work with the director and the real person who is playing opposite you, it changes everything. You are almost in a working session. I was very comfortable, and that's maybe what helped me to get the part.
I even kind of eat well 80 percent of the time and have my treats 20 percent of the time. I don't just eat salads, but I truly believe in eating healthy foods, fresh fruits and vegetables every day. I'm a real person.
Between the fictional Laura of the books and the even more heavily fictionalized girl of the TV show, we've tended to lose sight of the fact that Laura Ingalls Wilder was a real person who was complicated and intense.
Most people never really sat down and got to know a homeless person, but every homeless person is just a real person that was created by God and it is the same kind of different as us; they just have a different story.
I'm sick of very white teeth and lots of gymnasium practice. I'm bored, you know, send in the next one. I wanted a real man that I could believe was my brother, my father, you know, my next-door neighbor - a real person.
Just because someone signed up for something or takes advice or has managers or works in entertainment or show business with other people doesn't mean they don't have a brain, okay? It doesn't mean that they're not a real person.
In many ways, playing a real person is slightly easier because you have a road map. When you're playing someone fictitious, there's myriad ways in. With a real person, there's boundaries, and that sometimes makes the work easier.
I get to teach my daughter what I've learned. I don't want her to feel she has to be a certain way to impress society. If she wants to spit or go play some ball, I'll be so proud, because that's who I am, and that's a real person.
Everybody is responsible for their own actions. It's easy to point the finger at somebody else, but a real man, a real woman, a real person knows when it's time to take the blame and when to take responsibility for their own actions.
I met a zillion people through Ronnie Wood. He's been my friend since he was in The Faces, and he's still my best friend. A real person, earthy, working 24 hours a day, uplifting to be around, and he's still got that fire about music.
I'm a real person, and I'm angry. I'm trying to use this celebrity thing to get people some help. AIDS, poverty, racism - I want to be one of the hands that helps stop all that. I'll put it on my shoulders. I'll charge it to my account.
When it's a real person, you want to be as honest as you can and approach it in a similar way as you would any other character, but with that restriction and wanting to respect the boundaries of that person and not be intrusive in any way.
It's as if a psychological norm is being established whereby comments left online are part of a video game and not real life. It's as if we've all forgotten that there's a real person on the other end, reading and being hurt by our vitriol.
When you're playing a real person, there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.
I mean, there was a portion, of course, that I think, when I look back now, that there was a portion of what attracted me must have been the awe of him being a powerful man in this environment, not to take away from who he is as a real person.
In the 'Nude Descending a Staircase,' I wanted to create a static image of movement: movement is an abstraction, a deduction articulated within the painting, without our knowing if a real person is or isn't descending an equally real staircase.
There's a certain amount of pressure that comes from playing real people. It's a pressure to deliver something fair and right to the real person and any living relatives. But generally, it's a joy, as you get to target your interest on a particular era.
I'm desperate to be in the same room as Katie Hopkins. There are a few things I'd like to say to her, really calmly. I'd just like to put forward a case for her to integrate the 'her' that she pretends to be on TV with the 'her' she is as a real person.
I wanted to create a heroine that was flawed. I wanted her to be a real person. She's selfish, she's childish, she's immature and because I'm doing a three-book arc I really played that up in the first book. I wanted the reader to be annoyed with her at times.
What was so extraordinary to me about going through this box of my mother's letters and diaries was meeting my mother not as my mother, but as a real person. And what breaks my heart is that I had no idea how self-aware she was and how protective of me she was.
There is a sense of responsibility when you play a real-life character because there are people who will see your work, make comparisons, and judge you. They have all the rights to do that because they know the real person. They might have seen that person also.
You don't even know if the person you're communicating with online is actually that person. And your persona on your social media - your Facebook or Twitter - may not be the person you are in real life. So then, who is the real person? Is it somewhere in between?
In 'The Smurfs,' I was actually a live action character. So, I was a real person in that movie. But I was working with animated characters, which is very strange because they're off recording their work, and we're kind of reacting to nothing when we're doing the film.
Playing a real person, it does add an extra level of thoughtfulness. You're portraying someone who actually existed, so instead of saying, like, 'OK, I think this would make the scene better,' it's more a question of, 'What do I think the real Jeffrey Dahmer would do?'
I remember my grandmother's husband dying. But I think I was older. I think I was 7 or 8 when he died. But I remember that being the first real person I knew who died, and I - and that my parents didn't let me go to the funeral. And I remember feeling like it was really unfair.
Physical attributes can make you appealing, but to keep the appeal going, one has to draw from within. You have to be a real person. Your fans and the people you associate with have to be able to see beyond your looks. You have to be a good friend, dutiful son and a good family man.
'Funny People' is my favorite performance of myself to date. Even though it's a comedy and there are serious moments, I really felt like Leo felt like a real person. It didn't feel like I was playing myself. Whether it's a comedy or drama, I just try to make it as realistic as possible.
When it is real person, especially who means so much to millions of people, you have an obligation, you cannot take liberties, you cannot pretend to know. But we are telling the love story of Michael Aris and his wife, the story of a beautiful, lush country, and the emotions of a mother.
I kind of see myself as a cartoon that's on its way to becoming a real person that has to find that special amulet or mushroom to get to that next realm or level. I don't feel like anything is that tangible. It freaks me out, why I feel unhappy or conflicted and why that can change on a dime.
If I'm playing a real-life person, I would take notes, I think that's important. For instance, when I played Rosemary Clooney, I was lucky enough to meet her; thankfully, she was still with us. And I talked with her and read her book, so when it's a real person, I want to find out everything I can.
I don't think the Internet is necessarily a dangerous place. It's only dangerous if you don't make people earn your trust. You can't take people at their word. You got to do a little digging and make sure to verify that you are talking to a real person or the person that you think you're talking to.
When I am a good guy on TV, my character tends to be almost identical to how I am as a real person. However, as a bad guy, I get to be the opposite. I get to be a jerk. I get to talk trash, I get to say all the things that I'm thinking but have to restrain myself from saying out of respect or decency.
I wrote a song on the record called 'Flawed Design' and it's basically looking at that, and it was just exploring how everybody obviously has flaws. I think to embrace those flaws - enjoy them, embrace them - and actually be a real person is something that a lot of people struggle with, myself included.
We talk about characters in literature as though they were built on the model of the real person, but then I often think that the way we present ourselves as real people is based heavily on the way literary psychologies are stylized, and I wonder how the two forms of realistic personhood feed on or fulfill each other.
It's almost like living a double life where I'm in a limbo space where Amanda Knox, a real person, exists, 'Foxy Knoxy,' an idea of a person, exists, and I'm constantly having to juggle how someone is interacting with me based upon that two-dimensional person of me that has been in the public's imagination for so long.
Every field piece I did on 'The Daily Show' was a story that lasted five to six minutes. We had a protagonist, we had an antagonist and often put them at odds. We knew the story we wanted to tell before we went in, and often it was about plugging whatever character you have - in this case, a real person - into said part.
Whenever I'm talking about relationships, it's always at least three things. It's my relationship with myself, my relationship with God or an idea, and then usually somebody, a real person. I try to operate on all three levels at the same time, and it's difficult, but I never want to have a break-up song or something like that.
I still feel about 22. I don't understand, actually. I mean, as I got older, I thought there would be things like, 'I need a house now', 'I need kids', 'I need a licence to drive', but I have never really had that happen. I guess that forms part of my appeal for the people who like the stuff I do: I'm not a real person - I'm a gypsy.
As a real person, he wouldn't last a minute, would he? But drama is about imperfection. And we've moved away from the aspirational hero. We got tired of it, it was dull. If I was House's friend, I would hate it. How he so resolutely refuses to be happy or take the kind-hearted road. But we don't always like morally good people, do we?