I've always kind of ripped from real life to some degree or at least how I'm feeling in the moment. In fact, maybe that's really it. In anything I've ever written, all the characters sound like me, which I don't think is a bad thing.

I did not enter the industry to create a certain image. People happened to see me as the friend/sister/daughter next door. I like that association very much. It's close to what I am in real life. As for films, I just focus on the job.

Since I have given lots of strong and charismatic performances on the stage, many people think that I probably would be just like that in real life. But many of those who have met me say that I have an aura of genuinely girlish charm.

I think, in real life, when we're facing death - that is, when we come out on the other side of it, whether it's death of a friend or a family member - you come out on the other side of the mourning cherishing your life that much more.

Anyone who wants to offer me as mushy, earthy, crunchy a role as they can, I will probably take it. In real life, I cry at a drop of a hat, and I'm a mom, and I'm pretty mushy! We all have so many colors as actors that we want to show.

I'm a really nice guy when you meet me, and that surprises a lot of people. I'm not that eccentric in real life - and certainly not that disrespectful. In my own time, I like to just chill out with friends and not get in people's faces.

I grew up watching Salman Khan and Arnold Schwarzenegger, who have always juggled fitness with acting. In real life, I'm a fitness freak. Besides, it is nice to look at an actor who is fit, and if you become a role model, that's a perk.

I think something that's very relevant in real life and that they don't portray enough on TV is that when you think 'Christian,' you think 'goody two shoes' - they have to look a certain way and do certain things - and it's just not true.

I've always loved film, and since I knew I probably couldn't be a cowboy or a spy in real life, I thought I'd play one in a movie! I started doing theater in middle school and tested for 'Victorious' before being in an episode of 'iCarly.'

Zuri is slowly starting to become more of who I am in real life. Starting on 'Jessie,' she had a huge imagination, and had her imaginary friends, but now that she's 13 she has definitely passed that stage in her life and has grown so much.

Being a writer - even a best-selling one - is usually not anywhere near as public as being a movie star, at least not when I'm out in 'real life' like this. Not that I don't use what fame I have, every chance I get, to help sell more books.

Anytime you want to hear about graph partitioning, I will be glad to tell you what I know about graph partitioning. It remains a standard problem. I think it's an interesting problem, because it shows up in a variety of guises in real life.

Audiences make their minds up about people they see on screen, just like they do in real life. That's what fascinates me in film. You see a character and have to think: is this person different to what I assumed he was when I first saw him?

I plot the first 5 or 6 chapters quite minutely, and also the end. So I know where I am going but not how I'm going to get there, which gives characters the chance to develop organically, as happens in real life as you get to know a person.

It's as if a psychological norm is being established whereby comments left online are part of a video game and not real life. It's as if we've all forgotten that there's a real person on the other end, reading and being hurt by our vitriol.

The Florida in my novels is not as seedy as the real Florida. It's hard to stay ahead of the curve. Every time I write a scene that I think is the sickest thing I have ever dreamed up, it is surpassed by something that happens in real life.

Particle physicists may freeze a second, open it up, and explore its dappled contents like surgeons pawing through an abdomen, but in real life, when events occur within thousandths of a second, our minds cannot distinguish past from future.

At the heart of any drama, there's conflict. When you are acting, you get to play out the confrontations you want to have in real life but can't. Or the emotions that you would want to have in real life, but sometimes they are too difficult.

I like characters. I like spirited characters whether they exist in fiction or real life. Whether they're the invention of artistic people or directors, musicians. I think music and art and fashion designers inspire me and I like characters.

I developed this fantasy world. I found that that was much more fun and more interesting and exciting than real life was to me. Then, once I got the guitar going when I was a teenager, I set sail for the direction I've been in my whole life.

As I read more and more - and it was not all verse, by any means - my love for the real life of words increased until I knew that I must live with them and in them, always. I knew, in fact, that I must be a writer of words, and nothing else.

There are certain types of stand-up, who are very successful, who do one type of joke, and never stray out of that. The audience knows that he's the depressive comedian, he's the up-beat, crazy comic. He's the one that talks about real life.

I paint mostly from real life. It has to start with that. Real people, real street scenes, behind the curtain scenes, live models, paintings, photographs, staged setups, architecture, grids, graphic design. Whatever it takes to make it work.

Part of the reason I wanted to write a novel was that in fiction I could do something that's difficult to do in real life, which is to dwell on the stark details of the experience without really needing to create that narrative of redemption.

I look very different on camera compared with how I do in real life. On camera, I look my best when everything is enhanced, especially my eyes - I like a smoky eye. In real life, I like myself best in tinted moisturiser, lip balm and mascara.

I was brought up not to be selfish or self-centered. So if you play somebody who isn't so lovable, you can play that person and no one will turn on you. I don't want to play that person in real life. Because then people won't like me so much.

That's what so great about making movies. It's that you get to do stuff you never would be able to do in real life. You get to go to a recording studio, you get to go to Navy ships and fly all over the world for press. And it's just a great job.

It wasn't until I went to my first comic convention while I was in high school that I got to see actual comic book artists and original artwork in real life, up close. That was when I first realized that this is what I wanted to do for a living.

Why should I ever get fed up talking about my father? He was a brilliant, colorful man who left us with thousands of memories. Most people remember his films, but I've got anecdotes and advice and episodes of real life tucked away inside my head.

People always ask me, 'I don't know how you could watch that, how that affects you,' and I just tell them, 'I went through it in real life, so it's like pilots watching a 'Top Gun' movie or cyclists watching a bicycle movie,' something like that.

I'm interested in pursuing roles that allow me to push against my own walls, my own constraints as a human being, and to find out where I'm capable of going. In real life, I'm not very good at feeling emotions, so I like to do it through my work.

In Georgia and around the country, people are striving for a middle class where a salary truly equals economic security. But instead, families' hopes are being crushed by Republican leadership that ignores real life or just doesn't understand it.

I think I'm a part of all the characters I play, definitely at different times in my life. In real life, I'm kind of a tomboy. I like to read a lot I like watching T.V. I don't think I'm as interesting as my characters, but I like doing what I do.

It is easy to make stuff up - and easy to dig up information and repeat it or report it to others. But to find a real life story with real people in real life situations is quite difficult and time-consuming. Yet, the rewards are worth the effort.

I don't think schooling of any sort really prepares you for real life. I don't know if art school would have prepared me to draw comics. Half of the people I know in comics went to art school, half of them didn't. Some of them went and dropped out.

The sum total of what I learned about African American culture in school was Martin Luther King Jr., Rosa Parks, and the Underground Railroad. This was more than my mom knew; she didn't even see a black person in real life until she was 18 years old.

It is a surreal life living on a television series set, and especially when I go out in public. I have people who recognize me and will come up to me, saying how much they enjoy seeing me, asking for a picture, and I still think to myself, "Uh, why?"

Reality is the richest thing there is, the most important thing there is. Our imagination allows us to live an artificial life that is wonderful, extremely rich, but I don't believe any artist would dare to say that artifice is better than real life.

Playing tough characters just comes easy for me. It's not who I am in real life, so I love going to work and pretending to be something I'm not. I love all the action and confidence. But when I finally go do a rom-com, I hope my fans will support me.

If Queen Amezan and Queen Penthesilea could somehow meet in real life, they would recognize each other as sister Amazons. Two tales, two storytellers, two sites far apart in time and place, and yet one common tradition of women who made love and war.

I kind of connected the dots, like, 'Oh, we're just saying stuff. We're just saying things that make sense, so let's just say them like you say them in real life.' It was my first and one of my only acting lessons 'cause I never really studied acting.

I'm not actually a mom in real life, so it's fun to pretend to be one. I like to approach things the same in art as in life. You can choose to look on the positive side and enjoy whatever roles you're given. You can find the silver lining in anything.

I'm really fond of 'Real Life' because I think it anticipated a whole movement. And people forget, they talk about 'Spinal Tap,' but that wasn't... this was a mockumentary a long time before that. It was one of the early, early sort of mockumentaries.

I think at least my philosophy of leadership is you focus more on the areas you have to improve or the mistakes than you do on your successes. And that's just how I am in real life. I don't want to let down my customers, my employees, my shareholders.

I was very serene, and I still am, until I start talking in another voice, then suddenly I have a lot of volume and I'm frantic. But I didn't want to be one of those people who's always talking in accents in real life, so I started doing sketch comedy.

You know how in most teenage movies the girl meets the boy, they kiss, they have some type of fallout, then there's an awkward sex scene, and then they're together forever? And they say the perfect things the whole way? That doesn't happen in real life.

I write about real life as it is lived by the young American Muslim women that I've had the pleasure of meeting throughout the course of my travels as a writer and being able to speak in different places and meet different people at signings and things.

I remember when I started writing lyrics, I was very grand. I tried to use a lot of symbols,because I thought that's how songwriting should be - with imagery and metaphor. I figured, after a while, maybe I should just write it as I would say in real life.

I have rage and anger issues. So I get mad about stuff in real life, and then I yell about it onstage, and luckily, something funny ends up coming out. What I'll do is tape-record it, and it will end up coming out even funnier. And I add more punch lines.

I definitely hand myself over to the hair and makeup gods of 'Girls.' Our look on the show is very specific, and it's different from mine in real life, although I've definitely learned things from working with both the hair and makeup people for the show.

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