Quotes of All Topics . Occasions . Authors
I'm very sensitive in real life. I cannot not cry if someone around me is crying. I will start to cry if someone is crying, even if it's not appropriate. I have that thing in me, a weakness or sensitivity.
We play many emotions in our careers, emotions that in real life we would perform just once. For example, my character has died in about 10 films, so you have to keep searching for different ways to do it!
Onstage I do all the stuff I'd never do in real life, like lashing out at people who make me mad or freaking out in a long bank lineup. Performing allows me to fulfill all the sicko fantasies I've ever had.
In real life, I first started sleep walking in high school because that was when this concept of getting into college first appeared. I had this moment of, 'Oh! This is going to affect the rest of my life.'
Practical wisdom is only to be learned in the school of experience. Precepts and instruction are useful so far as they go, but, without the discipline of real life, they remain of the nature of theory only.
I mean, I'm pretty good in real life, but sometimes people seem surprised that I'm like a normal teenager and wear black nail polish and I'm just a little bit more edgy than the person I play on television.
Actors generally get to do things you probably shouldn't do in real life - well, at least as much as one might like to or be tempted to. Though I suppose a lot of actors just go ahead and do it, don't they?
You know how you feel when you get full? Well, I don't get full. I can eat a lot. Mike and I were in Italy for 10 days, and I put on 8 pounds. So in real life, I have to make sure I'm not eating just to eat.
I always wanted to live alone for a month in a lakeside cabin. In my fantasy, I enter a state of perfect peace and grow my own kale and stuff, but in real life, I think I might be very bored after four days.
The oldest theory of art belongs to the Greeks, who regarded art as an imitation (mimesis) of reality. The strength of that theory is that it explains the way in which art takes its materials from real life.
Somewhere during the 'Next to Normal' Broadway run, I found myself learning more about myself onstage than in real life, and I truly realized the beautiful, tremendous, extraordinary gift that is performing.
I have always weirdly seen myself as more of a character actor. I have never been suave. I could never see myself playing James Bond. I suppose I could fake it, but I am certainly not James Bond in real life.
I really liked the snake that breaks out of the cage in the beginning of the movie. I saw it in real life, and it was really cool. Really big and fat. The owls are cool as well, but you can't really pet them.
Even though 'Star Wars' takes place in another galaxy, a lot of the themes and things that characters deal with in terms of lessons that they're learning are things that are completely relatable to real life.
'Allen Gregory' came about because we wanted an animated show and we were just tossing around some ideas about me playing a 7-year-old. We thought that would be cool, because we couldn't do that in real life.
It's been a lot of fun getting to work with Tracy Middendorf, who plays my mom. As an actor, it's always fun to have different parents and to create different familial dynamics than you have in your real life.
It is quite surreal having a film made about your life. The whole process of turning real life into drama is interesting in itself, but even more so when it is your own life being put into the narrative forge.
In real life, you don't know what's going to happen to you, so why would your character know? It's liberating to play the emotion your character is feeling at the time and not know what's coming up. I like it.
I don't believe in pretending to be someone else. I'm what I actually am in real life. For instance, like any normal girl, I fight with my mother. I mean, it is just fine. In fact, I fight daily with my mother.
No one bothered reading the books and understanding - and again, I'm not being high-falutin' about it - but I think our books are great literature with great metaphors of real life dealing with fears and hopes.
And the nice thing about writing a novel is you take your time, you sit with the character sometimes nine years, you look very deeply at a situation, unlike in real life when we just kind of snap something out.
Readers of novels often fall into the bad habit of being overly exacting about the characters' moral flaws. They apply to these fictional beings standards that no one they know in real life could possibly meet.
The joke that I make is that there are instances on the TV series that happen to me, - except on Sex and the City they always make it better or worse than real life and I am actually saying that in a joking way.
He is absolutely on his own, and we never interfere in any of his decisions. When Ranbir joined the industry, he told his mother that he wanted to portray characters which a boy of his age would do in real life.
Relationships are hard. If as an actor you marry an engineer or a doctor, it's really hard for them because they don't understand what your life is like. We live two lives. We have a 'reel' life and a real life.
Sam and Dean Winchester sitting on the top of the Impala sharing their feelings over a beer is a reward worth driving any 'Supernatural' demon away - but in real life, they'd have crippling co-dependency issues.
Developing Christlike attributes in our lives is not an easy task, especially when we move away from generalities and abstractions and begin to deal with real life. The test comes in practicing what we proclaim.
Definitely in movies, girls talk about boys all the time. And even in real life, I feel like a lot of my conversations revolved around - or maybe not now because I'm getting a little older - obsessing over boys.
There were time when I was into method acting that I did have moments of residual character emotions, because the method bases your emotional responses as a character on emotional experiences from your real life.
The biggest similarity between me and my character is that we've both played clubs for 20 years. In real life, the clubs aren't quite as controlled - and my hair isn't quite as in place as it is on 'Ally McBeal.'
In 'Shadow Tag,' Erdrich creates scenes from a fictional marriage, that of two American Indians, Irene and her painter husband Gil, that suggest some of the worst psychological torments and stresses of real life.
You can also make explicit certain social problems which, again, would be prejudged or not encountered at all in real life, because people have set up defenses against it. Fantasy allows you to get past defenses.
Whether you're tall and you play a basketball player, or overweight and you play somebody who is dealing with the issues behind the weight, we all have to pull from real life to make those performances authentic.
Let me back up a little and tell you why I prefer writing to real life: You can rewrite. A novel, for example, can be cleaned up, altered, trimmed, improved. Life, on the other hand, is one big messy rough draft.
In movies and TV, we tend to fall into tropes about how characters might get out of problems. But when you look at real life, you realize that there is a lot of drama of not being able to get out of the problems.
I think that I write about stuff that others don't write about. I don't have a bunch of love songs cuz I don't really have much boy experience. I just write about what I am actually going through in my real life.
Fantasy is usually considered an escape, but it's also a way to deal with weighty real-world issues from a safe distance and in a context where you usually have some kind of power that you don't have in real life.
One thing I was thinking about is that they probably get their come-uppance about the same percentage that people in real life do. Basically, stealing for all practical purposes might as well be legal in New York.
I come from a big, loud family, and I'm the quieter one. Performing is something I have to switch on. I've heard I get real sassy onstage, which I'm not in real life! It's fun to be that person for an hour a night.
We made this really dumb decision to put on the cover nothing from South Park but just a real life photo of a piece of pooh dressed up like Mr. Hankey, and a lot of people didn't, they didn't even know what it was.
In real life, there's nobody more out than Sean. It was just in the press that he didn't want to say one way or another. I think he just felt it was nobody's business, but I feel like he came to it in his own time.
In real life, it is the hare who wins. Every time. Look around you. And in any case it is my contention that Aesop was writing for the tortoise market. Hares have no time to read. They are too busy winning the game.
For a selfie, it's not about the pose, it's about you. There's a reason why you look great in the picture or you look great in real life, because someone has caught the essence of who you are, and a pose is not you.
So if you're a robot and you're living on this planet, you can do things that you can't do in real life - things that you wished you could do: like fly; like have a car that flies; like have furniture that is alive.
Not to sound corny, but if life is a sport, if you're moving to dive on a fumble or pick up a basketball in transition or pivoting to grab your toddler so he doesn't fall into a pool... those are real life movements.
But yeah, so many people are just not very genuine online. I caught myself looking for my ex, and a lot of these people that I would swipe right on, I'm meeting them in real life and they're just not that guy at all.
In real life, I don't think anybody is all one shade. People who are perceived to be really good have bad thoughts and inclinations that they sometimes act on, I'm sure, and people have different sides to themselves.
A reflection of an exact image is the closest thing to you-so that you can see it-but it's far enough away so that you really understand it. There is real life in this movie, but it hovers just an inch above reality.
We are working women. Also, we have the problem of children, of men, to take care of our houses, so many things. I try to explain that in my clothes. They are clothes for everyday life. That is the real life of woman.
Most of my stories, if not all of them, have some basis in real life. That's the kind of fiction I'm most interested in. I suppose that's one reason I don't have much respect for fiction that seems to be game playing.