I've been doing Shakespeare readings with my friends for years.

To get overprotective about particular readings of the Bible is always in danger of idolatry.

I worked probably 25 years by myself, just writing and working, not trying to publish much, not giving readings.

I love all the arts - so museums, theatre, music, walks near trees or by the ocean, time with people, psychological readings.

In my life, I've seen enormous increase in the consumption of poetry. When I was young, there were virtually no poetry readings.

I never really liked poetry readings; I liked to read poetry by myself, but I liked singing, chanting my lyrics to this jazz group.

We do not talk - we bludgeon one another with facts and theories gleaned from cursory readings of newspapers, magazines and digests.

If there is any one truth from the legacy of the Cayce readings, it would be that there is a spiritual dimension to humans, something beyond time and space.

What is a literary festival? Imagine a sort of cross between school and church. There are no actual festivities; what there are is a lot of public readings.

I've done a number of readings at poetry lounges in Vancouver and Los Angeles. I've compiled a book of poetry that's completed, and two others I'm working on.

I've gone to readings to see authors after meeting them on Twitter. And while there, I've found myself sitting next to still more writers who I met on Twitter, too.

We met with the poet Frank O'Hara, who was a link between Upper and Lower Bohemia, and who worked at the Museum of Modern Art, where we had hoped to do the readings.

'The Duino Elegies' are notoriously cryptic, and part of the reason why I have always loved them is because they invite multiple readings over the course of a lifetime.

I would say the nature of what I do can be very overwhelming and some things revolve around things that are not positive. But I cannot allow fear to dictate my readings.

For me in readings, I really have to be diplomatic and use discernment in what comes through because there is a lot that comes through and it oftentimes is very personal.

When I'm out of town, I always try to get some readings or some type of new information to where I'm learning more about Islam, just to become the best Muslim I can become.

That is what I did with Jack, and that's why he liked to do the readings with me because he knew I was there for him, and for our ability to blend the poetry and the music.

As a rule it usually takes three or four readings for me to be interested in a script, and if I'm interested I'll read it three or four times before I make a strong decision.

Literary readings aren't going to shake their reputation as the added-fibre of our entertainment diet until the people who organize and participate in them snap out of this mentality.

I teach fiction in my workshops, and some of the readings could be classified as horror. For example, 'House Taken Over,' a short story by Julio Cortazar, is a work I regularly teach.

I did a lot of small black-box theater in New York when I was starting out. I'd get a group of actors together to do workshops and readings. And I ended up directing three or four productions.

Readings are more like weaving a tapestry. Possibly people are getting a cathartic release - but music is physical. Music pummels you. It's got a beat; it's loud. Whereas this is more cerebral.

I just talked to a young lady, a freshman at Santa Barbara. She's taking a course, and Moneyball's one of the required readings. This young lady could dream of one day becoming a general manager.

I don't do as many readings as I used to. There was a time when I was on the road a lot more, at home in Ireland, in Britain, in Canada and the States, a time when I had more stamina and appetite for it.

I get readings, I sometimes get five a week. You'll feel like a schizophrenic by the end of that week. I don't know who I am any more. You'll be in conversation with a friend and start spitting out dialogue.

Within the Christian tradition, fundamentalism arose in the 19th century as an effort to push back against modern' readings of the Bible that suggested everything in the text wasn't true in some literal sense.

I don't like the word 'poetry,' and I don't like poetry readings, and I usually don't like poets. I would much prefer describing myself and what I do as: I'm kind of a curator, and I'm kind of a night-owl reporter.

Before 'Giant,' I had only ever worked with Michael Greif, Michael John LaChiusa and Kate Baldwin in readings. It's really exciting to be blessed with the opportunity to work with so many I would put in the 'genius' book.

I don't do rehearsal. Some directors prefer to do rehearsal - readings before the actual shooting - but I don't like this process because I think there are certain things that are so spontaneous, and they cannot happen twice.

If, for example, all the codons are triplets, then in addition to the correct reading of the message, there are two incorrect readings which we shall obtain if we do not start the grouping into sets of three at the right place.

Every single day, authors read at bookstores and libraries - and coffeeshops and bars - all over the country. And these readings are amazing: you get to hear the book in the author's own voice, ask questions, and meet the writer. For free.

I was reading poetry to my girlfriends, and they were like, 'You're really good. You should go to some poetry readings or something.' And I eventually went and got a, you know, somewhat of a name for myself and a little bit of a following.

I'd like to play something classical. I'm in the Strindberg society, and we do readings of Strindberg plays. I'd love to do Nora in 'A Doll's House.' And Chekhov. I have been working back to back on what I call 'regular jobs,' so it's hard to do plays.

Because food and energy prices are volatile, it is often helpful to look at inflation excluding those two categories - known as core inflation - which is typically a better indicator of future overall inflation than recent readings of headline inflation.

What my character is or how many jails I have lounged in, or wards or walls or wassails, how many lonely-heart poetry readings I have dodged, is beside the point. A man's soul or lack of it will be evident with what he can carve upon a white sheet of paper.

My favourite room in my house is easily the top room, which is a bedroom but also a bathroom, with a big, wooden carved bath, two huge fireplaces and a raised bit in the corner for performances. I've had some really lovely parties and poetry readings up there.

My voice is rather quirky. It's abysmally low. People often think I'm putting it on at first. Think drunk Darth Vader. Or Barry White singing country. It suits my dark material. When I do readings, I really play it up and go subterranean. I can make the phone book sound terrifying.

I did my doctoral dissertation on the lectionary readings that we use at mass and how you have biblical texts that have been taken out of their original Bible context and put together for mass, and now they form a new text. Out of that new text, there is an interplay of new meaning.

Television and cable have become the new independent films, in a sense, for writers and actors to gravitate towards. That's why I like short films, too; I love doing readings, audio books, working with young filmmakers; anything that keeps you from getting blase about yourself or in a rut.

Like any other person who reads a ton of books, I hate many, many books. Oh, how I hate them. I have performed dramatic readings of the books I hate. I have little hate summaries. I have hate impressions. I can act out, scene by hateful scene, some of these books. I can perform silent hate charades.

I've been surprised at how much an unknown like myself can accomplish just by reaching out to people and pleading my case. Quotes for the book cover, reviews and interviews, readings and radio appearances - all this by simply moving ahead and making contact with folks I thought might enjoy the writing.

What I do when I act and direct is I do a small version, go a little bigger, do a medium one, an over-the-top one, and then even bigger than that. I'll do six readings of the line. And they're not all the same. Just so I know if I was wrong about what I should have done, I luckily have this more subtle version.

I would be uncomfortable raising the federal funds rate if readings on wage growth, core consumer prices, and other indicators of underlying inflation pressures were to weaken, if market-based measures of inflation compensation were to fall appreciably further, or if survey-based measures were to begin to decline noticeably.

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