Quotes of All Topics . Occasions . Authors
Today, everything I do from morning meditation on - eating breakfast, going for a walk, writing, reading, even recreation - is governed by one purpose only: how to give the very best account of my life that I can in the service of all.
I read for three things; first, to know what the world has done the last twenty-four hours, and is about to do today; second, for the knowledge that I specially want in my work; and third, for what will bring my mind into a proper mood.
We can all learn from every text. Reading the work that disgusts you can only strengthen your core beliefs. I could teach a semester-long course based only on reading the local telephone book. All stories can be taught in valuable ways.
The books we think we ought to read are poky, dull, and dry The books that we would like to read we are ashamed to buy The books that people talk about we never can recall And the books that people give us, oh, they're the worst of all.
Keep evolving. Keep reading plays, doing plays, but also be sure to expand your horizons as much as possible. You only have yourself to bring to your work. You are your palette, so give yourself as many colors as possible to paint with.
I have learned so much from working with other poets, travelling and reading with them, spending days discussing poems in progress. There is the sense that we are all, as writers, part of something which is more powerful than any of us.
I want people to read good work. If I see someone reading a book by Lorrie Moore or Jennifer Egan, I'm psyched. If I see them reading X Latin American Writer Who Sucks, I'm not psyched. But in terms of news, I do think that's important.
Geisha because when I was living in Japan, I met a fellow whose mother was a geisha, and I thought that was kind of fascinating and ended up reading about the subject just about the same time I was getting interested in writing fiction.
I've been reading this little book. It's called the Russian constitution. And it says that the only source of power in Russia is the people. So I don't want to hear those who say we're appealing to the authorities. Who's the power here?
I much prefer working with kids whose life could be completely upended by a reading of a book over a weekend. You give them a book to read - they go home and come back a changed person. And that is so much more interesting and exciting.
In theater, you go in-depth with your character, so coming to the States, it was inevitable to dig into the pilots I liked. I knew what characters I was going to be reading for, so I would dissect them and really get involved with them.
Basically I'm a female human being with brown hair, enjoy precision, reading the news, eating delicious food with my delicious friends and laughing at ridiculous things that don't translate while you are desperately trying to make them.
For 'Boxers & Saints,' I started by reading a couple of articles on the Internet, then writing a really rough outline, then getting more hardcore into the research. I went to a university library once a week for a year, year and a half.
She is never alone when she has Her Books. Books, to her, are Friends. Give her Shakespeare or Jane Austen, Meredith or Hardy, and she is Lost - lost in a world of her own. She sleeps so little that most of her nights are spent reading.
We think "reading the Bible in context" means thinking about the handful of verses before and after the verses we're looking at on the page. That isn't the case. While that's important, context is so much wider than a handful of verses.
All I know for certain is that reading is of the most intense importance to me; if I were not able to read, to revisit old favorites and experiment with names new to me, I would be starved - probably too starved to go on writing myself.
I go back to the reading room, where I sink down in the sofa and into the world of The Arabian Nights. Slowly, like a movie fadeout, the real world evaporates. I'm alone, inside the world of the story. My favourite feeling in the world.
Now, I saw, upon a time, when he was walking in the fields, that he was, as he was wont, reading in his book, and greatly distressed in his mind; and, as he read, he burst out, as he had done before, crying, What shall I do to be saved?
I do love the marriage of words and music. I do love them in terms of little snapshots. But, I guess I understand my own internal world, so there's a well to dip into for me that's easier than getting an idea from reading the newspaper.
The truth of the matter is that about 99 percent of teaching is making the students feel interestedin the material. Then the other 1 percent has to do with your methods. And that's not just true of languages. It's true of every subject.
Just as composers go to concerts and artists visit galleries, writers read. You will learn, in the most enjoyable way, more about style and language from reading good literature than you will ever acquire from workshops and how-to books.
Reading is professionally important for me to keep tuned in to what's being written in my genre, let's not lie. But that's not the reason I read. I read for my own emotional and mental health. If I stopped reading, I'd probably just die.
I read a lot of poetry. All types of poetry, but mostly Catalan poetry, because I believe poetry is the essence of language. Reading the classics, be they medieval or contemporary, gives me a stylistic energy that I'm very interested in.
Reading not only enlarges and challenges the mind; it also engages and exercises the brain. Today's youth who sits mesmerized by a television screen is not going to be tomorrow's leader. Television watching is passive. Reading is active.
Over the years, he [Everett Dirksen] developed a style of infinitely subtle fustian, whose effect can still be remotely approximated by sipping twelve-year-old bourbon, straight, while reading Dickens aloud, in a sort of sepulchral purr.
If a child is going to grow into a truly special adult–someone who thinks, considers other points of view, has an open mind, and possesses the ability to discuss great ideas with other people–a love of reading is an essential foundation.
I wasn't a big comic book reader. I always had trouble knowing which box to read next. I was always reading from the wrong box. I was like, this is a comic book that doesn't make any sense! I think I was reading them all out of sequence.
Writing enters into us when it gives us information about ourselves we are in need of *at the time that we are reading.* How obvious the thought seems once it has been articulated! As with love, politics, or friendship: readiness is all.
Reading it now for the seventh or eighth time, I am more convinced than ever not merely that The Great Gatsby is Fitzgerald’s masterwork but that it is the American masterwork, the finest work of fiction by any of this country’s writers.
From reading over the notes for each session it was apparent that there had been improvement by more or less regular steps from almost complete terror at sight of the rabbit to a completely positive response with no signs of disturbance.
Adbusters' is my favourite reading material, so as soon as you go there, the synapses start firing in a different way. You start taking on things that sometimes I feel are out of our control. That's what basically fuels my creative side.
I was reading poetry to my girlfriends, and they were like, you're really good. You should go to some poetry readings or something. And I eventually went and got a, you know, somewhat of a name for myself and a little bit of a following.
When you're a kid, you see your parents reading the newspaper and you're like, 'God, why are they reading the newspaper?' When you're young, you're not reading the newspaper. But there comes a time in your life when the newspaper's cool.
I never feel lonely if I've got a book - they're like old friends. Even if you're not reading them over and over again, you know they are there. And they're part of your history. They sort of tell a story about your journey through life.
If you are reading a large newspaper, all spread out on the table, your cat will come and sit on the very paragraph you are reading, the talented cat draping her tail with miraculous precision over the very line you're not finished with.
I've been reading a lot lately about Indian captives. One woman who had been captured by the Indians and made a squaw was resentful when she was rescued because she'd found that there was a lot more work to do as the wife of a white man.
My problem is that while other people are reading fifty books I'm reading one book fifty times. I only stop when at the bottom of page 20, say, I realize I can recite pages 21 and 22 from memory. Then I put the book away for a few years.
I know people who read and read, and for all the good it does them, they might as well cut bread and butter. Unless you give at least 45 minutes of careful, fatiguing reflection upon what you are reading, your minutes are chiefly wasted.
Life involves effort and growth. You won't grow by watching a situation comedy, though you can grow by reading a book. I hope we aren't becoming a nation of watchers, because what made us great is that we've always been a nation of doers.
Children read to learn - even when they are reading fantasy, nonsense, light verse, comics or the copy on cereal packets, they are expanding their minds all the time, enlarging their vocabulary, making discoveries - it is all new to them.
Some of my first memories are waiting for my father to finish his day at work in the University of Washington library and come out and jump in the car with my mom and myself, and we'd be sitting there reading books, and then we'd go home.
I was playing a singer-songwriter, so I started writing, and I started going up to different places around Los Angeles and reading poetry of my own, which terrified me, but I had to do it. I picked up a guitar and started learning guitar.
Do people choose the art that inspires them — do they think it over, decide they might prefer the fabulous to the real? For me, it was those early readings of fairy tales that made me who I was as a reader and, later on, as a storyteller.
I've turned down a lot of stuff. I've read several scripts and said "That's not me, I'm not interested in doing that." It's got to be something that inspires me and captures my imagination. I want to be able to say "There's a challenge.".
I definitely rediscovered reading for pleasure by devoting such a large swath of my time to sitting on airplanes. I am now painfully adept at removing my shoes so as to have the least amount of foot surface area touching an airport floor.
For anyone who is: just keep writing. Keep reading. If you are meant to be a writer, a storyteller, it'll work itself out. You just keep feeding it your energy, and giving it that crucial chance to work itself out. By reading and writing.
I could be standing in the supermarket, and there is a person standing down the aisle, who is reading the back of a cornflakes box but everything about them is going "It's me! I'm the one you want! I am the necessary subject. This is it!"
In Among the White Moon Faces, I wrote about my desire to be a writer as rooted in my obsessive hours of reading English novels and poetry. It was that spur, that desire, that pushed me to set aside love and marriage in my early twenties.
I mean I like most of the films that I've seen that I've been in. Those are the kind of films that I like to see. Am I getting better at making choices? Well, I think I might be getting better at reading scripts. Does that make any sense?
I've developed a great reputation for wisdom by ordering more books than I ever had time to read, and reading more books, by far, than I learned anything useful from, except, of course, that some very tedious gentlemen have written books.