I learned little save that most of the deeds, good and bad both, incurring opprobrium or plaudits or reward either, within the scope of man's abilities, had already been performed and were to be learned about only from books.

Some read books only with a view to find fault, while others read only to be taught; the former are like venomous spiders, extracting a poisonous quality, where the latter, like the bees, sip out a sweet and profitable juice.

The history of screenwriting - of what we do - is more than 100 years old. It's thousands of years old, going back to Sophocles and Euripedes. I believe the only - the only - separation for being a dramatist is reading drama.

I love reading another reader’s list of favorites. Even when I find I do not share their tastes or predilections, I am provoked to compare, contrast, and contradict. It is a most healthy exercise, and one altogether fruitful.

The experience of reading a novel and watching a television show are quite different. You can't let your audience get ahead of you, and you have to keep the energy and the pace and the drama up. They're very different things.

It's hard to predict what will happen as reading on screen becomes more of a universal norm, and when the formats dictated by social media - Twitter's 140-character limit, for instance - start to influence what we're used to.

Things like reading a book or learning a language, or taking a walk - they're not stimulating. Your mind has to sort of learn how to deal with that kind of stimulation on its own. So that's a very important form of adversity.

I've just finished reading Reality Hunger and I'm lit up by it-astonished, intoxicated, ecstatic, overwhelmed. . . . It really is an urgent book: a piece of art-making itself, a sublime, exciting, outrageous, visionary volume.

Don't underestimate the value people place on authenticity. Politicians listen to the focus groups and say the things they think people want to hear. But after 30 years of reading consumers, I know that they can smell phonies.

The book that convinced me I wanted to be a writer was 'Crime and Punishment'. I put the thing down after reading it in a fever over two or three days... I said, 'If this is what a book can be, then that is what I want to do.'

What did it for me was a blurb on the back of a book I was reading. The blurber wrote - I just looked it up - that "Trials have provided some of the best examples of 'micro-history' or the 'new narrative'...." And that was it.

Sometimes, despite the fact that you're reading through masses of material, you just can't not think about a certain event, for it seems to capture the reality of the entire situation so much better than any set of statistics.

Literature was the passport to enter a larger life; that is, the zone of freedom. Literature was freedom. Especially in a time in which the values of reading and inwardness are so strenuously challenged, literature is freedom.

From a child I was fond of reading, and all the little money that came into my hands was ever laid out in books. Pleased with the 'Pilgrim's Progress,' my first collection was of John Bunyan's works in separate little volumes.

In our land of opportunities and distractions, it's hard to devote our attention to the quiet pleasures of reading. It's as if we live our lives in a noisy restaurant and can't have the intimate conversation we most yearn for.

Robert Frost really started this whole thing rolling. He was, I believe, the first poet who started going to colleges. Before that, poets didn't give public readings very often, certainly not - there was no circuit of schools.

The other day when we were reading The Little Mermaid again, at the part where it says that only human souls can go up to heaven and mermaids can't, you (Daria) said, 'See that's like Papa. He lives in heaven. With the angels'

For a person who grew up in the '30s and '40s in the segregated South, with so many doors closed without explanation to me, libraries and books said, 'Here I am, read me.' Over time I have learned I am at my best around books.

I've had a passion for horses since I was very young - I used to sit on the floor in front of the races on television and pretend to be a jockey - and I first began reading the racing form on the set of 'The Partridge Family.'

Anthropology is separated from mass reading, and that is something that bothered Margaret Mead. She always said that she wrote everything for her grandmother, in a way that her grandmother could understand what she was saying.

With the Cardinals everybody would be reading the business section to see what their stocks were doing. You get to this locker room (Pirates) in the morning and everybody is looking at the sports page to see if Hulk Hogan won.

As a reader, coming to my reading as a writer immersed in fairytales, I cant help but notice in so many stories, plays, poems that I read, the sort of breadcrumbs of fairytale techniques, so Im very excited when I notice that.

We believe in the wrong things. That's what frustrates me the most. Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We're just so damn good at reading them wrong.

After many years of thinking, reading and writing and looking, I came to believe that there are two basic, essential values which are indispensable for humane, decent, dignified life: one is freedom, and the other is security.

It has become cliché to say I laughed until I cried, but when I'm done reading one of [Kupperman's] underground comics my shirt is literally soaking wet. This guy may have one of the best comedy brains on the planet right now.

We have more faith in a well-written romance while we are reading it than in common history. The vividness of the representations in the one case more than counterbalances the mere knowledge of the truth of facts in the other.

We should read history as little critically as we consider the landscape, and be more interested by the atmospheric tints and various lights and shades which the intervening spaces create than by its groundwork and composition.

I believe we have an obligation to read for pleasure, in private and in public places. If we read for pleasure, if others see us reading, then we learn, we exercise our imaginations. We show others that reading is a good thing.

I think I work much the same way I always have. I'm trying to interpret something emotionally visually. I'm reading the brief or article, or listening to the music, and deciding where that sends me, and what would it look like.

When you're reading, you're laughing and not quite noticing what's happening. One second you're still kind of chuckling, and then all of sudden you're in the third act of the book and in this very dark and claustrophobic place.

A thirteen-year-old is a kaleidoscope of different personalities, if not in most ways a mere figment of her own imagination. At that age, what and who you are depends largely on what book you happen to be reading at the moment.

People have explored these questions ['Why am I here?', 'What is life about?'] in poems, not that they found their answers, but in reading [poems], I think, you find a certain beauty in the questioning, and that is then poetry.

Salter is a writer who particularly rewards those for whom reading is an intense pleasure. He is among the very few North American writers all of whose work I want to read, whose as-yet-unpublished books I wait for impatiently.

You can try reading books that will help you be a leader, like Marshall Rosenberg and Thich Nhat Hanh. Be very humble and say, "I don't know why. I don't feel qualified, but I accept this role that you gave me, and so help me."

If, for example, all the codons are triplets, then in addition to the correct reading of the message, there are two incorrect readings which we shall obtain if we do not start the grouping into sets of three at the right place.

Your inspiration is better if it comes from many different sources and your sensibilities will transform all those influences and inspiration into your own visual world. It's like reading the book instead of watching the movie.

If you wish to be a lawyer, attach no consequence to the place you are in, or the person you are with; but get books, sit down anywhere, and go to reading for yourself. That will make a lawyer of you quicker than any other way.

I'm not reading any kind of fantasy [for young adults] or Hunger Games or anything like that. It's more just like geeks with crushes. It's very sweet, and I'm enjoying how honest they are, and I'm enjoying the humanity in them.

I'm reading Our Ecstatic Days, by Steve Erickson. It's an extraordinary journey and the most exciting thing I've found since The Master and Margarita, which I've read about 20 times. I like being taken away somewhere by a book.

Even if you've sworn to yourself never to read vampire fiction again, do yourself the favor of reading Motherless Child. Glen Hirshberg has crafted a compelling, heartbreaking thriller full of character, grit, and sorrow. Bravo

To read the papers and to listen to the news... one would think the country is in terrible trouble. You do not get that impression when you travel the back roads and the small towns do care about their country and wish it well.

Censors never go after books unless kids already like them. I don’t even think they know to go after books until they know that children are interested in reading this book, therefore there must be something in it that’s wrong.

Inspiration is everywhere so don't get trapped in reading and watching too much. Get out. Talk to people, friends, family, loved ones. Draw inspiration from everyday life. It has inexhaustible references and is always original.

The books we read change over the years as new books come out and they change over the grades. Books we are reading in fifth and sixth grade now may have been seventh and eighth grade books in the past, or the other way around.

But really, for me, I tried to find first-person accounts. I tried to read stories from men and women who had survived slavery because it's different when you hear it from their mouths instead of reading it from a history book.

The capacity to love is tied to being able to be awake, to being able to move out of yourself and be with someone else in a manner that is not about your desire to possess them, but to be with them, to be in union and communion.

I think it works if there's something online that is not in the show, or in a newspaper, if there's some added value to it - reading a newspaper on line, sometimes you can get video, which you can't get from reading a newspaper.

One of the things I love most about second person is that it reminds the reader that they are reading a text. It doesn't allow them to drift into the story and not notice that they are reading a book - a book that has an author.

I was a new writer and I was supposed to write all the time, wasn't I? I had not yet discovered that there are times when one can't write, one shouldn't write, times for thought, for deepening, or just reading, or simply living.

Going back to why people don't vote, I presume the main reason is because they understand without reading political science texts that it doesn't make any difference how they vote. It's not going to affect policy, so why bother?

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