Quotes of All Topics . Occasions . Authors
among the values of classical learning I estimate the Luxury of reading the Greek & Roman authors in all the beauties of their originals ... I think myself more indebted to my father for this, than for all the other luxuries his cares and affections have placed within my reach.
Take a book, the poorest one written, but read it with the passion that it is the only book you will read. Ultimately, you will read everything out of it, that is, as much as there was in yourself, and you could never get more out of reading, even if you read the best of books.
In Soviet times the border was closed so we couldn't get out of the country, and I had been reading Robinson Crusoe. I wanted to see the ocean, I wanted to see boats, I wanted to see black people, because we didn't have that in the Soviet Union. I was all excited by that stuff.
It doesn't matter if I'm only to be gone four days, as in this case; I take six months' supply of reading material everywhere. Anyone who needs further explication of this eccentricity can find it usefully set out in the first pages of W. Somerset Maugham's story "The Book-Bag.
What I like most: Reading well-written sources that take me to another world for hours at a time - and being able to call that 'work!' Also, of course, finding a gem of information that is either exactly what I was looking for, or else fits perfectly into the story in some way.
Eight years ago, I was drawn into Keats's world by Andrew Motion's biography. Soon I was reading back and forth between Keats's letters and his poems. The letters were fresh, intimate and irreverent, as though he were present and speaking. The Keats spell went very deep for me.
All these people helped make this book possible. But let me make one thing clear: If there are any errors or omissions in this book, these people are not responsible. In the end, there is only one person responsible for what I write, and that person, of course, is: Donald Trump.
I have to say that my kids, like every child in America, is completely absorbed with Harry Potter. And so, I have gotten sucked into it, too; I can't wait for the next one to come out. I am trying to figure out what happens with Harry and Voldemort. So we have been reading that.
I have seen some astrologers who predicted wonderful things; but I have no reason to believe they predicted them only from the stars, or anything of the sort. In many cases it is simply mind-reading. Sometimes wonderful predictions are made, but in many cases it is arrant trash.
I feel a kind of reverence for the first books of young authors. There is so much aspiration in them, so much audacious hope and trembling fear, so much of the heart's history, that all errors and shortcomings are for a while lost sight of in the amiable self assertion of youth.
Gardening is really an extended form of reading, of history and philosophy. The garden itself has become like writing a book. I walk around and walk around. Apparently people often see me standing there and they wave to me and I don't see them because I am reading the landscape.
If I reformed school, I would do two things: We can improve a child's IQ by three percent by teaching them a foreign language by seven-years-old. We shouldn't be waiting until high school when they are neurologically not ready to learn it. Second, we emphasize reading too young.
The idea that a poem was a made thing stayed with me, and I decided then that I wanted to be an artist, not just a diarist. So I put myself through a kind of apprenticeship in writing poetry, and I understood even then that my practice as a poet was deeply related to my reading.
What I think after reading the script and seeing where the story goes, I go with my instincts on the character. If my instincts are wrong the director and the producers will guide me in the right direction. That's just kind of how I take on any role, be it a fantasy movie or not.
I'm totally active. I am just this side of hyper. I jog and go to the gym every day. When I'm on the computer, I'm reading, I'm writing, I'm never quiet. My brain is very rarely not engaged. Every now and again I will fall asleep under the parasol in the sun, but that's a rarity.
What is Jordan that I should wash in it? What is the preaching that I should attend on it, while I hear nothing but what I knew before? What are these beggarly elements of water, bread, and wine? Are not these the reasonings of a soul that forgets who appoints the means of grace?
It's interesting sometimes to read about the last days of past civilizations. It's hard not to notice during these readings that those last days were filled with completely irrational ideas and behaviors that could not be explained in any way outside of a mass collapse of reason.
From reading of the people I admired - ranging from the soldiers of Valley Forge and Morgan's riflemen to my Southern forefathers and kinfolk - I felt a great admiration for men who were fearless and who could hold their own in the world. And I had a great desire to be like them.
I made 'Prozac Nation' necessary reading because I write necessarily. I tell my story because it is about everyone else: in 1993, people took pills to relieve the pain just like they do now, but it scared them; it doesn't any more, because talk is not cheap at all - it is tender.
The celebrity aspect is nothing short of ridiculous, and auditioning is brutal and dehumanizing. Every time I see a pretty young girl on the subway reading sides for an audition, my only thought is, 'Man, am I glad I'm not doing that anymore.' I never feel nostalgia, just relief.
I had a lot of different reasons for writing the book, but at its core was the desire to write for black teenage girls growing up reading books they were absent from. That was my experience as a child. 'Children of Blood and Bone' is a chance to address that. To say you are seen.
Digressions, incontestably, are the sunshine, the life, the soul of reading! Take them out and one cold eternal winter would reign in every page. Restore them to the writer - he steps forth like a bridegroom, bids them all-hail, brings in variety and forbids the appetite to fail.
I insist on a lot of time being spent, almost every day, to just sit and think. That is very uncommon in American business. I read and think. So I do more reading and thinking, and make less impulse decisions than most people in business. I do it because I like this kind of life.
The one man who should never attempt an explanation of a poem is its author. If the poem can be improved by it's author's explanations it never should have been published, and if the poem cannot be improved by its author's explanations the explanations are scarcely worth reading.
When I was growing up I loved reading historical fiction, but too often it was about males; or, if it was about females, they were girls who were going to grow up to be famous like Betsy Ross, Clara Barton, or Harriet Tubman. No one ever wrote about plain, normal, everyday girls.
I think a young poet, or an old poet, for that matter, should try to produce something that pleases himself personally, not only when he's written it but a couple of weeks later. Then he should see if it pleases anyone else, by sending it to the kind of magazine he likes reading.
The boy spends most of his time reading. And writing, of course. He copies out sections of books, writes out words and symbols he does not understand at first but that become intimately familiar beneath his ink-stained fingers, formed again and again in increasingly steady lines.
My mother taught me how to read very early on and at school I was ahead of everyone in class... Reading was always something that I liked because I could do it alone and I was alone a lot of the time with my mother working the hours she did. Books became my friends very early on.
I'm a writer because I love reading. I love the conversation between a reader and a writer, and that it all takes place in a book-sort of a neutral ground. A writer puts down the words, and a reader interprets the words, and every reader will read a book differently. I love that.
Every second the Universe divides into possibilities and most of those possibilities never happen. It is not a uni-verse -- there is more than one reading. The story won't stop, can't stop, it goes on telling itself, waiting for an intervention that changes what will happen next.
The Brahmins say that in their books there are many predictions of times in which it will rain. But press those books as strongly as you can, you can not get out of them a drop of water. So you can not get out of all the books that contain the best precepts the smallest good deed.
I already read everything. I read poems and plays and novels and newspapers and comic books and magazines. I read tins in supermarkets and leaflets that come through the door, unsolicited mail. None of it lasts long and it doesn't give me answers. Reading too fast is not soothing.
We always talk about how everyone is unifocal. You can't possibly be interested in jazz and Beethoven. Of course you can. You can't both be reading a newspaper and be online. Of course you can. We shouldn't be obsessed with a gun to your head, 'You either read a newspaper or die!'
I like reading novels because it provides insight into human behavior. I am really interested in feelings and think they are what define us as a species. When you really get it right in acting, it's an act of empathy. You feel less distant from others, and that is really exciting.
I stopped reading William Faulkner because it's hard work. I want to read a good writer, but I also want to read something where the pages are going to move along. That's what I want. It doesn't have to be a thriller or a mystery. Just something where I get caught up in the story.
I find a lot of feminist reading quite confusing and that often there's a set of rules, and people will be like, 'Oh, this person isn't a true feminist because they don't embody this one thing,' and I don't know, often it can be a gray area, and it can be a hard thing to navigate.
I think that the most important thing for me is how is the character that I would be reading for? Is it interesting? Is there stuff to do? Are there things that you can do with the character? How can you play it out? Just those kinds of things that are very important for an actor.
I always say that, to me, it starts with reading. This is something I tell high school kids, college kids, people trying to get into the business, that it's just so much about reading. Read, read, read. So much of everything else falls into place when you just do a ton of reading.
My take on 'Lucifer' was pretty much laid down by Tom Kapinos when he wrote the original pilot script for it. I remember reading it for the first time, and I was about four or five pages in, thinking this is so funny, and I know how I would want to do this if I was going to do it.
If there is one thing I learned by reading Epstein's "The Sports Gene" it is that world-class athletes are, by definition, abnormal: that is, the kind of person capable of competing at that level is necessarily very different from the rest of us physiologically. They are outliers.
I would say that the single most important conclusion I reached, after traveling through Japan, as well as countless hours reading, studying, and analyzing this fascinating culture, is that you should always tighten the cap on the shampoo bottle before you put it in your suitcase.
I can't stay mad very long. I get grumpy when I read a bad review. I say, 'How could he say that about my music?' Then I forget about it. If I got mad every time somebody wrote something negative about me, I'd be exploding all the time. I'd be burned out just from reading reviews.
The more you come to know the Bible - both in reading it extensively and also meditating on it deeply - the more integrated your understanding of all of life will be. And this means that there will be fewer steps between what you are doing at work and sharing your faith in Christ.
Libraries, whether my own or shared with a greater reading public, have always seemed to me pleasantly mad places, and for as long as I can remember I've been seduced by their labyrinthine logic, which suggests that reason (if not art) rules over a cacophonous arrangement of books.
I never read anything in print about me. It started with not reading reviews and with the greatest respect to my publicist here, I never read interviews. I was there when I gave them. I never read reviews. I was there when I did the jobs - so I'm totally immune. I live in a bubble.
I'm always reading. Here's where an ebook reader really comes into its own. When I travel, it allows me to carry a huge chunk of my library with me. Usually, when I am writing one project, I am researching the next or beginning to pull together the material for the book after that.
If what we want to do is promote reading and writing and publishing and making sure this is a business that keeps going - because it is a business! It's not just an art - then we have to take responsibility. I get sort of crazy and frothy when I think about this. It really matters.
Elrond's house was perfect, whether you liked food or sleep or story-telling or singing (or reading), or just sitting and thinking best, or a pleasant mixture of them all. Merely to be there was a cure for weariness. ... Evil things did not come into the secret valley of Rivendell.
Tokyo Heist is a fast-paced, exotic reading adventure, a story where The da Vinci Code meets the wildly popular manga genre! Author Diana Renn infuses protagonist Violet with plenty of chikara (power) and Renn's fresh, spot-on author's voice is irresistible. I couldn't put it down!
A literary creation can appeal to us in all sorts of ways-by its theme, subject, situations, characters. But above all it appeals to us by the presence in it of art. It is the presence of art in Crime and Punishment that moves us deeply rather than the story of Raskolnikov's crime.