Quotes of All Topics . Occasions . Authors
I really care about my readers. I care about anyone who reads my books.
I write contemporary fiction, and that is what my readers want to read.
Readers are what it's all about, aren't they? If not, why am I writing?
The most important relationship the 'Guardian' has is with its readers.
Aside from sales, the letters from readers have been primarily positive.
I find my readers to be very smart, and there is no reason to write dumb.
The world would be a very sad place if readers could only love one story.
Truth, honesty, empowerment - it's what I want for myself and my readers.
The kids who speak well, are articulate and intelligent, are all readers.
I'm supremely grateful and seriously pleased that readers enjoy my words.
I don't write the kind of 'happily ever after' that romance readers enjoy.
If we as writers could predict what readers grab on to, we would write it.
A book, like a landscape, is a state of consciousness varying with readers.
The Web critic relies on his or her readers for attentiveness and approval.
Readers are made by readers - it is so obvious it is almost banal to say it.
I am, really, a great writer; my only difficulty is in finding great readers.
I feel like Vertigo is a place to have an adult discussion for adult readers.
In the first person, the readers feel smart, like it's them solving the case.
I love the fact that you collaborate with your readers when you write a book.
Unless their use by readers bring them to life, books are indeed dead things.
I feel that there is not an endlessly expandable universe of fiction readers.
The bright future is that readers are accepting more varied forms of stories.
The wider your readership, the greater the chances of offending your readers.
I think it's important that readers know that not every celebrity is a freak.
A romance novel should leave readers joyous. My books all have happy endings.
I think, above all, the characters in my novels feel universal to the readers.
I do like to wrap things up and leave some things to the readers' imagination.
I find it heartening that readers are still excited about diving into a world.
I seem to have very few casual readers, only passionate and appreciative ones.
I'm hoping that I make readers into museum goers and museum goers into readers.
Being a writer can be isolating. It's good to be among readers and booksellers.
I wanted to give readers the feeling of knowing the characters, a mental image.
Readers often bring a different set of criteria to the work based on the format.
There will always be non-readers, bad readers, lazy readers - there always were.
I sit in my little office and I feel like I've got all my readers staring at me.
People who are readers of fiction aren't particularly interested in comic books.
Critics have a problem with sentimentality. Readers do not. I write for readers.
Those who write clearly have readers, those who write obscurely have commentators.
My goal is to invite readers to think along with me and draw their own conclusions.
Our poems will have failed if our readers are not brought by them beyond the poems.
Novelisation doesn't imply the truth. Readers are sophisticated enough to know that.
If you read in front of your kids, it's very likely that they'll become readers, too.
Rock and rollers can get you the youth buzz, and younger people are fanatical readers.
I've put everything I had and I've given my readers 120 percent, and that's the truth.
One can't write for all readers. A poet cannot write for people who don't like poetry.
All writers I know are readers first and foremost, and that's why you become a writer.
I know I love a novel with an unreliable narrator, and I think many readers do as well.
The world may be full of fourth-rate writers but it's also full of fourth-rate readers.
I'm just trying to keep things rich for me creatively and for the readers who follow me.
As writers we must, from our very opening sentence, speak with authority to our readers.