Quotes of All Topics . Occasions . Authors
I stay up on current events. I read 'The New Yorker' and 'The Economist.' I go to community meetings to see what concerns the people in my neighborhood. I studied literature in college, so I also continue to read poetry, literature, and novels.
Look, in 1800 the sainted Thomas Jefferson arranged to hire a notorious slanderer named James Callender, who worked as a writer at a Republican newspaper in Richmond, Va. Read some of what he wrote about John Adams. This was a personal slander.
A whole army, though they can neither write nor read, are not afraid of a platform, which they know is but earth or stone; nor of a cannon, which, without a hand to give fire to it, is but cold iron; therefore a whole army is afraid of one man.
Every other day I read a book. It takes me two days to finish a book. I like reading because if I'm not doing anything, then I read. If my mom tells me to go take out the trash, I'll go take out the trash, and come back and start reading again.
If you were a computer and read all the AI articles and extracted out the names that are quoted, I guarantee you that women rarely show up. For every woman who has been quoted about AI technology, there are a hundred more times men were quoted.
Elsevier operates by racket: if you do not send money, you will not read any papers. On my website, any person can read as many papers as they want for free, and sending donations is their free will. Why Elsevier cannot work like this, I wonder?
The first book I wrote was The Bride Price which was a romantic book, but my husband burnt the book when he saw it. I was the typical African woman, I'd done this privately, I wanted him to look at it, approve it and he said he wouldn't read it.
My grandfather had a particularly important influence on my life, even though I didn't visit him often, since he lived about three miles out of town and he died when I was six. He was remarkably curious about the world, and he read lots of books.
Go on thinking that you don't need to be read and you'll find that it may become quite true: no one will feel the need tom read it because it is written for yourself alone; and the public won't feel any impulse to gate crash such a private party.
I ran the Iditarod twice. I finished once. I came in 42nd or 43rd place out of 70 plus teams the first time, and I scratched 80 miles from Nome the second time. You can read about my experience in the race in my books 'Woodsong' and 'Winterdance.'
I want to spend my life with someone and do nice things and go on adventures, read books and have nice food and celebrate things. I don't want to spend the rest of my life in the bedroom like some people who just go to bed and never get out again.
There comes a time when you've toured a ton, and a time to be inspired again. Listen to awesome jazz records that are mellow with no words, and just sit there and read a book, or space out on your couch. And eventually, all that inspiration comes.
In a real sense, people who have read good literature have lived more than people who cannot or will not read. It is not true that we have only one life to live; if we can read, we can live as many more lives and as many kinds of lives as we wish.
You never know what's going to happen en route to the airport or station and the last thing you want is to get there just as your train or plane is disappearing into the distance. Get there early, read a book, have a coffee and don't get stressed.
I read tons of books, listen to music non-stop, watch as many movies as possible, catch a play when I can, art shows, concerts, bar talks - I just try to engage in art, which to me is everywhere, as often as I can because narrative lives in it all.
Governments do not care about your Facebook-assembled opinion. Incompetent politicians don't read your tweets; there are reasons for them being out of touch. Change does not come about for 'likes' on a page, though the ideas for it may start there.
I arrived in the U.S.A. in 1935, to San Francisco. I got the boat from China, and I didn't even speak English. I could read a little, perhaps write a little, but that was all. It was a 17-day journey, and I learnt to speak English from the stewards.
I never examined what I did in any great detail because I thought it would spoil things. I never read the scripts at all carefully, and never wanted to know what was going on, because I felt that being a benevolent alien that's the way it should be.
Jews read the books of Moses not just as history but as divine command. The question to which they are an answer is not, 'What happened?' but rather, 'How then shall I live?' And it's only with the exodus that the life of the commands really begins.
Expand the definition of 'reading' to include non-fiction, humor, graphic novels, magazines, action adventure, and, yes, even websites. It's the pleasure of reading that counts; the focus will naturally broaden. A boy won't read shark books forever.
I have a fondness for historical fiction, something wondrous like 'Wolf Hall,' but I'll read most anything as long as the story grabs my mind or my heart, and preferably both. You would be hard pressed, however, to find science fiction on my shelves.
I chose to be a maths teacher because I thought the marking would be easy. You'd just tick and cross, whereas if you're an English teacher, you've got to read essays. Then they said I had to analyse the methodology. It takes an eternity, it's insane!
I mark a script like an exam, and I try not to do anything under 50 per cent. Similarly with the part. And also film is a peculiar thing, parts don't necessarily read in script form anything like as well as they can do when it comes to materialising.
I don't think I'm morbid by nature. Serious writers have always written about serious subjects. Lighthearted material doesn't appeal to me, and I don't read it. I think I'm a realist, with a realistic sensibility of history and the tragedy of history.
You know that moment in 'The Matrix' when Neo takes the red pill and is plunged into the real world? That's what it felt like when I first read 'Watchmen' - like someone was taking a can opener to my head to make room for Moore's audacious brilliance.
I don't know what to do or where to turn in this taxation matter. Somewhere there must be a book that tells all about it, where I could go to straighten it out in my mind. But I don't know where the book is, and maybe I couldn't read it if I found it.
I was given a thick paperback copy of the 'Guinness Book of Records' when I was 11 years old, and I read it gluttonously, cover to cover, paying special lip-smacking attention to all the incredibly gruesome chapters about the violence of human history.
When you read a book, the neurons in your brain fire overtime, deciding what the characters are wearing, how they're standing, and what it feels like the first time they kiss. No one shows you. The words make suggestions. Your brain paints the pictures.
I'm a big believer in the emotion of design, and the message that's sent before somebody begins to read, before they get the rest of the information; what is the emotional response they get to the product, to the story, to the painting - whatever it is.
I read a book recently by a psychiatrist who was able to interview a few serial killers and she had a thesis on how you could figure these people out. And she thinks that there are things that could tell you whether someone has the potential to do that.
Stand-up comedians know how to walk into a room, even if you're not performing, just read the temperature of a room, and can easily sort of tell what's going on or what people are sort of feeling in the room, and it allows you to sort of approach people.
The amygdala plays a crucial role in processing fear, and minus her two amygdalae, S.M. became unflappable. Studies of her are actually a hoot to read, since they basically consist of scientists concocting ever-more-elaborate ways of trying to scare her.
On a scale of the United States, the Hollywood influence on what comes out, that's not the majority views of across the country. What we read in Us Weekly or People magazine, or Entertainment Tonight, it's not what the majority of the country is thinking.
In third grade, my teacher asked me to read in front of the class. I was so touched because that really was the first acting I had ever done, just reading in front of the class. And I was so amazed with the fulfillment I got from being in front of people.
I don't want to work just for the sake of working. Generally, if a good script comes in, I read it, and if it appeals to me, it appeals to me. And it doesn't have to be anything - it doesn't have to be the main character; it doesn't have to be a huge part.
If you read history you will find that the Christians who did most for the present world were precisely those who thought most of the next. It is since Christians have largely ceased to think of the other world that they have become so ineffective in this.
Our country, if you read the 'Federalist Papers,' is about disagreement. It's about pitting faction against faction, divided government, checks and balances. The hero in American political tradition is the man who stands up to the mob - not the mob itself.
People are used to juggling multiple jobs and multiple responsibilities and multiple things on the home front, and sometimes you get a day off to read, and you just want a book that feels complete and that you can get through it on a rainy day on the couch.
It is a common temptation of Satan to make us give up the reading of the Word and prayer when our enjoyment is gone; as if it were of no use to read the Scriptures when we do not enjoy them, and as if it were no use to pray when we have no spirit of prayer.
Sometimes you have to censor books. When I read 'Peter Rabbit,' I skip the part about Peter's father ending up in one of Mrs. McGregor's pies. I also hid the book of 'Grimm Fairy Tales.' They're just too grim for my grandkids. Reality will come soon enough.
I am a candid interview and I have a dark and dry sense of humor - a very Canadian sense of humor and I am only learning now stupidly that you can't read tongue. When I say something funny in a newspaper and I meant it to be funny, it doesn't read that way.
I'm trying to learn classical piano, Mozart and Beethoven and stuff. I took lessons when I was younger and now I sort of sight read the music and play it by ear. It's fun. It takes up a lot of time. I practice a couple of hours a day, but I find it soothing.
There has been evolution in many different areas - the way I read the game; the way I prepare the game; the way I train; the methodology... I feel better and better. But there is one point where I cannot change: when I face the media, I am never a hypocrite.
When I was 12, I read about Iqbal Masih, a child slave who escaped the carpet factory where he'd been chained to a loom since the age of four. Iqbal led an anti-child labor crusade that made global headlines, including the one that first caught my attention.
To know how to suggest is the great art of teaching. To attain it we must be able to guess what will interest; we must learn to read the childish soul as we might a piece of music. Then, by simply changing the key, we keep up the attraction and vary the song.
The ability to have somebody read something and see it, or for somebody to paint an entire landscape of visual imagery with just sheets of words - that's magical. That's what I've been trying to strive for - to draw a clear picture, to open up a new dimension.
I don't know Bengali perfectly. I don't know how to write it or even read it. I have an accent, I speak without authority, and so I've always perceived a disjunction between it and me. As a result, I consider my mother tongue, paradoxically, a foreign language.
I knew from the first episode that 'Longmire' was something special - I met the writers/exec producers, read the script, and knew it was special, so to have the network and the studio and the fans get behind it in the way that they have has been really amazing.
I became a fanatic of the architecture of Le Corbusier and I visited almost all his buildings and read all his books. Only later on did I discover that all the things that impressed me in his books, particular his ideology, he had picked up from Auguste Perret.
It is important for people to be able to read all sides of every question; for a feeling of national unity does not come from one-sided or inadequate information, but from a sense of freedom impartially secured and of opportunity equalized by a just government.