Quotes of All Topics . Occasions . Authors
I was way into 'Voltron,' Ray Harryhausen: anything with giant monsters, I was really into. Even dinosaurs - for a while, I wanted to be a paleontologist. So it's almost like primal, ancestral mythology to me, this fascination with monsters.
So when 'Skatetown' came up at Columbia and Ray Stark's studio, the idea was to do it quick. They wanted it out in the fall, and they gave me the treatment on July 4th weekend! I wrote it in four days, and, you know, it kind of looks like it.
Music's been around a long time, and there's going to be music long after Ray Charles is dead. I just want to make my mark, leave something musically good behind. If it's a big record, that's the frosting on the cake, but music's the main meal.
You can't be a 21st-century science fiction writer writing about Mars without doing tips of the hat to Edgar Rice Burroughs, to Ray Bradbury, to H.G. Wells, to the guys who first put it in the public imagination that Mars was an exciting place.
The Beatles and Ray Charles were in the same charts together, and that was just called pop music - it wasn't called soul or rock. The best pop music just stands out as something that's just original, and I think it should all be called pop again.
Ray had so much love of life and the music. He had so much integrity. He treated the music with so much dignity and respect. I spent four and a half years as a sideman with Ray Brown's trio. Music was his life, more so than anyone I could mention.
When I was 13, I started working in a nightclub with Ray Charles. That's the greatest school in the world, the school of the streets. Ray taught me how to read in Braille. He was only two years older than me, but it was like he was 100 years older.
Atlantic's Jerry Wexler believes first-rate records are made by first-rate voices. He certainly has worked with enough of them: Clyde McPhatter, Joe Turner, La Vern Baker, Ray Charles, Otis Redding, Solomon Burke, Wilson Pickett and Aretha Franklin.
You get the reality checks during the course of your adult life and your career, and you realize that as good as the money in boxing is, most of the time people most don't make Ray Leonard or Oscar De La Hoya money, even if you make very good money.
In 1965, when great young white artists in the English-speaking world were successfully re-channeling hillbilly and black music - you know Bob Dylan, Ray Davies, Pete Townsend, Keith Richards - they didn't get any money at first. They were all broke.
I like jokes, but Ray and I, we never did jokes. We weren't in that line of humor. We each contributed our own kind of observations. I'm glad to have people look at and laugh at and respect and get some creative juice out of what we did by observing.
Quincy Jones' autobiography 'Q' is very good. Because he's a master at music, he's one of our greatest composers, and its good for him to have a book and tell the good ole days when he was with Duke Ellington, Count Basie, Sarah Vaughan and Ray Charles.
I understand that not everyone agrees with my perspective on Ray Kelly. But what you gotta look at here is somebody like Bill de Blasio talking out of both sides of his mouth and trying to have it both ways on a really critical issue like stop-and-frisk.
Suddenly, I became conscious of the fact that the driver was in the act of pulling up the horses in the courtyard of a vast ruined castle, from whose tall black windows came no ray of light, and whose broken battlements showed a jagged line against the sky.
I'll fight you, and I'll have respect at the end. If you win, I have respect; if I win, I expect respect, Ray Mercer, man, I don't want to mention this guy's name anymore. He gets no respect from me. He was not professional, and he showed poor sportsmanship.
I think when science fiction is at its worst, it's just spaceships flying around shooting at each other. There has to be a lot more going on than that... science fiction is about exploring new worlds and new ideas, not about ray guns and action, necessarily.
A force field is basically an invisible shield. You push a button and all of a sudden a bubble forms around you which is impenetrable. It can stop bullets, it can stop ray gun blasts and we realized force fields are actually a little bit difficult to create.
There were four major 20th-century science fiction writers: Arthur C. Clarke, Isaac Asimov, Robert A. Heinlein and Ray Bradbury. Of those four, the first three were all published principally in science-fiction magazines. They were preaching to the converted.
At the end of the day, it is about taking care of your family. Going out and doing the job like Stevie Ray would say, to the best of your ability until something better comes along. I say that because it's very simple; we are all in the entertainment business.
I have a responsibility and a job as a guy who gets paid a lot of money, I'm expected to perform. And 82 games in 6-7 months is a lot, and it's hard on the body, and you're not gonna play perfect every night. Even Ray Allen misses shots, even LeBron misses dunks.
Ray Charles' revolutionary approach to music was also reflected in his politics and his deep and abiding commitment to Martin Luther King and the plight of African-Americans. Ray Charles may not have been on the front lines, but he put his money where his mouth was.
I grew up in rural Missouri about two hours north of St. Louis, and if the wind was blowing right on a Saturday night, I could catch All Star Wrestling out of Kansas City, which was run by Bob Geigel, and some of the stars there were Bulldog Bob Brower and Ray Candy.
When I was able to go to school in my early years, my third grade teacher, Ms. Harris, convinced me that one day I would be a writer. I heard her, but I knew that I had to leave Georgia, and unlike my friend Ray Charles, I did not go around with 'Georgia on My Mind.'
I was one of I think three white girls in my school. So, I was very much an outsider. And plus I was Jewish and all of my friends were black and Baptist because they listen to the coolest music. We were all listening to Ray Charles and what was then called race music.
What happens also is that a lot of those people and reporters who vote for Hall of Famers, some of the people who were around when Ray Guy was around, are deceased. And some of the reporters don't remember Ray Guy. He should have been in the Hall of Fame 15 years ago.
When Billy Ray and I first got married, we lived in an A-frame house in Kentucky, and I didn't even know you could get drapes made - I used to get drapes from Dillard's. Once I hired a designer to help decorate that house was when I discovered a passion for designing.
My music, I feel, has always been experimental, but it had got to a point where I felt disconnected from it completely. I didn't want to be a Clark Kent/Superman: I couldn't really say, 'Well, B.o.B's the old me, and Bobby Ray's the new me.' I had to just make a point.
Threats that could wipe out the bulk of life on earth abound. Planetary catastrophe could come in the form of a killer asteroid impact, the eruption of massive supervolcanoes, a nearby gamma ray burst that sterilizes the earth, or by human-driven environmental collapse.
I always admired Ray Kroc, the man who invented McDonald's. Ray had a vision of the most commonplace thing - a hamburger and fries to go - but to him it was just the greatest thing ever, and he was going to make it the greatest thing ever for everybody else, and he did.
I never had a favourite book! I liked all kinds of things - science fiction, so I read Heinlen and Ray Bradbury, and I also liked reading about kids like myself, so I read Judy Blume and Norma Klein and Paula Danzinger and a lot of other writers. I also read James Herriot!
I remember when Muhammad Ali got beaten the first time. I remember when Lennox Lewis got beaten the first time, Sugar Ray Leonard, Mike Tyson. All of those were legendary fighters, and they came back, and that's what made them different - what they did after they got beat.
Lift others and yourself as you rise above this mess of comparison. Thank God for those who embraced their true selves and gave us gifts that only they could give: from Steve Jobs to Michael Jackson to Ray Charles to Mark Twain. There are so many more, and the list goes on.
I think you have a lot of really good artists today. You have your Beyonce, Usher, Nicki Minaj and the like. But our generation, the artists were stronger. You're talking about myself, Ray Charles, Stevie Wonder, Roberta Flack, Gladys Knight, The Temptations, The Four Tops.
Happiness is a sunbeam which may pass through a thousand bosoms without losing a particle of its original ray; nay, when it strikes on a kindred heart, like the converged light on a mirror, it reflects itself with redoubled brightness. It is not perfected till it is shared.
Man is in a transition stage; he has 31 pairs of spinal nerves which keys him to the solar month, but the nerves in the so-called cauda-equina - literally horse-tail, at the end of our spinal cord, are still too undeveloped to act as avenues for the spiritual ray of the sun.
My dad, Billy Ray, he had a huge hit in the '90s with 'Achy Breaky Heart.' And, you know, as a kid I always said I wanted to be just like my dad. And it's crazy - just be careful what you wish for because I had the same thing he had, which was a huge hit off his first album.
The thing about home is that it's a tough place to sustain a career, just by dent of the size of the place. I had about as good a run there as anybody, but it's still a tough ask. I mean, the person I think with the best career in Australia is Ray Meagher, in 'Home and Away.'
Ray would be in trouble, he would get drunk, he would try and kill J.R on three different occasions, he would make mistakes with financial affairs, and have various human problems, but he didn't have any mean bones in his body! That was a little bit of what the show was about.
Shortly after I moved to Los Angeles, I was looking for work, and I happened to be invited to Ray's studio and sat in and played on a couple of his demos. I didn't charge him a dime for it. I was on cloud nine to be working in the same room as Ray Charles, one of my huge idols.
I like work, I like song writing, and I like the history of Atlantic Records. They've sat in the studio with so many artists - like Ray Charles, for example - and created something amazing. As a label, they seem to be great at growing bands rather than telling you how to do it.
I was born in Islington and grew up in Islington, so Arsenal was all around me, and supporting them was kind of unavoidable. The first season I started going to watch them was when we did the Double in 1971, so my first heroes were Charlie George, Ray Kennedy, and John Radford.
Ya know, I always admired Ray Kroc, the man who invented McDonald's. Ray had a vision of the most commonplace thing - a hamburger and fries to go - but to him it was just the greatest thing ever, and he was going to make it the greatest thing ever for everybody else, and he did.
When I go back to seek inspiration - whether it be from Chuck Berry, Howlin' Wolf, the Beatles, Hank Williams, Ray Charles or Bob Dylan - it's from the performance. Those artists are in the studio playing their instrument and singing. There's no going back and redoing the vocals.
I think of people like Ray Charles, Otis Redding, and Isaac Hayes. They all came out of the South, and they followed a certain tradition and energy. That's no knock to groups like The Temptations or The Supremes, not at all, but they were way more polished in how they did things.
My earliest memories of music are probably my dad listening to a bunch of outlaw country, but also old R&B and Ray Charles, Aretha Franklin. But, you know, I had rock phases and liked more modern R&B acts. I've always listened to all kinds of music, and I like all kinds of music.
I've had the chance to work with Christopher Plummer, one of the great stage and film actors, a couple of times, including on 'Prototype,' the first TV movie I ever did. It was science fiction in the Ray Bradbury sense, written by the famous team who created Columbo, Levinson, and Link.
I'm the bad guy on the rest of Jennifer Love Hewitt's 'The Client List,' I'm the bad guy in Renny Harlin's 'Hercules 3D,' and I'm a movie star - finally - on Showtime's new series 'Ray Donovan.' But most importantly, I'm about to be a daddy, so I'm expecting some 'Dark Circles' for real.
My secret heroes were Joe Morello, Ray Charles - who is, in my opinion, the most dominant figure in musical history in the 21st century - and Frank Sinatra. Those are my heroes. And as a writer, when Bob Dylan came along, it was a miracle because he gave us all permission to say anything!
I thought I would make so much money and be the next Ray Leonard. Maybe it was farfetched, but I thought I could be a megastar. I could fight, and I had a lot of crossover appeal that was necessary to promote myself. I thought I'd make a ton of money and live off of it the rest of my life.
At some point, all black movies became biopics. All the good, serious ones became biopics. 'Ray,' 'Ali'... those types of movies, those are the opportunities available for mostly men. Those are the opportunities for a black actor to transcend 'black' movies. They have to play a black icon.