Quotes of All Topics . Occasions . Authors
Jim MacLaine was the hero of Ray Connolly's 1973 movie 'That'll Be the Day', about a young man turning his back on a university education at the turn of the '60s in order to try his hand in a rock n' roll band.
I thought Ray Lewis was 6-6, 275 pounds, all muscle. I did a commercial with him before I even got drafted to the Baltimore Ravens. I was like, 'Oh, you're not that tall.' But it's just something about that guy.
Working with the Kinks, there always seemed to be some kind of automatic process at work. Ray and I had this telepathy happening for a long time, where one of us always knew what the other could do with something.
We had a great staff in college, so after I got to the league, I'd already seen stuff I knew. Then it was enhanced, playing the game with great guys like Ray Lewis and Terrell Suggs, Haloti Ngata, Chris McAlister.
Then there is Abhimanyu Ray, Honey Trehan, Nandini Srikanth, Shanoo Sharma, we have so many great casting directors who have nothing to do with acting. You just need to have a great eye to understand the character.
I've always slightly preferred Spade to Marlowe, probably just because I thought Hammett was cooler than Chandler. He was leftwing, his name shortened to Dash rather than Ray, and he didn't smoke a pipe or like cats.
When I was fifteen, my father gave me a first edition copy of Ray Bradbury's magnificent work, 'The Martian Chronicles.' I had read other science fiction by noted authors, but this book was something else altogether.
Early on, one of my favorites was Ray Charles. I remember hearing 'I Can't Stop Loving You' in the early '60s and thinking, 'What an unbelievably soulful voice.' In those days, the Deep South was extremely segregated.
But we did conclude that Ray had actually killed Dr. King pursuant to his theory that he was going to be able to get hold of that money. He had learned of this offer through his ties in the Missouri State Penitentiary.
The first story I ever sold was to 'Argosy' magazine, which no longer exists. That issue also contained work by several other more celebrated writers, like Ray Bradbury - so I felt I had at least one toe on the ladder.
I was a huge fan of the bandleader Ray Noble when I was younger. He was one of the biggest musical names of his day and wrote such romantic songs as 'Goodnight Sweetheart' and 'The Touch Of Your Lips.' Wonderful stuff.
I think it was everything about him: his work ethic, his desire to be the best football player that he can be. He just woke up and he was just Ray Lewis, so he did pretty much everything great. He was a great teammate.
We have about 4 million people who have voted for who they want to see in the Hall of Fame. There are some people they put down that are pretty good players. You have Ray Guy, Jim Plunkett, Lester Hayes and Donnie Shell.
In Los Angeles you get the sense sometimes that there's a mysterious patrol at night: when the streets are empty and everyone's asleep, they go erasing the past. It's like a bad Ray Bradbury story - 'The Memory Erasers'.
There are hundreds of young fighters whose handlers believe them to be a future world champion or the next great heavyweight or another Sugar Ray Robinson. The young men who inspire these beliefs are known as 'prospects.'
I was in love with this character of Ray Krebbs. I wanted the part badly. I had done several Western films in my career at that point and there wasn't much opportunity then to play Western roles on television at that time.
I'm going to follow the greats and make history. The likes of Felix Trinidad, Sugar Ray Robinson, Sugar Ray Leonard, Floyd Mayweather, Manny Pacquiao have all moved through the weights to prove they are greats at all weights.
I grew up in a super suburban place where the mundane middle-class issues were similar to what Ray Davies was singing about. All the topics he was singing about were middle-class woes and humanitarian woes - human-being woes.
I like everything perfect. Everything has to be neat. My sister is 5, and she's more messy than I am. I make my bed every morning, everything's perfect. My shoes are all arranged. It's sad. I'm a little like Ray, a little bit.
Willie Wells, Ray Dandridge, Leon Day, Buck Leonard, Quincy Troupe, Satchel Paige - earlier than when he was called up - Oscar Charleston and Josh Gibson. You see what kind of talent we had, and guys in the majors knew it too.
Well, I'm Buddhist, Ray, and so part of my Buddhism has allowed me to look a little more deeply at people and the events in my life that created me. And I think a lot of that Buddhism comes out in the world view in this novel.
When actors have the opportunity to play a larger-than-life icon - my wife did it with Tina Turner, and Jamie Foxx did it with Ray Charles - you have to make a decision how you go in. What do you start with? Where do you begin?
I didn't really know what I was looking at when I first came across Man Ray's 'Dust Breeding,' his photograph of a work by Marcel Duchamp called 'Large Glass.' It looked like an aerial photograph or a view through a microscope.
He was doing - Ray was designing the clothes for my mom's show from California. And one of the first appearances I ever made on television was on my mother's show and Ray and Bob did the clothes for that. It has been a long time.
Ray is very secretive about his ideas - why not, the times that the Kinks have been ripped off, especially in the early years, it makes you a little bit cautious about telling anybody what you're doing. And that's understandable.
My major influence is Satyajit Ray; his film 'Shatranj ke Khilari' was set in Awadh and it gave us memorable characters. Ray's musical scores and soundtracks were an intrinsic part of his films. And music to me is important, too.
I think when we were starting out, it was more about imitating our songwriting heroes. We would try to write songs like Neil Finn, or we would try to write songs like Ray Davies, or we would try to write songs like Glenn Tilbrook.
When I wasn't touring I'd be really down, then suddenly after a few weeks of crazy travelling - America, a double headline with Ray Davies in Denmark, TV shows here and just partying... Suddenly I had an acute psychotic breakdown.
Ray Allen's diet was insane. He was trying to break it down to me what he ate and how disciplined he tries to stay. When you're a 21 year-old, you're not used to that. He was doing Paleo and experimenting with all types of things.
I love looking back at the older fights; they don't make them like they used to. Just watching Tommy Hearns, the technique in his punching, the brilliance and the combinations from the likes of Ray Leonard and 'Sugar' Ray Robinson.
I like playing the contrasting roles. It what inspires me to act. If I look back on my career I am happy that I have gotten to play a wide variety of different roles, from Mike Dexter, to Van Ray in Fast Lane, to Dr. Cullen to Coop.
I actually don't like westerns much. I like good westerns, but it isn't my preferred genre. There are all kinds of westerns: acid westerns, '70s westerns, Nicholas Ray's neurotic westerns. The ones I tend to like are nutso westerns.
Ray Bradbury's connections to fantasy, space, cinema, to the macabre and the melancholy, were all born of his years spent running, jumping, galloping through the woods, across the fields, and down the brick-paved streets of Waukegan.
Extending our lives, extending our creativity, opening up the mysteries of the brain. All those things that are really exciting - that's kind of the basis of 'Neon Future,' and that's why I interviewed Ray Kurzweil and Aubrey de Grey.
Ray Leonard is more the family man, kind of quiet. He's not as outgoing as Sugar Ray Leonard. Sugar Ray Leonard was very determined, very focused, very outgoing and very selfish, if you will. There are two different individuals there.
I used to love to see Willie Pep and Ray Robinson. To me, the epitome of a great athlete is a great boxer. I just love the rhythm of seeing a man dance, slip punches. I loved the dancers and boxers. I would see them and be mesmerized.
I was into all sorts of music as a kid. I was very curious about ethnic music and different styles. I loved Django Reinhardt. I loved Ella Fitzgerald. I was also influenced by all the crooners of the day, like Johnny Ray, Frankie Lane.
I think of Ray Harryhausen's work - I knew his name before I knew any actor or director's names. His films had an impact on me very early on, probably even more than Disney. I think that's what made me interested in animation: His work.
It was really inspiring to be in West London in the late 1980s and early 1990s, especially in Mark Lebon's Crunch Studios, where I met people like Ray Petri, Neneh Cherry, Judy Blame, Nick and Barry Kamen, Zoe Bedeaux, and Venetia Scott.
All my influences go into a pot like a big ole stew, and it tastes like all the years I spent trying to play the guitar like Stevie Ray Vaughn. It tastes like Allman Brothers and Lynyrd Skynyrd. And if it comes out bluesy, then so be it.
Foreman told Ray to plead guilty and he'd then give his brother $500, if Ray didn't cause any problems at the guilty plea hearing, and he could take that $500 and hire a lawyer to set aside the plea. Foreman actually put that in writing.
The move to creating stories was a natural progression for me, but the most pivotal time was probably in 6th grade: That year, a friend introduced me to the stories of Ray Bradbury, and a student teacher introduced me to creative writing.
Absolutely, I grew up listening to soul music. People like Stevie, Aretha, Ray Charles, Michael and Prince. My parents' record collection was all I had when I was a little kid. If it wasn't that, it was something else in their collection.
My mom bought me a white Strat, but that wasn't what I wanted, so I went to a guitar store in Cleveland and - the guy told me it was a really good deal - made an even swap for a blue Teisco Del Ray. I loved that guitar and used it a bunch.
I watched Ali, studied Ali, and I studied Sugar Ray Robinson. I watched them display showmanship. I watched them use pizzazz, personality, and charisma. I took things from them and borrowed things from them because boxing is entertainment.
Ray Lewis, I've grown up watching Ray Lewis. Just watching his intensity, his passion for the game, his love for the game, his work ethic. Everything in a linebacker that you want to be is in Ray Lewis, from leadership qualities, all that.
I have looked at videos of many great champions like Muhammad Ali, Sugar Ray Robinson, and Joe Frazier, who each had special qualities. I never say one particular fighter is the best ever because each has a special unique style of fighting.
I recently saw the movie about Ray Charles, and there's a scene where he falls down and the mother doesn't help him. She says, I don't want anyone to treat you like a cripple. I've fallen down before, and Molly will say, get up and just go.
When you watch 'Ray Donovan,' you think that it's about Hollywood, about scandal, about stars, and about trying to keep secrets. That's true, but that's also just the means by which you reveal secrets of the people suffering every day life.
I was the security guard that got stationed directly outside the Eagles locker room or on the field. I don't even know what I did. But there was Jon Gruden, Ray Rhodes, Emmitt Thomas, Danny Smith, all those guys that are legends of the game.