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It's certain rappers that can really rap, that really spit all bars, so I understand why someone would say, 'You not a real rapper.' But the main thing is, if you can make good songs, who cares? So I don't know why guys be tripping on Drake. He makes great music. He's dope.
I've been around a long time, and when I was at the top of the hill, I was very ahead of my time! Evidence of that is that my music is still current today - you know, rappers sample it all the time. So, rather than compromise my artistic integrity, I concentrated on movies.
On the second verse of 'Tears to Snow,' I talk about rappers and the way they view me now, rappers in the underground world who I might've know for a little bit, or they might've opened a show for me. A lot of them talk crap about me behind my back, and they'll smile in my face.
You know, Castle's the kind of guy that when he meets somebody, that's a connection for him. He remains connected to the people that he meets. That's the kind of guy he is, be they criminals, gangster rappers, mafia guys, art thieves, whoever it is, he nurtures those relationships.
A whole bunch of 'ayes' and a whole bunch of 'yeahs.' That's it. That's all I do. I say yeah. I tell myself that I'm not gon' go over 80. I say, like, 79 yeahs, and it works. We what you call mumble rappers. So you say 'yeah' after everything and make it rhyme no matter what it is.
There's a lot of rappers out there, a lot of gay girls expressing themselves; I'm not the first to say it; I'm not the first to rap about it. But I'm the one who broke down those doors that everybody has been trying to break down. I did that. I'm the one who went triple platinum first.
All the other rappers around me aren't saying anything worthwhile. They're lost in rap: all they do is tell you they're a sick MC and they're better than you. I don't want to look like all these other little punk, dress-up, fake, manufactured artists. I'm not a rapper. I'm an activist.
Biggie was a lyrical genius: he was a musical painter with words. As he rapped, you would see the picture come to life as you heard his story. You hear a lot of rappers rap; you hear a lot of singers sing, but you don't see the movie in your head the way you do when you hear Biggie rap.
I have a personal relationship with Dizzee Rascal - I know him, he's cool - so this is no disrespect to him or any other British rappers who tried to make it in America, like Wiley and Tinie Tempah, but the type of music they were making to be accepted over there - it doesn't translate.
I'm probably the only one in the world you can name that's worked with Billie Holiday, Louie Armstrong, Ella, Duke, Miles, Dizzy, Ray Charles, Aretha, Michael Jackson, rappers. 'Fly Me to the Moon' was played on the moon by Buzz Aldrin. Sinatra. Paul Simon. Tony Bennett. I'm the only one.
All the rappers my age are getting Audemars and Rolexes. I want to find my own thing. That's why I travel the world - for me, that's my B-side, why we go places. I have a Hublot on from time to time but I want a home base watch - something that's elegant but has got a little pizzazz to it.
Asking why rappers always talk about their stuff is like asking why Milton is forever listing the attributes of heavenly armies. Because boasting is a formal condition of the epic form. And those taught that they deserve nothing rightly enjoy it when they succeed in terms the culture understands.
Randomly enough, all of my favorite rappers growing up were East Coast rappers. I don't know. I just related to them a little more at first - because if you're born in L.A., and you lived there your whole life, Snoop Dogg literally sounds like cars driving by. You feel me? You hear Snoop Dogg so much.
I grew up producing hip-hop music, actually. I was producing for my friends, who were all rappers in upstate New York, where I'm from. But in the eighth grade, we had this songwriting contest in our school, and I got really excited about it and actually won. After that, I just kept making music forever.
However, people need to understand that it ain't that deep to try and convince people of what your persona is. You are who you are, and what you are will show in time. What you aren't can be hidden, but eventually it will come to light. Long story short: rappers should never take themselves too seriously.
I'm part of the generation that grew up with great rappers like 2Pac and Biggie and people like Amy Winehouse. We've seen a lot of different artists come and go. Even people who are still here, they seem consumed and blinded by fame. It may not have taken them out physically, but they have been taken out.
Barriers have been broken: rappers are singing, and singers are rapping. You might catch a rapper on a rock song, a pop artist on a hip-hop song - there are so many different things that are going on today. That is the same way in which we live our lives; we're all over the place. I like to try different things.
You can count on one hand the white rappers that have made it. So I just wanted to show the point of view of an actor in Hollywood, because what could be more soft than that. Rapping about auditions and acting and stuff. I thought it was just uncharted territory to clown on, so that pushed through with Dirt Nasty.
In hip-hop, what you have is you have a lot of formulaic-type bands or rappers that come up. They saw something on the radio, and they want to mimic that formula. And that's just boring. I don't wanna record something just to make money; I want to record something to enjoy it and have fun because I'm a music lover.
I just like country because a lot of those guys are from towns that I'm maybe from, for one. But also, I like how humble they are, and they're genuine people, I think. I'm not saying that rappers or rock and roll, those people, aren't. But I just feel like I get along with those guys because they're from small town.
A lot of rappers say 'I'm talking about stuff that goes on, what I grew up in, that I know about.' And these journalists say, 'Yeah, but you're making 80 million dollars, that stuff's not about you.' Look how long he's been making 80 million. He grew up poor in an urban city and the things he's experienced and knows.
There's a broad range of male rappers, so if they're going out on a limb and they sound different, it's okay, because we have 20 other rappers doing what the radio wants... as far as females, there aren't as many, so if you want to compete, you have to sound just like this, because that's the only thing hot right now.
A lot of people say I tried to emulate Tupac, but when I look back at my career, we're very different artists. I took pages out of Pac's book, of course, and lots of other rappers - Biggie, Nas - of course you take pages out of those books, but you eventually make it your own thing. And I think I did a good job of that.
I'm putting everything on the line in being able to express myself in a different way than rappers normally do. They might say, 'It's rap' or 'It's R&B,' but I'm stepping outside the box and making music for me and making music for the fans to understand me. I'm going the extra distance to be able to come across different.
For the sexuality thing, I really feel like the reason I speak so blunt about it is because I held it in for so long. I never told my mom. I never told my family. I kept it to myself. Now, I'm happy with who I am. Either you accept it, or you don't. There's a lot of rappers out there that's like that, but no one's stepping up.
Jordan Peele is famous, in part, for imitations - of rappers and dingbats and the 44th president of the United States. But he would be impossible to imitate. He isn't ribald. He's droll. Sometimes he's not even that. Sometimes he's quiet. Sometimes he's sitting across from you expecting you to hold up your end of a conversation.
You've got athletes who are politicians, venture capitalists, musicians, rappers, etcetera. It's becoming more of a popular thing to have other interests outside of basketball, and I think that's normal. Just like when people work day jobs, they have interest in sports, they do investments, they do all these other types of things.
What people have to realize is this: You have rappers who are popular or whatever for the time being, but that don't mean you necessarily want to dress like them. You may have a guy who sells five million records; do you want to dress like him? When you see me, you think you may want to dress like that guy because that guy is fly.
I am used to experiencing so much trauma, that when I see it, I have to speak out. I don't think rappers have a responsibility, but if you don't say something or be silent or avoid it, I believe it shows your true real character to the world. It's like, if no one wants to rap about gentrification then I am going to fill that void!
There's something about being any kind of entertainer that is acting. You have to put on a show. Things you wouldn't do in your life, you do on stage. You have to let go. And that's extra hard for rappers. We have a tendency to, quote unquote, keep it real. As an actor, you have to be able to humiliate yourself. Do whatever it takes.
I guess rap has such a bad name, because everybody can do it now, and that's probably why people don't want to be considered as rappers anymore, they're not taken seriously anymore. But yeah, rap is definitely the core of what I want to do. But I'm also an artist so I try to do as many things as I can, but I always keep rap in the equation.
When I first started producing, all I had was this little crappy sampler called a S20, which had, like, a minute sample time. I was making crappy beats since I was, like, 17 or 18, using Florida rappers, where I'm from. Then I started DJ'ing because I just wanted to have a new job. I was a schoolteacher for a while, and it was the worst job.
I can do a whole project with Madlib and turn around and do a record with Gucci Mane. Gucci Mane, E-40, and Black Thought on the same record. I like all those rappers, so why can't I work with them in some type of capacity? It just speaks to my versatility. I don't just listen to one type of rap. I listen to all of it so I can make all of it.
I had written rap songs in the early '90s and even did a couple homemade rap songs with my brother in like '88 or '89, but it was just like... I don't even know how to say it. Just plain rap. I was just rapping about whatever, there was no real style or direction, it was just semi-braggadocious rhymes that probably imitated 100 other rappers.
I think, a lot of times, the mistake in music - even rappers that are trying to be big time - if you're broke, rap about being broke. If you're sensitive, rap about being sensitive, 'cause there are other sensitive people. If you're sensitive, but you talk about being a tough person that doesn't care about anything, people will call your bluff.