Quotes of All Topics . Occasions . Authors
The first few times I was asked to audition for the part of Angelica Schuyler in 'Hamilton,' I turned it down. I was convinced I was too over-the-hill to play a Nicki Minaj-type rapper. When I finally showed up, the role was waiting for me. But I almost missed it.
Unfortunately hip-hop is so competitive that in order for fringe groups to get in, you gotta be better than whoever's the best. So before Eminem, the idea that there would be a white rapper that anybody would really check for was fantastic or amazing or impossible.
It was just cool to see my friends so inspired, and I'm by no means the biggest rapper in the world, but I'm on my way up. I feel like I'm going to keep going and delivering good music every time. It was cool to show people that it's real to do what you want to do.
With 'Hip-Hop Saved My Life,' I attempted to make 'Kick, Push,' but for rappers. To give a real basic play-by-play of the life of a rapper before he makes it - if he ever makes it, because you can get stuck in that and be trying to make it for the rest of your life.
Sometimes I'm very disappointed at some of the people in our family of communicators, whether it be a songwriter or a rapper that's always talking about negativity or a singer or a columnist or a network that basically gets off on just trying to create the negative.
I heard a rumor I died, Murdered in cold blood dramatized, Pictures of me in my final state, You know mama cried, But that was fiction, Some coward got the story twisted, Like I no longer existed, Mysteriously missin', I'm known worldwide baby, I ain't hard to find.
Something that is funny, that I use sometimes if I'm doing comedy, is the fact that I'm now often mistaken for the rapper Rick Ross. And I don't know that I've ever corrected anyone - like I've never said, 'No no, I'm not Rick Ross, I'm Black Thought from The Roots.'
I know rappers who are grandparents and we still haven't conquered politics, social development, philanthropy and these are areas, as we become our parents and grandparents, that we need to hold the torch of what makes the world run and what makes communities better.
When I first heard 'Pearly Gates' by Mobb Deep and 50 Cent growing up, the rapper Prodigy had a line about wanting to beat Jesus up. I wasn't religious, but I'd never been introduced to something like that. I was scared and mad, but then I asked why I felt like that.
I was a rapper. The reason I stopped rapping was because I realized that people wanted guys like Puff Daddy. That's not what I do. I quit. That was it. I had to sacrifice for my choice. I said, 'Forget it. I'll be a producer.' Nobody was going to make me do anything.
You gotta make a change. Its time for us as a people to start making some changes, lets change the way we eat, lets change the way we live, and lets change the way we treat each other. You see the old way wasn't working so its on us, to do what we gotta do to survive.
I strive for perfection, but Im not perfect. But what I can say is my morals are totally different than any other 24-year-old rapper my age now. I look at life totally different. A whole other aspect. I have different views and morals on life in general. And opinions.
Money is important in the rap industry because you're always rapping to be bigger than the other person - bigger than who you're rapping to. A lot of my music is really, really, really humbled down. I don't have as much money as the average rapper, but I'm still good.
Other female rappers are overly sexual, have no wit, and their lyrics are so generic. I want to change the game to make rap that shows I'm not a normal female rapper - it's not about how rich I am, how much sex I have, or how many boyfriends I have. That's just not me.
I strive for perfection, but I'm not perfect. But what I can say is my morals are totally different than any other 24-year-old rapper my age now. I look at life totally different. A whole other aspect. I have different views and morals on life in general. And opinions.
I used to really love Fiend, but he stopped. He just stopped. Every time he had a project, every project - 'There's One In Every Family,' 'Street Life' - I had to have them. And he just stopped. And that was disappointing, 'cause that was my favorite rapper at one time.
I almost turned down '8 Mile.' I was due to start 'ER,' and I learned they really wanted me to be in '8 Mile.' I didn't know Eminem; I just knew he was a rapper and saw what everyone else saw in the media. I thought they were just trying to capitalize on his popularity.
Drake, I'd like to collaborate with. He's a phenomenal lyricist. Probably the best rapper in the world at the moment. I love Kanye but there's something about Drake; he's more straight up, really clever and really poetic and metaphorical - I love that. He's just clever.
I was curious because I hadn't really known anyone to do just that, so I would stop in on his sessions with his rapper friends, and then one day, I told Astro Raw "I'm looking to sing. He told me to try it out and then we made 'Treat Me Like Fire' and everything started."
No city owns me, you know what I'm saying? I'm from New York, but no city owns me. Nobody can bottle up my sound and box me in. Yes, I am a rapper, but am I a New York rapper? No. I am from New York, I love New York to death, but I will not conform myself to one place, no.
I like all different kinds of music. I never heavily molded myself after rappers. Sometimes they say when you think something and you go to say it, you lose a lot of color about what you're trying to say, so to me the best rappers are the people that don't lose that color.
I think I'm a whole lot to handle. I definitely am, on every aspect. I'm the video director. I'm the graphics designer. I'm the rapper. I'm the visionary. I'm the music producer. I'm the executive producer. I'm just going to end it off to be poetic: I'm the future of music.
My problem is I'm not talented enough to do everything, but I want to do everything. I'm like, 'Oh God, I wish I could dance! Oh God, I wish I could rap!' I can't be a rapper, and I'm sure as hell not going to be able to dance for a living, but I want to do it all, you know?
My career is a development and that's a big thing because when I decided this was what I wanted to do it wasn't like "I want to be a rapper, I love the words and the beats in my headphones" it was more I wanted to live for music. I love music and I just want to be around it.
There's a lot of good rappers in England at the moment. There's a lot of good dance acts. A lot of good, young guitar acts. I think a lot of groups came from that dole culture of the late 80's/early 90's - it's not as easy now. I think there's a dearth of working class bands.
There's a lot of real unity - and a lot fake unity, sadly. I think a lot of people are going to get an opportunity to pursue greatness and pursue careers outside of D.C. Not everybody is going to make it. I think there's a connotation that there's a lack of rappers out there.
I don't want to do one of those records where it's like a compilation of a bunch of all sorts of rappers on my beats. I don't find those to be focused albums. I'd like to sit and work a whole record with a certain person, to come up with a concept and see it through that way.
I'm not a pop rapper. That's nothing against pop music - I love pop music. I've jumped on pop records for people and still will, but I'm not a pop artist. I didn't start from there. I started in underground music. I consider myself an underground artist, as well as a producer.
I had already been making music for my whole high school life, and '10 Day,' which took me a whole year to finish, was about working with a lot of different producers and learning all of the aspects about being a rapper, from shows to recording to studio etiquette to marketing.
You can be a rapper born and raised in go-go music, violence, drugs, crack, Reagonomics, and still, if you hear 'Wake Me Up Before You Go-Go,' you're going to find a way to hum along. Guilty pleasures? It don't matter. Sue me - I like the song. To dance to it is another matter.
It's funny because as a rapper, there is - and this is something that Clipping challenges all the time - there is this idea about authenticity as a rapper, in the fact that you rap things that are yours. That's not what doing a play is. You're interpreting somebody else's words.
It's either you finna create your own wave, you finna sound like me or you finna sound like G Herbo, you finna sound like Chance The Rapper, you finna sound like Juice Wrld. You ain't gonna get too far 'cause you sound like somebody. So, create your own lane and do your own style.
When you start to really travel and you get to these abstract like places in the world, you would see certain people's names. It seemed like we could go anywhere. Like when we went to Afghanistan, you'd see in the dressing room Run DMC's name. Certain rappers are like journey men.
Im probably the only one in the world you can name thats worked with Billie Holiday, Louie Armstrong, Ella, Duke, Miles, Dizzy, Ray Charles, Aretha, Michael Jackson, rappers. Fly Me to the Moon was played on the moon by Buzz Aldrin. Sinatra. Paul Simon. Tony Bennett. Im the only one.
All the other rappers around me aren't saying anything worthwhile. They're lost in rap: all they do is tell you they're a sick MC and they're better than you. I don't want to look like all these other little punk, dress-up, fake, manufactured artists. I'm not a rapper. I'm an activist.
To me, the Seventies were very inspirational and very influential... With my whole persona as Snoop Dogg, as a person, as a rapper. I just love the Seventies style, the way all the players dressed nice, you know, kept their hair looking good, drove sharp cars and they talked real slick.
If you'd asked me what I'd wanted to do five years ago, I'd have told you I wanted to be Viktor Vaughn or The Game - I would want to be a rapper with an eight ball of coke in my pocket and a wad of hundreds. Because that kind of freedom - well, perceived freedom - is where I want to be.
I've always told myself that I'm going to be something. Growing up, if somebody told me I was going to be a rapper, I would have been like, "Really? That's cool." I wouldn't have been like, "No, I'm not." But it happened. I didn't expect anything and don't expect anything but to be great.
I was like 14 and decided I wanted to be a rapper, so I needed a hip rapper name. I was with one of my friends in class and literally went through a thesaurus. I saw "temper" and thought, "I like this, but it's too much." My friend was like, "What about Tinie for tiny," and that was that.
You should be able to drink a clean cup of water and you should be able to write your own name. That's the kind of stuff that holds dear to me, not I'm the best rapper. That doesn't matter to me. At that point it's all ego to me and I don't want to be driven by that and I try my best not to.
I always want to execute and maximize off of potential, and this is a natural progression. Coming up as a youngster, I always wanted to be a rapper, but I knew that if I did everything right as a rapper, I'd end up as an actor, following the models of Ice Cube, Tupac [Shakur] and Will Smith.
Ask any rapper or singer what artist they are an expert on. What artist are they looking to emulate, and really, what artist is the one person they are an expert on? You see, if you want any kind of longevity, if you want any kind of legacy, you need to know what ancestral line you are from.
When I grew up I saw females doing certain things, and I thought I had to do that exactly. The female rappers of my day spoke about sex a lot . . . and I thought that to have the success they got, I would have to represent the same thing. When in fact I didn’t have to represent the same thing.
A lot of rappers want somebody to always sing on their records. If you can hold a note, they're gonna' ask you to come and be apart of their creativity. At that time, they were eager and on the streets selling drugs or in the studio making music. That was a big part of our lives were I grew up.
I mean, it's not just the rappers, you know what i'm saying? People want to attack anybody that's a large figure, you know what I'm saying? They did it to [Michael] Jordan, they did it to [Mike] Tyson, they did it to Bill Cosby, you know what I'm saying? They're gonna' attack you if you on top.
I wrote a song that basically turned into a public service announcement for the fellas out there, like, 'Should you run into this type of woman, run for your life!' So the name of the song is 'Run,' featuring the rapper ScHoolboy Q. It's one of the standouts on the album, in my personal opinion.
Everybody wants the easy stuff, "Okay, I wanna be a rapper. I wish I could fight in order to get more money." They see the finished product, they see this guy Derek Jeter hitting the homerun and whatnot and say "Ooh, I wanna make $20 million a year," but they didn't see him playing sandlot ball.
I thought I was going to be a rapper as a kid and used to hop the train down to Jazzy Jeff's studio for, like, six months straight waiting outside of the studio for the big break, and one day we got in the studio and played our demo for Will and Jeff and quickly learned that we weren't that good.
Asking why rappers always talk about their stuff is like asking why Milton is forever listing the attributes of heavenly armies. Because boasting is a formal condition of the epic form. And those taught that they deserve nothing rightly enjoy it when they succeed in terms the culture understands.
Gone are the days when you'd have to tune in to a mad illegal radio station late at night to be able to hear the rapper of your choice. That's all changed now. That's all gone out of the window. And I feel like I represent that change. I represent the era of iPods and Shuffle and things like that.