Quotes of All Topics . Occasions . Authors
What is MTV doing and what is the hegemonic culture industry promoting in gangsta rap? It is the glorification of violence for the sake of violence, the violence itself, like consumption for the sake of consumption, hypermasculinity writ-large with an adapted potency.
On my teams, as a guy who grew up hunting and fishing, I was in the minority in terms of music and lifestyle. I became good friends with people who listened to R&B and rap. But it wasn't just an issue of being around it - I was naturally drawn to it right off the bat.
Money is important in the rap industry because you're always rapping to be bigger than the other person - bigger than who you're rapping to. A lot of my music is really, really, really humbled down. I don't have as much money as the average rapper, but I'm still good.
My struggle and my story is very much so somebody that was just kind of [an] underdog. I didn't have any cosigns, I wasn't even really good at rap, I'm one of those dudes that was never just crazy and amazing, I had to work my f***ing ass off to get good at this stuff.
'Kind of Blue' is one of the best records of all time. Miles' use of space is something rap fans can definitely appreciate. Sometimes you have to let the track breathe and throw a melody in here and there. He never did too much on 'Kind of Blue.' It's the perfect vibe.
You grow up listening to Eminem; your parents don't let you listen to it - you gotta sneak into a car to listen to this guy rap. He changed my whole life, my whole perspective on music, so to more or less co-sign something that I've done is the ultimate childhood goal.
Me and Frosted went to get a drink. But she ordered somethin' bugged, and I ain't know what to think. She ordered potassium, calcium, Carbohydrate, scotch with sodium. She took me to her crib, threw me on the couch... I woke up the next morning with a spoon in my mouth.
I always thought I'd look corny in the type of rap video in the club with girls and all that type of stuff. I just didn't think I could really pull that off. We always think it's more fun and better just to go outside the box and to use our videos to show cool concepts.
Around the middle of last year I started listening to a lot of rap, like Nicki Minaj and Drake... They all sing about such opulence, stuff that just didn’t relate to me - or anyone that I knew. I began thinking, “How are we listening to this? It’s completely irrelevant.”
I find myself trying to translate a lot of the things whirring passed my subjective lens into language I can make sense of, then that tribal tongue becomes rap-language and for whatever reason some people on the internet really like that. To y'all I'm eternally indebted.
Say there's a white kid who lives in a nice home, goes to an all-white school, and is pretty much having everything handed to him on a platter - for him to pick up a rap tape is incredible to me, because what that's saying is that he's living a fantasy life of rebellion.
I think adidas really understands that it's cool to be in business with the right people. It really feels like a bunch of creative minds rather than some rap guys stamping their names on a sneaker. We're arguing over shoes, ideas, and everything - it's like a tug of war.
I'm already popular in my city. I was just trying to get rich. Man, I'm not gonna lie to you; I didn't really want to go back to school. I mean, my family was mad about that. Because, you know, you tell your family you want to rap, and they look at you like you're crazy.
Rap comes from the humble beginnings of rebelling against the status quo. Now, rappers have become the status quo themselves. You can't rebel against the Queen and then become the Queen yourself. I attribute much of the blame to testosterone-male dominance and patriarchy.
On the second half of 'Under Pressure,' I talk about my family, and there are voicemails on my phone from when I was on the road that actually make up the second half of the nine-minute song. I transcribe them and rap them as if I were my sister, my brother, or my father.
Occasionally, a great band would come along, like Blondie or OutKast who could be pop and bring interesting ideas into the mainstream at the same time. That's now gone, because of this weird mutation of pop, rap, R&B, bad rave, and supposedly soulful singing on top of it.
When I was still back in Cameroon, because I didn't know English, I used to listen to French rap all the time and then a little bit of American hip-hop. And then, when I got to the States, that's when I really got into all those guys - Lil Wayne, Rick Ross, all those guys.
I came in the door, I said it before I never let the mic magnetize me no more. But it's biting me, fighting me, inviting me to rhyme, I can't hold it back...I'm looking for the line. Taking off my coat, clearing my throat, My rhyme will be kicking until I hit my last note.
If you think about rap and how it has become so much easier to record music and release it, and you think about everyone in the world being a 'rapper' these days, it's so much easier. But it's still as hard as ever to break through and truly be successful in this industry.
In high school I had a boyfriend who was super into rap, so I was into Too $hort and Wu-Tang for a little while. And my best friend's older brother would sometimes drive us home in this pimped-out truck, and he'd play all his dirty rap music. We thought we were really cool.
I feel like your city - with hip hop in particular, because we're always beating our chest and shouting where we're from - your city is just as influential as your parents. Even the grimy, hardcore gangster rap from New York - KRS-One and Wu Tang, the stuff acknowledges it.
The hip-hop aesthetic and the way it's produced always motivated me. Alongside that I was still wanting to make great traditional songs because I've never had any desire to rap. My love of hip-hop is driven by my love of rappers, but it was built out of my love of producers.
I loved Debussy, Stravinsky, Chopin, Tchaikovsky, anything with romantic melodies, especially the nocturnes. Nietzsche was a hero, especially with Thus Spoke Zarathustra. He gets a bad rap; hes very misunderstood. Hes a maker of individuals, and he was a teacher of teachers.
At 24 I decided that my life is enough for me, and I stopped looking for some other piece to complete it. I also learned how to needlepoint ironic cross-stitches of rap lyrics and gave them to my friends as presents. I’ll let you decide which is the more important revelation.
I think creativity is something that best happens when you have clear parameters. If you're not confined by anything then it's meaningless. You've got to rap over the beat, or you've got to color within your canvas. You pick the canvas size first. That makes most sense to me.
Only two to three per cent of an audience is interested in words and pays attention to lyrics; most of the rest of it is about image or the beat or the sound, or else it's a tribal thing - country & western, rap, heavy metal, with historical folk rock off in some kind of cult.
While the West tries to turn its civilization into cultural variety hour, Islam tries to turn Muslim lands into a cultural monolith. The same West that justifies the rap culture thinks that every Muslim terrorist bombing is an expression of economic angst or social alienation.
We Gonna Win' is a song of triumph, It represents my personal belief that with hard work, talent and dedication, everything is possible. It's a one of a kind marriage between rap and classical music, where the music doesn't accompany the vocalist, but rather stands on its own.
The roots of rap are originally ghetto-ised or extremely working class. So when you're an artist who's making something which isn't how its mainstream appearance should be, there's always these strange questions of authenticity and what you have to do to be 'real' as a rapper.
I call you once...you never dialed back. Twice...you never dialed back. Saturday morning, live, I'm on Soul Train, talkin' to Don Cornelius. Saturday night, my phone rings... Saturday night, I won't answer. Saturday night, my phone rings again... Saturday night, I don't answer.
When you've been raised in care, rap music isn't just about guns and sexism. They're talking about real things you can hang on to, problems of identity that you have sympathy with. It's not just about the music, with rap: when I was in care, it meant a whole lot more than that.
I have done whole projects with Scoop Deville, I like to basically work with a single producer. I always just worked on a bunch of songs, and then put them together, whether it was an EP or another project. None of them were mixtapes where I was rapping over other peoples beats.
We come from the days when rap used to agitate the mainstream. Now it's more buddy-buddy. That doesn't sit well with me. So what we need is [a bit more] street politics, bringing up issues, agitating you a little bit. And nothing can agitate you more now than a terrorist threat.
Racism is taught in the home. We agree on that? Well, it's very hard to teach racism to a teenager who's listening to rap music and who idolizes, say, Snoop Dogg. It's hard to say, 'That guy is less than you.' The kid is like, 'I like that guy, he's cool. How is he less than me?
I loved Debussy, Stravinsky, Chopin, Tchaikovsky, anything with romantic melodies, especially the nocturnes. Nietzsche was a hero, especially with 'Thus Spoke Zarathustra.' He gets a bad rap; he's very misunderstood. He's a maker of individuals, and he was a teacher of teachers.
Part of my affinity with urban music comes from being on 'Kids Incorporated,' 'cos we used to sit around and listen to Chaka Khan and Prince, and I got influenced by all that. Then gangsta rap got started, and I was infatuated with that - maybe that's why I'm fascinated by guns.
To be honest, I was unaware of the huge frat-rap scene that was taking over the blogosphere until I found myself right in the middle of it. But there are really a ton of talented dudes out there doing this, and I'm just having a great time making music and being a part of it all.
I said 'Whoa, little hottie, I'm not DeLorean, Gambino or Gotti. I don't deal coke, And furthermore you're making me broke. I'll put you in a rehab and I won't tell your folks.' And what do you know, In 18 months she came home, And I let her back in... And now she's sniffing again.
I love music.. everything from R&B to Rap to Modern Country.. I still haven't figured out my own personal vibe.. it was sort of Nora Jones then sort of electronic.. then country.. it is very hard to make it in the music industry so we shall see if I ever find the time to finish it!
I write songs as honestly as I can without worrying about genres or labels. Sometimes I sing, and sometimes I rap, and sometimes I do something in between. I jump around on stage and don't care too much about how I look. I try to be myself even though I'm still figuring myself out.
Comedy is the only form of entertainment where the audience doesn't know what to expect. In an evening, you might get ten comics doing ten different things. That's not what happens when you go to hear music. There isn't a classical performance followed by a hoedown followed by rap.
Won't cha...picture life as my wife, just think: Full length mink, fat X and O links, Bracelets to match, conversation was all that, Showed you the safe combinations and all that. Guess you could say you's the one I trusted... Who would ever think that you would spread like mustard?
She's not impressed by your fancy car. She got a body so she's snotty and she don't care who you are. So don't get mad and dis her reputation Callin' her a floozy, any conversation. Mad grammar, backstabber, girls they wanna be her. But like Stevie Wonder, none of y'all can see her!
It's all about the work. Nothing is going to fall into your lap. If you want to be a lawyer, see yourself as a lawyer, go to the library and start learning the law. If you want to be a rapper, start rapping and get out there. Live your life as if you already are where you want to be.
Before I was rapping, I was always around the rap game, even though I was in the streets. I would be at all the parties and all the events, and I was pretty hard to miss. I was one of the few Spanish cats sitting there with jewelry on, Dapper Dan suits. It was pretty hard to miss me.
When I got a chance to rap, I just busted my ass. When I got a chance to act, I busted my ass. Anytime I get a chance. I'm not wasting time. I won't do it if I'm not doing it 110 percent. You've got to work hard if you want to play hard. I like to play, but I know I gotta bust my ass.
Until House came along I don't think the English made very good dance records, you know, there were very few really good English Rap records, whereas once House came along all of a sudden we started and now I think we probably lead the world, and have overtaken America in dance music.
There's a lot of rappers out there, a lot of gay girls expressing themselves; I'm not the first to say it; I'm not the first to rap about it. But I'm the one who broke down those doors that everybody has been trying to break down. I did that. I'm the one who went triple platinum first.
All the other rappers around me aren't saying anything worthwhile. They're lost in rap: all they do is tell you they're a sick MC and they're better than you. I don't want to look like all these other little punk, dress-up, fake, manufactured artists. I'm not a rapper. I'm an activist.
All rappers predominantly sound the same and want you to think their meanest person in the world, and that they're all gangster and all that. My acting allowed me to be playful and crazy, and it helps me tell stories and all that. I think it's a good time; rap needs that kind of stuff.