Quotes of All Topics . Occasions . Authors
I just knew what I wanted to be since the third grade. And I always did well in school. I was the type to get good grades; I never really got below Cs or nothing like that. I always kept it A-B. But there's no school for rap.
As the times are changing, you don't hear as many sample issues with rap artists. Part of that has to do with production styles these days, but the nature of copyright is also changing as the internet becomes more of a giant.
Fifty years ago, teachers said their top discipline problems were talking, chewing gum, making noise, and running in the halls. The current list, by contrast, sounds like a cross between a rap sheet and the seven deadly sins.
Technology gets a bad rap for keeping us glued to our screens instead of being present with whomever is around us, and while this can be true, it also allows us to connect with billions of people all over the world. For free.
Rap is the number one most influential thing, it's the only genre that really strikes a chord. When you sing, you feel a certain way and it makes you feel good, but when you rap, it just strikes a chord a whole different way.
I just knew what I wanted to be since the third grade. And I always did well in school, I was the type to get good grades, I never really got below Cs or nothing like that. I always kept it A-B. But there's no school for rap.
People were talking while I was playing, so I got up and left the stage. I've gotten to the point where I'm not really very patient with patrons rapping during the show. And the people were all nice and quiet when I cam back.
I looked at the rap community like street kids wanting their own brand. But now I look at that period with the rappers in the 90s as a trend of the moment. What it taught me was never to follow a trend, because trends move on.
Shawn Carter was born December 4th, Weighing in at 10 pounds, 8 ounces. He was the last of my 4 children, The only one who didn't give me any pain when I gave birth to him. ...And that's how I knew that he was a special child.
'You claim to be the man, you want me for a lover, So you can do my girlfriends and my sister and my mother?' I said, 'You're very blunt,' with quickness to the cue, 'So whassup with your mother, does she look as good as you?'
My come-out record, '10 Day,' was the thing people were supposed to hear and figure out 'he's good' or 'he's not good.' 'Acid Rap' is the comeback tape, and it asks way bigger and better questions than, 'Is he good at rapping?
Damn it's a shame you're the mighty queen of vials, With a wide-eyed look and a rotten-toothed smile. Used to walk with a swagger, now you simply stagger From one spot on, to the next spot on, to the next spot on, to the next.
I've been rapping and writing since junior high school, just having fun with it as a hobby. Then I got signed to a label Poe Boy Entertainment four years ago, I started taking it serious about a year and a half, two years ago.
It seems other rap artists are trying to follow a "tradition", or something... I don't consider us [Migos] as weirdos, we just went the other way and didn't follow the rap tradition. We just killed it and made it our tradition.
Now there she goes again, the dopest Ethiopian, And now the world around me be gets movin in slow motion Whenever she happens to walk by, why does the apple of my eye Overlook and disregard my feelings no matter how much I try?
Which is the other reason hip-hop is controversial: People don't bother trying to get it. The problem isn't in the rap or the rapper or the culture. The problem is that so many people don't even know how to listen to the music.
It has no color to it. If you can rap good, you can rap good. I look at Mac Miller, who’s one of my homies, and I look at Wiz Khalifa, who’s one of my homies, and I don’t look at Mac different because he’s white. He’s my homie.
I come from a very specific love of hip-hop. I'm saying hip-hop, not rap. That's what saved my life. I carry that badge with a lot of pride and honor, and I really enjoy trying to raise the perception and the bar of what we do.
Well before I was rapping. I was just a regular kid in school. I just liked to chill my friends and play games and stuff like that. One day at school my friends were freestyling at the lunch table and thats where it all started.
It's drones over Brooklyn, you blink, you could get tooken, And now you're understanding the definition of 'Crooklyn.' Pigs on parade, but bacon fryin' and cookin', Cause kids' tired of dyin' and walkin' round like they shooken.
I just think that rap takes way more slack than the video games and the movies. We don't make guns. Smith and Wesson makes guns. Like, white people make guns and bullets, and all we're doing is rhyming and putting words together.
When I'm writing, I'm thinking about how the songs are going to play live. Fifty bars of rap don't translate onstage. No matter how potent the music, you lose the crowd. They want a hook; they want to sing your stuff back to you.
Whatever I think of, that's what I do. I wake up and think, 'I want to buy a car', I buy a car. I wake up and be like, 'I just want to lay in bed with my girl', I do that. I wake up and want to rap, I rap. So whatever I think of.
Dear Mama, don't cry, your baby boy's doin' good, Tell the homies I'm in heaven, and they ain't got hoods. Seen a show with Marvin Gaye last night, it had me shook, Drippin' peppermint Schnapps, with Jackie Wilson, and Sam Cooke.
HIP-HOP HAS DIFFERENT ELEMENTS DEALING WITH MUSIC, RAP, GRAFFITI ART, B-BOYS (WHAT YOU CALL BREAK BOYS)... AND ALSO DEALING WITH CULTURE, AND A WHOLE MOVEMENT DEALING WITH WISDOM AND UNDERSTANDING, AS WELL AS PEACE UNITY AND FUN.
I listen to a lot of rap where men talk a certain way about women and I'm not offended. It's meant to be funny. I'm throwing it right back at them with humor, but some people can't take it. They're not used to women talking back.
Rap is hardcore street music but there are women out there who can hang with the best male rappers. What holds us back is that girls tend to rap in these high, squeaky voices. It's irritating. You've gotta rap from the diaphragm.
I can see myself retiring from rapping, but I don't think from music. After that, I think I'd just go into some other kind of music, 'cuz I'm a worldwide fan of music, all types of music, all cultures, so I'll always be involved.
I don't blame other people for the rap that Christians have. A lot of Christians are just mental. A lot of Christians are more concerned with telling you where you're gonna go when you die than what you can have while you're here.
When I make the music that I make, when it comes to reggae music, I engulf the whole spirit of it all. It's just like when I do rap music or whatever style of music I do, I have to engulf the character I do and bring that to life.
The justification for rap rock seems to be that if you take really bad rock and put really bad rap over it, the result is somehow good, provided the raps are barked by an overweight white guy with cropped hair and forearm tattoos.
Rhyme patterns are nothing without meanings to the words. A lot of rappers can do those flows, but the raps aren't really about anything - which is cool sometimes, but to have the flow and the message is one of my favorite things.
I'm a rapper but I don't f**k with that hip-hop s**t. You understand? I'm home, I take care of my family. I f**k with other kinds of n****s, I don't f**k with no hip-hop dudes, man. That rap s**t is fake... these rap dudes is fake.
... her taste in music haunted my memory and I had to stop at Tower Records on the Upper West Side to buy ninety dollars' worth of rap CDs but, as expected, I'm at a loss: [...] voices uttering ugly words like digit, pudding, chunk.
But with rap music - not just N.W.A. - but rap music in general, seeing these artists wearing these team logos all the time started bringing a synergy and energy about having to rep your city, your team, everywhere and all the time.
I just make [music] for the people that always enjoyed hearing from me. I make it for people that enjoy the energy of rap music or a good rhyme. I do it for the people I see everyday, not the Hollywood ass people, the normal people.
Lula had Eminem cranked up. He was rapping about trailer park girls and how they go round the outside, and I was wondering what the heck that meant. I'm a white girl from Trenton. I don't know these things. I need a rap cheat sheet.
Well unfortunately I didn't work with Andre much. But rap is a strong presence in the culture and anyone is going to grateful for its appearance, grateful for any kind of music that has the kind of effect that rap has had on us all.
Back in the day, if someone said that hip hop and rap was a fad, that was a joke to me because they just didn't know what they were talking about. In reality, there were so many people who didn't know what they were talking about it.
When I rap, I get to express myself in a way where putting words together is like poetry, and sometimes it's better to talk in certain expressions than sing, you know? So I love, I love to rhyme when I want to express certain things.
I grew up with park jams. That's how I knew about rap... The local MCs would grab the mic and start rapping. I just used to be so in awe and fascinated and like, 'Wow, this is amazing!' But I would never, ever touch the mic. Heck no.
Hip-hop is getting to the point now where they are going to start sounding like Al Jarreau or Bobby McFerrin or some of the other poets. Some of the better rappers can rap real fast without even melodies. It'll get to that same point.
So, rap has that quality, for youth anyway; it's a kind of blues element. It's physical, almost gymnastic. It speaks to you organically. Rap grows out of what young people really are today, not only black youth, but white - everybody.
Why shouldn't rap be esoteric, able to take in current events, history and criticism? I guess it's this old idea of containment - that rappers, because they're black, can't and shouldn't aspire to look outside the ghetto for influence.
"Ice" came in when my friends would say "cold as ice" -- if you could rap and battle people you'd say "Dude, that was ice cold." It had nothing to do with jewelry. Back then, it was like "Your cold, dawg." "Vanilla Ice -- that's cold."
Jay-Z is like a rap-savant, he doesn't have to write the rhymes down, he can create complex raps in his head. I mean he does memorize it, he just doesn't write it down on paper. He doesn't freestyle onto the track, it's all thought out.
My kids are the most inspiring thing that pushes me. It used to be because they were born, and I had to take care of them. Now it's because my son raps, and he's better than me. So now I gotta keep up with him, you know what I'm saying?
I know that in the rap game you've got a lot of people, that come from poverty, was born in poverty and if it wasn't for hiphop they'd still be living in that. So when I think of hiphop, I think hiphop saves lifes, hiphop changes lives.
Rap and spoken word have reawakened the country to poetry in itself. Texting and Twitter encourage creative uses of casual language, in ways I have celebrated widely. But we've fallen behind on savoring the formal layer of our language.
Atlanta is a very good scene for the type of music I'm making. The biggest radio stations are all trap or rap stations. All the clubs are just based around this music and just the southern sound, that's what I really love about the city.