I've done so many funny jobs. I worked at a farmer's market through high school. I worked in the stock room of Ralph Lauren. I graduated to salesperson at Ralph Lauren, which was a big deal to me. I've been a P.A. I've been a stand-in. I've been an assistant's assistant.

A guy came up to me in the park and asked if I wanted to buy his CD. I said sure. He got panicked and told me he didn't actually have a CD, and he started crying and then told me he never made it and he's really sorry and called me 'Ralph.' New York's a really weird place.

I was nurtured by Ralph Farquhar and then, later, by Sara Finney-Johnson and Vida Spears, two black women. So, I actually was nurtured by my culture, in a safe environment that allowed me to build my confidence. And Debbie Allen was one of my mentors, along with Stan Lathan.

When Ralph Lauren creates a collection of clothes, he's not really worried about a single tie or a single shirt or a single belt... he's creating a movie, and the characters that he casts in his advertisements or the people that work in the stores are the actors in his life.

'Ralph's Party' was a romantic comedy, and at the end of it, the two main characters, Ralph and Jen, kiss for the first time and think they're going to be happy together. Then, 10 years later, I wrote a sequel in which they've been together for 10 years and are about to split up.

'Invisible Man' holds such an honored place in African-American literature that Ralph Ellison didn't have to write anything else to break bread with the remembered dead. But he did try to go on, because if a writer has done one great thing, then the pressures to do another are intense.

You can't have the real thing on camera - that's the nature of cinema. When you see people like Daniel Day-Lewis and Ralph Fiennes screaming and hyperventilating, you're seeing the phoniest kind of bad acting. You may as well have a 'men at work' sign. It's not acting if you can see it.

Trump divides his time between working some kind of 'King Ralph' angle, and claiming that he's going to make the U.S. great again by using his business experience. We can only assume that means repeatedly declaring it bankrupt, then changing its name so he can just shake off all the debt.

My favorite country blues player was Big Bill Broonzy. City blues was Freddie King, but I liked them all - Muddy Waters, John Lee Hooker, Ralph Willis, Lonnie Johnson, Brownie McGhee and the three Kings, B.B., Albert and Freddie. Jazz-wise, I listened to Django, Barney Kessel and Wes Montgomery.

I wasn't aware of my dad being an actor when I was young. I remember there was an Australian children's entertainer on television called Ralph Harris and when I'd say my father was an actor, kids would say, you know, 'oh, is he Ralph Harris?' And I had to say no and then they would lose interest.

Simple. Pared down. Timeless. The ties were never too thick or too thin; the pants were never too flared or too skinny. In my life with Dad, he wore Western apparel because we went riding - jeans, cowboy boots, the turquoise belt buckle. But it was all very simple, and that classic look is very 'Ralph Lauren.'

Ralph Fiennes was a pivotal influence on me. He asked me, 'So what is it you want to do?' I very shyly, timidly admitted that I wanted to be an actor. He sighed, and he said, 'Lupita, only be an actor if you feel there is nothing else in the world you want to do - only do it if you feel you cannot live without acting.'

I was allowed to write about race using an elevator metaphor because of Toni Morrison and David Bradley and Ralph Ellison. Hopefully, me being weird allows someone who's 16 and wanting to write inspires them to have their own weird take on the world, and they can see the different kinds of African American voices being published.

What suprised me most about the real Gordon Selfridge was actually about his sons, Ralph and Oliver. They were both highly respected in their fields, influencing Information Technology and Robotics deeply. Oliver Selfridge has even been referred to as 'The Father of Machine Perception,' being a pioneer in Artificial Intelligence.

I tried to fortify myself with the best nonfiction and fiction I could lay my hands on, from the essays of James Baldwin and Joan Didion, to the stories and novels of Ralph Ellison, Roberto Bolano and Celine. Distinctive voices like these were a source of constant nourishment on all range of matters, from punctuation to philosophy.

This was 1978, when flying was still an occasion, a special grand event that took planning and care. I worked as a TWA flight attendant then. I stood in my Ralph Lauren uniform at the boarding door and smiled at the passengers through lips coated with lipstick that perfectly matched the stripe on my jacket. Mostly, the passengers smiled back.

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