Rain Quotes - Page 48

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It is the omnipresent rush of water which give the Este Gardens their peculiar character. From the Anio, drawn up the hillside at incalculable cost and labour, a thousand rills gush downward, terrace by terrace, channeling the stone rails of the balusters, leaping from step to step, dripping into mossy conches, flashing in spray from the horns of sea-gods and the jaws of mythical monsters, or forcing themselves in irrepressible overflow down the ivy-matted banks.

The civilized have created the wretched, quite coldly and deliberately, and do not intend to change the status quo; are responsible for their slaughter and enslavement; rain down bombs on defenseless children whenever and wherever they decide that their "vital interests" are menaced, and think nothing of torturing a man to death: these people are not to be taken seriously when they speak of the "sanctity" of human life, or the "conscience" of the civilized world.

Fare well we call to hearth and hall Though wind may blow and rain may fall We must away ere break of day Over the wood and mountain tall To Rivendell where Elves yet dwell In glades beneath the misty fell Through moor and waste we ride in haste And wither then we cannot tell With foes ahead behind us dread Beneath the sky shall be our bed Until at last our toil be sped Our journey done, our errand sped We must away! We must away! We ride before the break of day!

It was about eleven o'clock in the morning, mid October, with the sun not shining and a look of hard wet rain in the clearness of the foothills. I was wearing my powder-blue suit, with dark blue shirt, tie and display handkerchief, black brogues, black wool socks with dark little clocks on them. I was neat, clean, shaved and sober, and I didn't care who knew it. I was everything the well-dressed private detective ought to be. I was calling on four million dollars.

Once upon a time there were two sisters. One of them was really, really strong, and one of them wasn't.' You looked at me. 'Your turn.' I rolled my eyes. 'The strong sister went outside into the rain and realized the reason she was strong was because she was made out of iron, but it was raining and she rusted. The end.' No, because the sister who wasn't strong went outside into the rain when it was raining, and hugged her really tight until the sun came out again.

I run down to meet Floriana who is breathless from her hike. She stops in the road, the last light at her back. Prickles of rain cling to her unkerchiefed, loosened hair, capturing in her the flickering russet frame of it. Topaz almonds are her eyes, lit tonight from some new, old place, from some exquisitely secret oubliette, which she must often forget she possesses. We talk for a minute and Barlozzo passes us by like a boy too shy to speak to two girls at once.

Religion is like our appendix, a vestigial remnant from a primitive past. Perhaps in a few millennia the god of Abraham will invoke the same curious amusement as rain and sun gods do today. Or perhaps our god will simply be shelved along with Zeus and Jupiter. Some day. But until then, we suffer the consequences of a population that believes in the absence of evidence and, more curiously, rejects an objective reality that conflicts with beliefs easily proven false.

Saints are like trees. They do not call to anyone, neither do they send anyone away. They give shelter to whoever cares to come, be it a man, woman, child, or an animal. If you sit under a tree it will protect you from the weather, from the scorching sun as well as from the pouring rain, and it will give you flowers and fruit. Whether a human being enjoys them or a bird tastes of them matters little to the tree; its produce is there for anyone who comes and takes it.

It would be a miracle of God if it happened. I know it... If God wills it, the summer rains will fill the wadis... and the salmon will run the river. And then my countrymen... all classes and manner of men-will stand side by side and fish for the salmon. And their natures, too, will be changed. They will feel the enchantment of this silver fish... and then when talk turns to what this tribe said or that tribe did... then someone will say, Let us arise, and go fishing.

We live in a world full of accidents finally in which on aesthetic principles have a consistency of which we can be sure. Right and wrong we will struggle with forever striving to create and maintain an ethical balance. Right and wrong we will struggle with forever, striving to create and maintain an ethical balance; but the shimmer of summer rain under the street lamps or the great flashing glare of artillery against a night sky – such brutal beauty is beyond dispute.

Our Lord Jesus is ever giving, and does not for a solitary instant withdraw his hand. As long as there is a vessel of grace not yet full to the brim, the oil shall not be stayed. He is a sun ever-shining; he is manna always falling round the camp; he is a rock in the desert, ever sending out streams of life from his smitten side; the rain of his grace is always dropping; the river of his bounty is ever-flowing, and the well-spring of his love is constantly overflowing.

Lightning my pilot sits; In a cavern under is fettered the thunder, It struggles and howls at fits; Over earth and ocean, with gentle motion, This pilot is guiding me, Lured by the love of the genii that move In the depths of the purple sea; Over the rills, and the crags, and the hills, Over the lakes and the plains, Wherever he dream, under mountain or stream The Spirit he loves remains; And I all the while bask in heaven's blue smile, Whilst he is dissolving in rains.

The sun is a huntress young, The sun is a red, red joy, The sun is an Indian girl, Of the tribe of the Illinois. The sun is a smouldering fire, That creeps through the high gray plain, And leaves not a bush of cloud To blossom with flowers of rain. The sun is a wounded deer, That treads pale grass in the skies, Shaking his golden horns, Flashing his baleful eyes. The sun is an eagle old, There in the windless west. Atop of the spirit-cliffs He builds him a crimson nest.

The Gods on the death of his wife Yang Kai-hui I lost my proud poplar and you your willow As poplar and willow they soar straight up into the ninth heaven and ask the prisoner of the moon, Wu Kang' what is there. He offers them wine from the cassia tree. The lonely lady on the moon, Chang 0, spreads her vast sleeves and dances for these good souls in the unending sky. Down on earth a sudden report of the tiger's defeat. Tears fly down from a great upturned bowl of rain.

Heaven has its business and earth has its business: those are two separate things. Heaven, that's the angels' pasture; they are happy; they don't have to fret about food and drink. And you can be sure that they have black angels to do the heavy work like laundering the clouds or sweeping the rain and cleaning the sun after a storm, while the white angels sing like nightingales all day long or blow in those little trumpets like they show in the pictures we see in church.

Saying Good-bye to the God of Disease (2) Thousands of willow branches in a spring wind. Six hundred million of China, land of the gods, and exemplary like the emperors Shun and Yao. A scarlet rain of peach blossoms turned into waves and emerald mountains into bridges. Summits touch the sky. We dig with silver shovels and iron arms shake the earth and the Three Rivers. God of plagues, where are you going? We burn paper boats and bright candles to light his way to heaven.

[Jesus] teaches that just as the sun gives light to both wicked and good, and the rain brings nourishment to righteous and unrighteous, God's compassion embraces all people. There are no pre-conditions for it, nothing we need to do first, nothing we have to believe. When we are ready to receive it, it is already there. And the more we live in its presence, the more effortlessly if flows through us, until we find that we no longer need external rules or Bibles or Messiahs.

The effect of civilization is to impose human law upon environment until it becomes machine-like in its regularity. The objectionable is eliminated, the inevitable is foreseen. One is not even made wet by the rain nor cold by the frost; while death, instead of stalking about gruesome and accidental, becomes a prearranged pageant, moving along a well-oiled groove to the family vault, where the hinges are kept from rusting and the dust from the air is swept continually away.

But in order to speak about all and to all, one has to speak of what all know and of the reality common to us all. The seas, rains, necessity, desire, the struggle against death--these are things that unite us all. We resemble one another in what we see together, in what we suffer together. Dreams change from individual, but the reality of the world is common to us all. Striving towards realism is therefore legitimate, for it is basically related to the artistic adventure.

It's so hard to do anything that doesn't owe some kind of debt to what Stanley Kubrick did with music in movies. Inevitably, you're going to end up doing something that he's probably already done before. It always seem like we're falling behind whatever he came up with. "Singin' in the Rain" (1952) in "A Clockwork Orange" (1971) - that was the first time I became so aware of music in movies. So no matter how hard you try to do something new, you're always following behind.

I do miss the stage. There's nothing like it, nothing. When I did my one-woman show and played the Palace and played the Gershwin and all that, I did - what? - eight shows or maybe more a week. Of course you can't do anything else, and you can't run quickly for a cab in the rain, and you can't have a drunken love affair. You can't do any of that. Because you've got to be perfectly healthy. And I guess I value enjoying my life a little bit more than the discipline these days.

But there can be no grave for Sherlock Holmes and Doctor Watson...Shall they not always live in Baker Street? Are they not there this moment, as one writes? Outside, the hansoms rattle through the rain, and Moriarty plans his latest devilry. Within, the sea-coal flames upon the hearth and Holmes and Watson take their well-won case...So they still live for all that love them well; in a romantic chamber of the heart, in a nostalgic country of the mind, where it is always 1895.

So you shun me? - you shut yourself up and grieve alone! I would rather you had come and upbraided me with vehemence. You are passionate: I expected a scene of some kind. I was prepared for the hot rain of tears; only I wanted them to be shed on my breast: now a senseless floor has received them, or your drenched handkerchief. But I err: you have not wept at all! I see a white cheek and faded eye, but no trace of tears. I suppose, then, that your heart has been weeping blood?

How could he convey to someone who'd never even met her the way she always smelled like rain, or how his stomach knotted up every time he saw her shake loose her hair from its braid? How could he describe how it felt when she finished his sentences, turnec the mug they were sharing so that her mouth landed where his had been? How did he explain the way they could be in a locker room, or underwater, or in the piney woods of Maine, bus as long as Em was with him, he was at home?

Faith precedes the miracle. It has ever been so and shall ever be. It was not raining when Noah was commanded to build an ark. There was no visible ram in the thicket when Abraham prepared to sacrifice his son Isaac. Two heavenly personages were not yet seen when Joseph knelt and prayed. First came the test of faith–and then the miracle. Remember that faith and doubt cannot exist in the same mind at the same time, for one will dispel the other. Cast out doubt. Cultivate faith.

Peitaho Heavy rains fall on Yuyen, the northland kingdom of swallows. White pages of rain envelop the sky, and fishing boats off the Island of the Emperor Chin disappear on the ocean. Which way have they gone? More than a thousand years ago the mighty emperor Tsao Tsao cracked his whip and drove his army against the Tartars. He left us a poem: "Let us move east to the Stone Mountains." Today we still shiver in the autumn gale, in desolate winds, yet another man is in the world.

Capture of Nanking Rain and a windstorm rage blue and yellow over Chung the bell mountain as a million peerless troops cross the Great River. The peak is a coiled dragon, the city a crouching tiger more dazzling than before. The sky is spinning and the earth upside down. We are elated yet we must use our courage to chase the hopeless enemy. We must not stoop to fame like the overlord Hsiang Yu. If heaven has feeling it will grow old and watch our seas turn into mulberry fields.

Looking, touching, material, place and form are all inseparable from the resulting work. It is difficult to say where one stops and another begins. The energy and space around a material are as important as the energy and space within. The weather--rain, sun, snow, hail, mist, calm--is that external space made visible. When I touch a rock, I am touching and working the space around it. It is not independent of its surroundings, and the way it sits tells how it came to be there.

Let’s suppose that rain washes out a picnic. Who is feeling negative? The rain? Or you? What’s causing the negative feeling? The rain or your reaction? When you bump your knee against a table, the table’s fine. It’s busy being what it was made to be – a table. The pain is in your knee, not in the table. The mystics keep trying to tell us that reality is all right. Reality is not problematic. Problems exist only in the human mind. We might add: in the stupid, sleeping human mind.

Have you ever been in love, Hadrian?” “I’m not sure. How do you tell?” “Love? Why, it’s like coming home.” Hadrian considered the comment. “What are you thinking?” Bulard asked. Hadrian shook his head. “Nothing.” “Yes, you were. What? You can tell me. I’m an excellent repository for secrets. I’ll likely forget, but if I don’t, well, I’m an old man in a remote jungle. I’m sure to die before I can repeat anything.” Hadrian smiled, then shrugged. “I was just thinking about the rain.

He lost his Self a thousand times and for days on end he dwelt in non-being. But although the paths took him away from Self, in the end they always led back to it. Although Siddhartha fled from the Self a thousand times, dwelt in nothing, dwelt in animal and stone, the return was inevitable; the hour was inevitable when he would again find himself in sunshine or in moonlight, in shadow or in rain, and was again Self and Siddhartha, again felt the torment of the onerous life cycle.

And I, the for­mer mys­tic, was think­ing: Yes, man is stronger, greater than God. When Adam and Eve de­ceived You, You chased them from par­adise. When You were dis­pleased by Noah’s generation, You brought down the Flood. When Sodom lost Your fa­vour, You caused the heav­ens to rain down fire and damna­tion. But look at these men whom You have be­trayed, al­low­ing them to be tortured, slaugh­tered, gassed, and burned, what do they do? They pray be­fore You! They praise Your name!

Unconditional love. That’s what he wants to give her and what he wants from her. People should give without wanting anything in return. All other giving is selfish. But he is being selfish a little, isn’t he, by wanting her to love him in return? He hopes that she loves him in return. Is it possible for a person to love without wanting love back? Is anything so pure? Or is love, by its nature, a reciprocity, like oceans and clouds, an evaporating of seawater and a replenishing of rain?

The life of a good man will hardly improve us more than the life of a freebooter, for the inevitable laws appear as plainly in theinfringement as in the observance, and our lives are sustained by a nearly equal expense of virtue of some kind. The decaying tree, while yet it lives, demands sun, wind, and rain no less than the green one. It secretes sap and performs the functions of health. If we choose, we may study the alburnum only. The gnarled stump has as tender a bud as the sapling.

the rain is coming. little sister, the night broke. the thunder cracked my brain finally. the rain is coming, i promise you. i didn’t mean to but your tears will bring life back. purple flowers grow, the colour blood looks in the veins. they’ll sprout out of my chest. i promise you they’ll crack the ground, grow over the freeways, down the slopes to the sea. i’ll be in their faces. i’ll be in the waves, coming down from the sky. i’ll be inside the one who holds you. and then i won’t be.

Silence emerges from the sound of rain and spreads in a crescendo of gray monotony over the narrow street I contemplate. I’m sleeping while awake, standing by the window, leaning against it as against everything. I search in myself for the sensations I feel before these falling threads of darkly luminous water that stand out from the grimy building facades and especially from the open windows. And I don’t know what I feel or what I want to feel. I don’t know what to think or where I am.

I believe in God. Maybe not the Catholic God or even the Christian one because I have a hard time seeing any God as elitist. I also have a hard time believing that anything that created rain forests and oceans and an infinite universe would, in the same process, create something as unnatural as humanity in its own image. I believe in God, but not as a he or she or an it, but as something that defines my ability to conceptualize within the rather paltry frames of reference I have on hand.

You could look out the window today, see the sky raining fire, and say that it has all been for nothing, everything we've ever done, because now we've lost. But folk were born and lived and knew friendship and music in this city, ugly as it is, and all across this land that we fought for. Some grew old, and others were less lucky. Many bore children and raised them, and had the pleasure of making them, too, and we gave them that for as long as we could. Who has ever done more, my friend?

I became aware of just how fleeting the sense of happiness was, and how flimsy its basis: a warm restaurant after having come in from the rain, the smell of food and wine, interesting conversation, daylight falling weakly on the polished cherrywood of the tables. It took so little to move the mood from one level to another, as one might push pieces on a chessboard. Even to be aware of this, in the midst of a happy moment, was to push one of those pieces, and to become slightly less happy.

Though this new forest grew mightily, elsewhere the mighty jungles fell. Elsewhere the coastal rain forests that furred the body of the world were torn and riven. Elsewhere the last of the old growth the last of the world's own garment were ripped away. It was in this time, now, that the mother of us all was stripped naked and left to die in shame of her children, she who had been robed in glory like this, adorned like this. I bent my head upon the roots and wept, sorrowing for the trees.

I was twenty-one at the time, about to turn twenty-two. No prospect of graduating soon, and yet no reason to quit school. Caught in the most curiously depressing circumstances. For months I'd been stuck, unable to take one step in any new direction. The world kept moving on; I alone was at a standstill. In the autumn, everything took on a desolate cast, the colors swiftly fading before my eyes. The sunlight, the smell of the grass, the faintest patter of rain, everything got on my nerves.

The circus tent was flowing pale in the rain like a fleshy flower lit from within. It seemed to bloom in the downpour. Drops of rain caught on Rafe's eyelashes, blinding him as the circus light struck them. He groped for the flap, that slit in the fabric that would reveal her to him. She was on the rope again, her skirt flashing with tiny mirrors, hair braided with petals. He looked up at her, dizzy with it, seeing her face framed in the parasol. There were bluish shadows around her eyes.

i have found what you are like the rain (Who feathers frightened fields with the superior dust-of-sleep. wields easily the pale club of the wind and swirled justly souls of flower strike the air in utterable coolness deeds of gren thrilling light with thinned newfragile yellows lurch and.press --in the woods which stutter and sing And the coolness of your smile is stirringofbirds between my arms;but i should rather than anything have(almost when hugeness will shut quietly)almost, your kiss

There will come soft rains and the smell of the ground, And swallows circling with their shimmering sound; And frogs in the pool singing at night, And wild plum trees in tremulous white; Robins will wear their feathery fire, Whistling their whims on a low fence-wire; And not one will know of the war, not one Will care at last when it is done. Not one would mind, neither bird nor tree, If mankind perished utterly; And Spring herself when she woke at dawn Would scarcely know that we were gone.

"Clear-cutting" was the word for what the Rusties had done to the old forests: felling every tree, killing every living thing, turning entire countries into grazing land. Whole rain forests had been consumed, reduced from millions of interlocking species to a bunch of cows eating grass, a vast web of life traded for cheap hamburgers. "Look, we're not clear-cutting. All we're doing is pulling out the garbage that the Rusties left behind,” David said. "It just takes a little surgery to do it."

Gradually, the night stumbled as if stunned and wandering aimlessly into an overcast day -- limped through the wilderland of transition as though there were no knowing where the waste of darkness ended and the ashes of light began. The low clouds seemed full of grief -- tense and uneasy with accumulated woe -- and yet affectless, unable to rain, as if the air clenched itself too hard for tears. And through the dawn, Atiaran and Covenant moved heavily, unevenly, like pieces of a broken lament.

In Moscow, dim and green under the summer rain, columns of armour were waiting in the side-roads off the long avenue from Vnukovo airport. Tanks from the Taman Division stood beneath the dripping trees around Moscow University with their field kitchens and command trucks. This was not a new sight to me: the Soviet tanks had rested like that beneath the trees of the parks in Prague, late in another August twenty-three years before. Now they had invaded and crushed one more country -- their own.

For the rains and the rivers you need forests and you need to make sure these your forests are all protected, that there is no logging, that there is no charcoal burning and all the activities that destroy the forest. All this really needs to be done so that you can be able to grow good coffee, so that you can have an income, so that you can send your children to school, so that you can buy medicine, so that you can take them to hospitals, so that you can care for the women, especially mothers.

I tend to shoot really quick so you don't get the problems you might get on a traditional film where you shoot one way, then another, and it's pissing down with rain and they won't cut together. We shoot so fast we can incorporate the weather into it. The worst weather we had was when they were in the caravan up the mountain and there was no cover. One man's weather is another man's production value. To create the sleet would cost a fortune but we got it for free so we'll just have to go with it.

Madame V begins the lesson by reading aloud the first stanza of a famous French poem: Il pleure dans mon coeur Comme il pleut sur la ville; Quelle est cette langueur Qui penetre mon coeur? Then she looks up and without any warning she calls on me to translate it. I swallow hard, and try: "It's raining in my heart like it's raining in the city. What is this sadness that pierces my heart?" Saying these words out loud, right in front of the whole class, makes me feel like I'm not wearing any clothes.

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