Quotes of All Topics . Occasions . Authors
Personally, I just think rap music is the best thing out there, period. If you look at my deck in my car radio, you're always going to find a hip-hop tape; that's all I buy, that's all I live, that's all I listen to, that's all I love.
'Kiss Land' wasn't about what people wanted to hear on the radio. It was the state of mind I was in - introverted, like David Cronenberg's 'Naked Lunch.' You didn't know if you were hearing a chorus or a verse. It was just my thoughts.
Every time a new technology comes along, we feel we're about to break through to a place where we will not be able to recover. The advent of broadcast radio confused people. It delighted people, of course, but it also changed the world.
I was always looking ahead. I used to do all kinds of things for entertainment. When I was young, we had no radio, no TV. We were 30 miles from the public library, out in the sticks in Western Kansas, and so I'd do arithmetic exercises.
I'm not thinking about what needs to be on the radio. I'm not thinking about anything other than - I'm just going to let this music come out of me and not have any sort of preconceived notion of what I should do. I'm just going to do it.
I started writing my own songs from the time I was a little kid. I would write my own lyrics to other people's songs that I heard on the radio and take whatever song and make it about fairies and angels - whatever little girls sing about.
Writing is not work. In fact, theres nothing better. Writing is something that if the music business went completely away tomorrow - radio stations quit existing and music quit being popular and it was old hat - I would still write songs.
If the education of our kids comes from radio, television, newspapers - if that's where they get most of their knowledge from, and not from the schools, then the powers that be are definitely in charge, because they own all those outlets.
Call it whatever you want, whether it's hip-hop or cult music or pop music, but to me, it's all pretty disposable. I don't think that the music of Nikki Minaj or Justin Beiber is going to be played on the radio twenty-five years from now.
And rather than hide that, I would rather put that out on the radio and let someone see the full range of emotions. If you're going to be strong on the radio, you got to let it all out, even the ugly stuff. And you can't apologize for it.
I saw an Elvis Presley movie Jailhouse Rock, where he gets out of jail and makes his own records and takes them to the radio stations himself. And then, he puts records in the store. After seeing that, I made records an put them in stores.
I owed Lewis one thing, at least. Once you had suffered the experience of presenting a case at one of his Monday morning conferences, no other public appearance, whether on radio, TV or the lecture platform, could hold any terrors for you.
With the coming of radio as a mass medium, suddenly the world changed. It became about, 'Can this leader project emotional connection through the way he speaks on the radio?' And the anxiety about whether he could do that, we've inherited.
I was interviewed on the Israeli radio for five minutes and I said that more than 2000 years ago, Euclid proved that there are infinitely many primes. Immediately the host interrupted me and asked, 'Are there still infinitely many primes?'
The right really dominates radio, and it's amazing how much energy the right spends telling us that the press is slanted to the left when it really isn't. They want to shut other people up. They really don't understand the First Amendment.
I believe that, artistically and culturally, the free radio air should be able to support local artists of whatever genre. Play 40 percent of your local artists; don't suck up to major labels to the point where you neglect your own locale.
But if you pick up every other magazine, it is the peanut butter diet, or the cabbage soup diet, and then you go to the radio and you hear that you can drink some solution and you will lose weight overnight. It just does not work that way!
My father said to me at one time, 'If you are still a disc jockey by the time you are 30, you better find another line of work.' Little does he realize, I am in my 70s, and I still do seven or eight hours of radio every day - or every week.
Not every song of Lynyrd Skynyrd's was a single, but songs like 'Tuesday's Gone' and 'The Ballad of Curtis Loew' and 'Made in the Shade,' 'I Need You,' people learned those songs from the radio because radio played albums, not just singles.
I've heard some people say that I'm selling out, but I'm not. If I hadn't done 'Black Radio', and just kept on doing just piano trio stuff, I wouldn't be honest with myself; I'd be doing it to please other people. That would be selling out.
I never graduated from college. While I was in a mass communication class at North Texas State University, I was on the air weekends in Dallas and knew more about major-market radio than the guy teaching. When I told him that, he failed me.
I've always invested in myself, whether it was marketing or putting an album together and paying for radio. Spending eight months to a year working on one single to try to get it where you know it's a hit and you can take it into the top 20.
You don't try to get influenced by everything that's going on with all the other music around you. You don't listen to the radio - I mean, I don't. When I get ready to do an album, I don't listen to anybody else; I don't wanna be influenced.
I was a very happy child, so to speak. But, since we didn't have video games or television, and very little radio, in terms of a form of entertainment, I used to read a lot and I would draw a lot, and those two things used to occupy my time.
I booked my first studio at like 12 or 13. Somewhere in that season of my life, singing along with the radio became me wanting to be on radio, you know. And writing Langston Hughes replica poems became me wanting to write like Stevie Wonder.
When I was 12 or 13, the hyphy movement was beginning to bubble. And you had local acts such as the Federation or E-40, Mac Dre, and Too Short that the local radio station would play all the time. You'd hear E-40 as much as you'd hear Jay Z.
I wrote a lot of stuff quickly: pages and pages of notes that seemed pretty incoherent at first. Most of it was taken from the radio because -suddenly being a parent- I'd be confronted by the radio giving a news report every hour of the day.
The household I grew up in... was rather like an Ovaltine advert. There was a huge fire, a kettle on the fire, the oven with the bread being baked every day, and there was the radio; it was very magical to hear all these wonderful programmes.
I was at the radio station all the time and on the air all the time. I met John Travolta and a lot of the other big '70s icons. Shaun Cassidy sang 'Da Do Ron Ron' to me onstage. I thought I was a rock star; I had an all-access-pass childhood.
About 25 years ago, I was in an apartment, and next door, they put on the radio, so I struck the wall with my fist, but they did not put the radio down. I took a tool and banged until I made a hole through the wall. It was like a comedy movie.
You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
I've had 79 to 80 years of show business. I started when I was 5 with a man called Tom Mix. I didn't have time to go to school because I was in silent movies, I was in radio, I was in burlesque, I worked with the circus. I'm all show business!
Somehow you can tell the difference when a song is written just to get on the radio and when what someone does is their whole life. That comes through in Bob Dylan, Paul Simon, Willie Nelson. There is no separating their life from their music.
I have no feud, either with my employers, any sponsors, or with the professional critics of radio and television. But I am seized with an abiding fear regarding what these two instruments are doing to our society, our culture and our heritage.
Mum prayed to the Lord that when her children were born they wouldn't be tone deaf. Mum says at two years old I was singing my own little songs, she didn't know where I'd heard it so I must have made it up. I used to sing along with the radio.
There is no line of demarcation between the amateurs and the pros; everyone is using the same tactics and playing in the same arenas. The only thing that separates them is radio, but the artist doesn't control who goes to radio and who doesn't.
Country music is always changing but the Opry is always there to serve as a lighthouse for what country music really is. The past, present and future is all encompassed by not only the physical structure of the building but also the radio show.
I didn't start talk radio until '95 in L.A. The show was very successful, and they actually tried to syndicate it nationally, but I couldn't get stations. It was like, "We don't care that she's funny and she's got great ratings. She's liberal!"
I think a Moon base is not necessary to get to Mars, but I think it will be helpful. It would give you a chance to develop and mature some systems; long duration, deep space stuff; and you're close enough to get some help, via radio from Earth.
I was actually in an iron lung for about a year, and then I was paralysed from the neck down for another year after that. So I spent a lotta time just lying down as a kid. And some of my earliest memories from then are of listening to the radio.
The only way I'd be caught without makeup is if my radio fell in the bathtub while I was taking a bath and electrocuted me and I was in between makeup at home. I hope my husband would slap a little lipstick on me before he took me to the morgue.
To me 30 isn't old. But it's definitely the beginning of no longer young. Because you notice little subtle things happen to you. You'll be in your car driving around listening to the radio and hear stuff like, That's was an oldie from The Clash.
I ran two campaigns for governor in a state that's 2-1 Democrat where I did not mention my opponent in print, radio, or television. I don't know if any other politician at a gubernatorial, congressional, or a senatorial level can make the claim.
The Sixties were different in an isolated place. We got two television channels if the wind was blowing in the right direction. The radio stations went off at sundown. Then you picked up Chicago and heard the teenage music you really yearned for.
When I say I don't have to write pop songs anymore, there's no way I'm going to get on the radio at 60 years of age unless I'm doing a duet with Gaga or I was on 'All of the Lights,' which was a Kanye West record that managed to get on the radio.
Here's how much I know about hockey. Mike Royko and I were in a tiny bar one winter night, and the radio kept reporting goals by the Blackhawks. I mentioned how frequently the team was scoring. 'You're listening to the highlights,' Royko observed.
Telling people that I wanted to make dance music, or be on the radio, they looked at me like I was crazy because there was nothing like that in Lichtenstein when I was getting started. That's why I went to Germany, because there is industry there.
Many of us mistakenly believe a coup d'etat is the only kind of coup possible. But a coup doesn't always require tanks on a lawn and senior ranking military types appearing on your TV and radio declaring that democracy as you knew it, is now over.
You can tell if something feels special. But there are so many moving parts involved in making the song a hit. The radio has to deliver, the management has to deliver in terms of booking the right promotions... just being a good song isn't enough.
When I put out 'Video Games' in May 2011, it was a 5:25-minute love song; I was surprised when a lot of people said they were listening to it. I was surprised when it went to the radio, without me even knowing how something like that even happens!