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Every place has its own challenges. In Canada, we have blessings like grants, but we also have curses in the sense that when you start to do more urban classified music, we no longer have a single urban radio station left.
As far as radio goes, it really isn't what listeners get; it's how they get it. Social media gives us new and fun ways to stay more directly connected to people who listen to us, and it also helps us make decisions faster.
As a radio DJ, I was on WRIN-WLQI. And even when I repeat it, it's horrifying. My morning sign-on, because it was in Rensselaer, Indiana, it'd be, 'You're on the air with Jim O'Heir in Rensselaer.' Ugh, oh my God, pathetic.
Good evening, ladies and gentleman. My name is Orson Welles. I am an actor. I am a writer. I am a producer. I am a director. I am a magician. I appear onstage and on the radio. Why are there so many of me and so few of you?
People are always surprised when they meet me. I was in Nigeria and I went to one of the radio stations and they were like, 'Aww you look cute!' They were expecting me to look more rough, and I was like: 'Yeah, I'm polite!'
We're living at a time when attention is the new currency: With hundreds of TV channels, billions of Web sites, podcasts, radio shows, music downloads and social networking, our attention is more fragmented than ever before.
Rodgers and Hammerstein didn't mean anything to me. I just wanted to have a hit, I just wanted to be like those people on the radio. It was all of a case of the present tense with no projecting into the future, particularly.
We're just nerds that play music. Because we get played on the radio and have a Vitaminwater ad with Aaron Paul dancing on a treadmill, people are going to say we sold out. I don't write music for that. I write music for me.
Electromagnetic theory and experiment gave us the telephone, radio, TV, computers, and made the internal combustion engine practical - thus, the car and airplane, leading inevitably to the rocket and outer-space exploration.
Racism is a problem, economic inequality is a problem, not enough rock n' roll on the radio is a problem. But all those problems will become insignificant when the oceans rise in a way that threatens organised human activity.
Well, people can get advice almost anywhere, but they can't find a companion almost anywhere. And far more than being an advice-giver or somebody who just plays sappy love songs, I really am a companion on the radio at night.
I was so naive in radio technique that I knew nothing about timing. I would write pages on Honus Wagner and then get only half through by the time the show ended. I eventually learned, but there was nobody there to school me.
There was this mountain village in Russia where my music was getting in on some German radio station. I remember this because music used to get up to Saskatchewan from Texas. Late at night after the local station closed down.
Some of our early work was two minutes twenty when it actually came out on vinyl, very, very, very short. Sometimes if you made a three-minute record they would make you do an edited version for radio, particularly in America.
During the war years I worked on the development of radar and other radio systems for the R.A.F. and, though gaining much in engineering experience and in understanding people, rapidly forgot most of the physics I had learned.
I'm real. I believe what I'm saying. If Motel 6 wasn't the type of operation they say it is - and I stay at them when I travel - I wouldn't do their commercials. That comes through on the radio, and that's what it's all about.
I don't listen to the radio, so I don't really know what's going on in current pop culture. I know about the obvious things, like Taylor Swift and Justin Bieber and Ed Sheeran and Adele, because I hear them. They're everywhere.
When Paul and I were first friends, starting in the sixth grade and seventh grade, we would sing a little together and we would make up radio shows and become disc jockeys on our home wire recorder. And then came rock and roll.
The hip hop industry is most likely owned by gays. I happen to think there's a gay mafia in hip hop. Not rappers - the editorial presidents of magazines, the PDs at radio stations, the people who give you awards at award shows.
I remember driving home one evening while they were reviewing the papers on the radio. One of the articles was about me separating from my wife. It's a weird thing to listen to a news report about the break-up of your marriage.
I think one of the reasons that I got so good at it, as somebody making radio stories, is that on the radio I can actually - I can understand what's happening in the interview and can make a connection in a way that makes sense.
It's quite interesting that in my growing up I had several influences. We had gospel music on campus. R&B music was, of course, the community, and radio was country music. So I can kind of see where all the influences came from.
I really like the old stuff that I cut my musical teeth on, and I loved it when the industry was just like that, without really a genre. Today, country radio's more aimed at a demographic than a genre. It just softens everything.
I'm tired of people disturbing the peace, getting on the radio and sounding a hot mess. If I can tell what the note really is, why let them go to the note they think it is? I've got that mama vibe. I don't look at it with an ego.
A lot of times in this business, we are taking advantage of hot times in our career to do a lot of TV and a lot of radio and that sort of thing, and George is able to be so humble that he can get away with not doing those things.
Once a week i have to do my radio show, 'A State of Trance', usually on Wednesday night. I try to go running at least three times a week and spend at least a day without turning my laptop on and spend it with my wife and daughter.
It took me a while to get an electric guitar and a bass and amps and stuff. Playing the acoustic guitar was much easier and more affordable. But I was always listening to the radio and was interested in all the rock and pop music.
In many ways, I think that, while we've been remarkably violent in our media, there's been a real schizophrenia. In private, on the Internet, and on public-affairs shows or talk radio, we're way more explicit than we've ever been.
I couldn't tell you what the standing is in radio, I'm in the streaming world. I'm in the podcasting world. Radio just sounds archaic almost. It's a never-ending battle. I'm so glad I'm retired so I don't have to see the nonsense.
I have a company in New York City producing music for commercials, for radio, TV, features, etc. That's how I've been making my living. And now the company is very successful - to the extent that I can afford to come out and play.
I think L.A. radio is learning from the Bay. The Bay is a very classic place. Mac Mall, C-Bo, all that stuff, they love their artists, they're old school up there. My first big concert was playing in the Bay; I played the Fillmore.
You know, I do music. If you look under the hood of the industry I'm in, it's all based on technology. From radio to phonographs to CDs, it's all technology. Microphones, reel-to-reels, cameras, editing, chips, it's all technology.
In 1990 if you heard a song on the radio and you really wanted to hear it again you'd have to buy it on tape or CD. Hearing music doesn't hold that kind of value anymore because anyone can hear it. It's going to become even easier.
I kinda went back to that period between '88 and '94 where I felt like I was the most creative, without being hindered by powers that be. I was no longer going to try to hinder myself to what I thought was going to be on the radio.
Whether you like modern incarnations of what country radio hits are, or you like what I'm doing, or you like something really off in folk, poetry Americana land, it's all just music, man. If you like one of them, great - go buy it.
Basically, radio hasn't changed over the years. Despite all the technical improvements, it still boils down to a man or a woman and a microphone, playing music, sharing stories, talking about issues - communicating with an audience.
I would never be about waking up early and do morning radio and TV back to back had I not been in the military, where they are throwing a garbage can in the middle of my squad bed at 5 o'clock in the morning for four years straight.
I was inspired by the classic rock radio of the Seventies. They separated Chuck Berry and the Beatles from the Led Zeppelins and Bostons and Peter Framptons of the time. In many ways, classic rock became bigger than mainstream rock.
I think some people record songs and make records a certain way to cater to radio. If you're born to make commercial music that's cool. But if you're born to not make commercial records, maybe you're meant to cater to another market.
I could come home, and I would spend the rest of the night just lying on the floor or the sofa listening to albums. It was like a movie to me. I still do, really, and doing the radio show ensures that I'll be sitting there listening.
I prefer radio to television. Radio is a dialogue; television is a monologue. In radio, you have to interact - they put the words in your head; you build the pictures in your mind. To that extent, it is more engaging than television.
By the eighties, a lot of radio stations had started playing "Sixties" music. They called it "Classic Rock," because they knew we'd be upset if they came right out and called it what it is, namely "middle-aged-person nostalgia music.
We need to create a level regulatory playing field. It makes no sense for Internet giants like Google, Facebook, and Twitter to be allowed to buy newspapers while a small AM radio station is prohibited from purchasing its local paper.
There is a broad cultural current that conveys the idea that a film is like a football team, it represents a nation, it is illustrated literature, filmed radio. These are outdated concepts, totally out of touch with today's realities.
The last time I spoke with Robert was back in May. When his wife was murdered, I talked to several radio stations in defense of him because I know how Bobby Blake really is, and as far as I'm concerned, there's no murder in his heart.
My father, Buddy Robinson, was superchic - a dandy. He always wore dinner jackets at night and espadrilles in the summer, but with his own flair. He was even well dressed when riding a tractor or listening to a ball game on the radio.
I didn't come east of the Mississippi for the first time in my life until I was 26 years of age, but I knew. I read magazines, I listened to radio, I watched television. I knew there was something out there, and I wanted a part of it.
My brother and I were brought up sort of thinking that we were English. I remember hearing the poet Roy Campbell on the radio and being quite shocked that he had a South African accent. I didn't know there were any South African poets.
I grew up in a small mountain town in Norway, and I remember miming to the Beatles on the couch when I was about six, singing into a broomstick, but this was a country that only had one radio station. There was no music around, really.
I began to realize something - to understand the future you have to understand physics. Physics of the last century gave us television, radio, microwaves, gave us the Internet, lasers, transistors, computers - all of that from physics.