Quotes of All Topics . Occasions . Authors
I'm a Cub fan, and I sit up here and I know when we have a good team, I know when we're struggling, and it affects me just like any other fan, and I just happen to show it on the radio. I can't help it.
I don't like to read anything on the radio for the very first time, because I don't have any notion of a reaction. When I read it out loud, then I get an idea of that, and more of an idea of how to read.
Well, he doesn't make me laugh. I think I've got a fair sense of humour but I can't really see it in him. I've listened to his show on the radio on a Saturday morning, and that's a load of mince as well.
I have a lot of good football talk with cabbies, but when you want to get somewhere in a hurry, it can be distracting. I always know they're going to want to talk football if 'Talksport' is on the radio.
I wanted to be Stan Laurel, then I wanted to be Fred Astaire and then Captain Kangaroo. I actually started out as a radio announcer when I was 17 and never left the business so that's literally 70 years.
In 1939, a newspaper ran a competition for the first load of boys off to war to pick their favourite singer. They chose me from my radio broadcasts. That's when I became known as the 'forces' sweetheart.'
It started when I was eight years old. I first heard the cello on the radio, and I loved the sound. It was such a magical, beautiful sound. I dedicated my entire childhood to cello, practising like crazy.
I was in my friend's apartment, and their buddy called us and was like, 'I'm in a car, and you're on the radio.' So we listened to the song. That was wild. I'm like, 'Is this real? How is this happening?'
The biggest deal for me was that all 24 winners are placed on the Billboard CD of the Year, which went out to 500 of the biggest Music Reps in the business, from radio and press to management and booking.
We spent last night listening to Liverpool football team on the radio, wanting them to win so badly. Paul supports Liverpool. He was Everton for a while because of his family - but it's all Liverpool now.
I wanted to be Stan Laurel, then I wanted to be Fred Astaire and then Captain Kangaroo. I actually started out as a radio announcer when I was 17 and never left the business, so that's literally 70 years.
I started a radio show where I interviewed comics. And I interviewed Leno and Seinfeld and John Candy and Father Guido Sarducci and Garry Shandling, all when I was 16. And they kind of told me what to do.
People don't listen to terrestrial radio. They don't find their music that way. They don't get their news that way. They go to blogs. They go through Sirius/XM. They go through all these different places.
So the system we have in radio and television today is the direct result of government policies that have been made in our name, in the name of the people, on our behalf, but without our informed consent.
I'm very easily influenced, and I'm also a quick study, so I think when I decided I wanted to write pop songs, I literally just listened to pop radio for six months to get a feel for it and understand it.
There's a lot of people out there who have seen us once somewhere in a pub or heard our songs late night on radio. We'd done four years of it before we'd even released a single. It's put us in good stead.
Calculus, the electrical battery, the telephone, the steam engine, the radio - all these groundbreaking innovations were hit upon by multiple inventors working in parallel with no knowledge of one another.
I was a grunt, walking around in the jungle of Vietnam, trying not to find the enemy. Because I am so big, they were going to give me either a heavy radio or a huge machine gun to carry. I carried a radio.
I'm not a television anchor for a Hindi channel or a radio jockey. So I may not be able to have a spontaneous conversation in Hindi. I'm a Bollywood actress, and I can certainly speak my dialogue in Hindi.
I can tell you where I was when Kennedy was shot - which was in the common room at school. I heard about it on the old valve radio. At the time of Armstrong's landing, I was at university rehearsing a play.
A lot was accomplished in my mixtape career. But I still needed a few things: I needed to be recognized. I need to have radio. I need to have a real retail machine that can get us where we need to get that.
I used to listen to country and western and blues, John Lee Hooker, spirituals, the Bluegrass Boys, and Eddie Arnold. There was a radio station that come on everyday with country, spirituals, and the blues.
I can say that on the record 'Transit of Venus,' there's maybe one or two songs that actually do come from my heart, but a lot of songs have been written just for radio and for fans, you know, to relate to.
Talk radio can't work unless you have the kind of independence you get by being part of an independent news network. You can't be beholden to an agenda, and that's what I like about Fox: It doesn't have one.
It wasn't glamorous in my day. In the regions, reporters were seen as such low life that they didn't merit their name in the Radio Times. Now people are interested in being famous. I never gave it a thought.
I liked what any other kid did back in the day. You know, Bob Seger, Alice Cooper, and everything else that was on the radio in Michigan. There was a lot of Steely Dan; just a lot of great music inspired me.
I've been blessed. I have no complaints. I've been surrounded by people in radio, on stage and in motion pictures and television who love me. The things that have gone wrong have been simply physical things.
When I was a kid, I'd practise Chopin on piano - and I love Chopin! He's my dawg! Then I'd go out on the stoop and blast the radio. I'm from New York, the concrete jungle. Hip-hop influenced me from day one.
When I first saw Destiny's Child, I was in the fifth grade, and it made me want to sing and make music, and there would be these freestyles on the radio for what seemed like hours; it was just so cool to me.
To be a DJ was to be God. To be a DJ at an alternative public radio station ? That was being God with a mission. It was thinking you were the first person to discover The Clash and you had to spread the word.
I can never think about, 'Is this going to sell? Is this going to work on radio?' I just have to get in the zone where I'm like, 'Do I love this, or do I not love this?' Essentially it all comes down to that.
As far as loneliness, I feel Los Angeles and its layout, having to drive everywhere - it is a lonely place. It's an isolated city in that respect because you're driving to places alone listening to the radio.
You know, radio was a really easy way to do the shows. You'd come in, do a read-through, there'd be a few rehearsals, then you'd come the night of the show and do it in front of the audience and then go home.
The downloads, the licensing, commercials, radio - it's made me more money than any song I've ever written, and it only went to No. 26. It wasn't a big hit at all. But it's a career song ["I Can't Drive 55"].
The joy of Christmas causes hundreds of radio stations around the country to play Christmas music all day, and people will exchange millions of gifts to remember the first gift of Christmas, the infant Jesus.
In radio I had one, maybe two people who cared about getting it done. I'd really be a loser if I forgot where I came from. So I show them the love. And how hard is it really to be interested in someone's life?
HAM radio is very inexpensive, it is nearly unlimited and free to use. The only limitation is that you can only talk for five minutes to any given person because the station gets out of range within that time.
I refuse to listen to Rush Limbaugh. I listen to a lot of conservative radio when I drive around in my car. I refuse to listen to him because he's just ridiculous, just a clown. I love Rachel Maddow obviously.
We began intercepting Japanese radio transmissions, which indicated the two forces were very close to each other. We found out later that we were moving in opposite directions and passed each other by 32 miles.
There are too many leaders anointed because they have a public voice - television, radio, or record, or whatever. That even includes myself. In the past, I'd say, 'Don't anoint me when you can anoint yourself.'
That's the problem with news interviews, you work your tail off to get prominent figures in the news on the radio, but once they've been on, the event passes, the urgency, the issues you talked about evaporate.
I studied communications, only because I could get my own show on the campus radio station. I never thought of it as a career. Music was always a really passionate hobby - it was like collecting DVDs or stamps.
The orchestration of press, radio and television to create a continuous, lasting and total environment renders the influence of propaganda virtually unnoticed precisely because it creates a constant environment.
Because you have things like 'American Idol' and you've got radio stations that play music made entirely by computers, it's easy to forget there are bands with actual people playing actual instruments that rock.
In my early life, I was a professional folk singer. I used to sing on the national television and radio in Canada. Nobody knows that - but now I've said it, haven't I? I'm strictly a shower singer at the minute.
I have a 6-year-old, and his thing is to turn on Radio Disney in the car, and I get such an allergic reaction to listening to that music and the context into which it falls. I'm really working on him about that.
When 'Hide Away' first started gaining a bit of momentum, I was visiting at least two radio stations per day - sometimes in different cities - to spread the word about the song. It was a hustle, but so worth it.
Apple has the radio stations, so I go R&B in the morning, and then I'll go with some hip-hop before the game. But after the game, it's more meditation music. It's not artists; it's more whatever is being played.
The bosses of our mass media, press, radio, film and television, succeed in their aim of taking our minds off disaster. Thus, the distraction they offer demands the antidote of maximum concentration on disaster.
We don't have a studio, we don't have a radio station, we don't have anybody breathing down our necks to make a budget. We don't have any benchmarks that we have to hit. Our benchmarks are ones that we have set.