Quotes of All Topics . Occasions . Authors
I made a dollar a day sweeping a laundry out. Then we made a record that was number two in Los Angeles. We got so excited hearing it on the radio that Carl threw up.
Radio is not a partner in the industry. I think that the music industry has continued to depend upon radio, but has ended up pandering to a medium that doesn't care.
I do not buy CDs any more; I usually stream Internet radio. For movies, I hardly every buy any DVDS. I have a DVR, so just record things off HBO, Showtime and so on.
Radio was used powerfully by Josef Goebbels to disseminate Nazi propaganda, and just as powerfully by King George VI to inspire the British people to fight invasion.
I hope always to be busy, even if only directing an orchestra in the pit. However, I should prefer to produce movies or be the directing head of a radio corporation.
Everything I ever needed came out of a radio and a dashboard. My Mount Rushmore of what was cool came out of a radio - Trisha Yearwood, Patty Loveless, Mark Chesnutt.
When you're walking down the street or in the car just listening to the radio, and you're, like, 'Oh, that's my song.' You want to say, 'Hey Mom!' That never changes.
I'm very aware of what you're talking about as I was involved with the radio in Africa in the same period as I was doing Concrete - I was doing both at the same time.
Rough Riders took 13 weeks to shoot, plus a week of training. The same guy trained us trained the cast in Platoon. Except, instead of radios, we used bugles to signal
The great thing about animation is it's like the radio. I used to do lots of radio when I was a kid, and you get to play parts you would never get to play ordinarily.
Talk radio has made an enormous run around establishment media. But the Internet is making an end run around talk radio. Suddenly we're faced with an information age.
Writing about prayer to a secular audience is tap-dancing on the radio. I want to say, 'Gee whiz, isn't this great,' and have everyone's head cocked like the RCA dog.
Sheet music, recording, radio, television, cassettes, CD burners, and file sharing have all invalidated, to some extent, the old model of making a living making music.
Public radio is the last oasis of free and independent music. For satellite radio channels, you have to subscribe; commercial stations are as corporate as basic cable.
As you know, in the past several years, month after month, radio has increased its revenues - some of it even coming from Dot-Com advertisers. So, radio is a survivor.
The heightened public clamor resulting from radio and television coverage will inevitably result in prejudice. Trial by television is, therefore, foreign to our system.
I don't have a problem being on 'MTV,' and I don't have a problem being on the radio. I actually like it. So there. And anyone that calls me a sell out is just jealous.
There is a long history of newspapers being doomed. They were doomed by radio. They were doomed by television. They were probably doomed by the telegraph way back when.
I'm not anti single. I'm not one of them niggas that say "Aww record sales ain't everything." No. I wanna sell good. I would love a platinum record on radio and charts.
It's nice to have video play, radio play but as long as I can work my virals on the Internet, or yet get it out to where people hear it and can see it anytime, I'm cool.
I've just taught thousands of people over the radio in the USA how to mend broken watches and broken house appliances. I am a catalyst or trigger to access these powers.
My dad heard of a studio on the radio, and it was advertised as a place for kids to meet kids, and it was actually a studio, and that's where I met my manager and agent.
This thing that Colin Powell's son is expected to do is kind of scary when you think that television and radio and newspapers are what make people think what they think.
The whole world has changed much since the '80's. In the united States, rap music and country music dominate radio and that certainly wasn't the case in the early '80's.
Ain't nobody making music to not be heard and the easiest way to be heard is to be on the radio, but you should never compromise who you are, your values or your morals.
And then it was working with Bob Hoskins, who I had never worked with before - except radio. It was like being given a wonderful meal - full of the things you love most.
I would love to expose multiple younger generations to Frank's music. It's not an easy task because It's not ever going to be plastered all over the radio for the masses.
I literally get up and get to do the one thing I dreamed about doing every day. And that is being a part of a television show and a radio show that is based in Hollywood.
The average commercial radio listener in America is not looking for lofty, intellectual subjects. This isn't brain surgery. It's about striking the passion of the people.
I'd quite like to put Noel Edmonds who was on the television and radio in a compartment and remember all that with great fondness and gratitude but consign it to history.
A tragedy's first act is crowded with supporting players, policeman scribbling in pads and making radio calls, witnesses crimping their faces, EMS guys folding equipment.
The radio has so many rules, and songs don't. You don't necessarily write to a rule book unless you're, like, just doing it professionally, which has never been my thing.
My love songs are very personal and quite weird. They don't really have the big radio hit choruses because basically they're my therapy, stuff I have to get off my chest.
I love radio - its immediacy and especially its intimacy... it is part of your life, whispering into your ear. You can't see it, but equally importantly it can't see you.
When we were making the record, I just decided, at the last second. I thought, "This song ["Ordinary World"] makes a lot of sense, being on the album [Revolution Radio]."
Toting around a full orchestra on tour is very ambitious. I would consider doing a show now and then, like do a show at Radio City or Carnegie Hall with a full orchestra.
In January of 1995, my family and I moved to Seattle. Pearl Jam did the first of their live radio broadcasts, Monkey Wrench Radio, along with many other Seattle musicians.
When you turn on your radio, you don't always want to hear about someone shootin' some person. Even if that's the lifestyle they live, people don't always want to hear it.
I remember that in Baltimore, where I grew up, we would drive by the radio station and tower of WBAL, and I would try to picture the people inside and what they did there.
If we compare the two, Facebook is currently a superior place to market a product like Slide. Twitter is more like a general distribution agent. It's like broadcast radio.
Where I lived, on Long Island, you had the radio stations that always played Led Zeppelin and Pink Floyd, Black Sabbath and AC/DC and all that. I grew up on all that stuff.
Probably some of the songs I never even really listened to the lyrics. Half of them I'd hear off the radio and was probably singing the wrong words and didn't even know it.
As much as you act like everything is programmed or calculated or researched or numbers, spins, radio, and clubs, it's still human beings out here you can reach with music.
Voiceover work reminds me of old-time radio. When I was little I used to sneak and stay up at night and listen to Mystery Radio Theater - I loved all those old radio plays.
I really enjoy doing theater, but doing theater in Seattle is like dropping a brick in a bottomless well. It's gratifying, but it's almost like doing radio. It's ephemeral.
I probably worked every single entertainment medium, including some that don't exist. I worked the circus, carnival, I had my own medicine show, I worked 18 years of radio.
The first gig I did was at the Troubadour when they were announcing who I was and they broadcast it live on SiriusXM radio. It doesn't get any more high pressure than that.
We host some trips all over the world. We go to Alaska. We go to Mexico. We're going to Venezuela in December. We've been to Russia, all in conjunction with the radio show.
The reason I wrote political satire was because I thought it - politics - was important... that public policy was important. Then I transitioned into books, then into radio.