I'm a trained engineer, so I'm conditioned to come up with a right answer to a difficult question, but when it comes to art, there is no definite answer because it's so subjective.

We want to answer this classical question, who am I? So I think that most of our works are for art, or whatever we do, including science or religion, tried to answer that question.

No; we have been as usual asking the wrong question. It does not matter a hoot what the mockingbird on the chimney is singing. The real and proper question is: Why is it beautiful?

There is no question that Israelis - indeed, all concerned Jews - have to continue to work out a Jewish public philosophy that truly justifies a Jewish state in the land of Israel.

Comedy isn't necessarily all dialogue. Think of Buster Keaton: the poker face and all this chaos going on all around him. Sometimes it's a question of timing, of the proper rhythm.

I never question God. Sometimes I say, 'Why me? Why do I have such a hard life? Why do I have this disease? Why do I have siblings who died?' But then I think and say, 'Why not me?'

This is the question I want everyone to ask yourself every single day when you come up with something you feel that needs to be done: if not now, then when? And if not me, then who?

I proposed to my wife on Brighton Beach, and she said yes. That's pretty romantic. Even though I forgot to go down on one knee because I was too busy trying to compose the question.

After all, enforced national bilingualism in this country isn't mere policy. It has attained the status of a religion. It's a dogma which one is supposed to accept without question.

My parents, especially my father, discussed the question of my brothers' education as a matter of real importance. My education and that of my sister were scarcely discussed at all.

I like to question cultural biases wherever I go, and I question Islamophobia as much as I question anti-western sentiment because I think all extremist ideologies are very similar.

The most difficult problems are naturally not involved in the search for forms for contemporary life. It is a question of working our way to forms behind which real human values lie.

For me, the single most important question is how to construct a society that is just, safe, peaceful - all those good things - when people finally accept that there is no free will.

There is no question that liberals do an impressive job of expressing concern for blacks. But do the intentions expressed in their words match the actual consequences of their deeds?

Look at every path closely and deliberately, then ask ourselves this crucial question: Does this path have a heart? If it does, then the path is good. If it doesn't, it is of no use.

The basic Buddhist stand on the question of equality between the genders is age-old. At the highest tantric levels, at the highest esoteric level, you must respect women: every woman.

Dave was great in Van Halen. No question about it. He was one of the best at being Mr. Rock Star. But it's sickening to see a guy still trying to be that with a wig on 20 years later.

The great question that has never been answered, and which I have not yet been able to answer, despite my thirty years of research into the feminine soul, is 'What does a woman want?'

I am more excited about 'Divinity of Doubt: The God Question' than any other book in my entire career, and I've had seven New York Times bestsellers, three of them reaching number one.

But I have to add - and this answers your other question - this catholicity in time and in space is only meaningful for me if there is, at the same time, a concentration on the Gospel.

To some extent, 'The Wall' is asking the question, 'Do you want a voice? And if you do, you better bloody well go out and get it because it's not going to be handed to you on a plate.'

The road to the future leads us smack into the wall. We simply ricochet off the alternatives that destiny offers. Our survival is no more than a question of 25, 50 or perhaps 100 years.

What I hope to do is create a play that investigates the ongoing violence toward women and children in the world, and searches for some kind of answer to the question, 'What Can We Do?'

The fundamental question of political philosophy, one that precedes questions about how the state should be organized, is whether there should be any state at all. Why not have anarchy?

We're close friends - the American people, the Israeli people, our governments. There's absolutely no daylight - none - between us and the Israelis on the question of Israel's security.

I am not facing the problem of emigration. I want my music to be acknowledged here first of all, in this country: after that, we shall see - perhaps the question will than become urgent.

If we wish to discuss knowledge in the most highly developed contemporary society, we must answer the preliminary question of what methodological representation to apply to that society.

There is no question of the benefits that opening a market of a billion people will bring to American businesses. But as I said last year, this will test China and the world trade system.

I'm a tough manager. I question almost every assumption in what are hopefully pragmatic ways. The more you question, the more you learn and the more the person you are questioning learns.

My experience tells me, unfortunately, that so many people ask the question about 'The Smiths' reforming without really caring about the answer. They just really want to ask the question.

There is no question that we are in a period in which we are going to have to use those sources to fund about 35 million dollars a year that used to be paid for by the federal government.

Everywhere I go I find that people... both leaders and individuals... are asking one basic question, 'Is there any hope for the future?' My answer is the same, 'Yes, through Jesus Christ.'

Almost all the ideas we have about being a man or being a woman are so burdened with pain, anxiety, fear and self-doubt. For many of us, the confusion around this question is excruciating.

In order to govern, the question is not to follow out a more or less valid theory but to build with whatever materials are at hand. The inevitable must be accepted and turned to advantage.

The question is, What type of human do I want to be? How do I want to use my platform? Do I want to be safe, under the umbrella of my white privilege? Or do I want to push back and resist?

There should not be a question of legal or illegal immigration. People came and immigrated to this country from the time of the Indians. No one's illegal. They should just be able to come.

The most evocative thing to me is probably when a writer and a group of performers can collectively put together something compelling that asks the really simple question: 'How do we live?'

Black lives are too easy to take in America because we don't want to question why people are so afraid of black and brown people to begin with. And that's what I want 'Strong Island' to do.

Ask me a question about paparazzi, and I get so heated. And I feel so bad for young kids of celebrities. My nieces and nephews get yelled at, and I'm like, 'You are yelling at a 2-year-old.'

I was excited at something new, always liked something new, but give credit to everybody who helped. I didn't do anything alone but try to go to the root of the question and succeeded there.

When your persona begins to take over your music and becomes more important, you enter a dangerous place. Once you have people around you who don't question you, you're in a dangerous place.

We must act in unison and rising above politics on the question of development of the country and empowerment of the youth to raise them as future leader in every field of our national life.

Tactics, gameplan and players are all influential in how a team performs but the question is how to manage every individual in your charge and get them to play like a finely tuned orchestra.

There's different ways to approach music for sleeping. Things like white noise are functional, like a lullaby. This is more like an inquiry, a question about how music and sleep fit together.

The question of who is right and who is wrong has seemed to me always too small to be worth a moment's thought, while the question of what is right and what is wrong has seemed all-important.

I should have forfeited my own self-respect, and perhaps the good opinion of my countrymen, if I had failed to resent such an injury by calling the offender in question to a personal account.

I was always taught to be grateful, and so the question came early: What is there to be grateful for? Why is life supposed to be so good? That's still a question I try to answer all the time.

I would say that without any doubt he's the killer - the law says beyond a reasonable doubt and to a moral certainty which I - there's no question that he was the killer of President Kennedy.

The machines, the modern mode of production, slowly undermined domestic production and not just for thousands but for millions of women the question arose: Where do we now find our livelihood?

When you make a film for a million and a half dollars and it opens at 20 million, the next question out of everyone's mouth is, 'When's the next one, when's the next one, when's the next one?'

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