Quotes of All Topics . Occasions . Authors
The first boss to give me a shot on-air left the station not long after I started reporting. The next boss fired me, and told me I was the worst person he'd ever seen on TV and that I would never make it. That felt like being punched in the gut repeatedly! But I pulled myself together and kept fighting for my dream.
When 'Twilight' hit the New York Times bestseller list at number 5, for me that was the pinnacle, that was the moment. I never thought I would be there. And I keep having moments like that where you just stop and say, wait a minute - how is this still going up? I'm waiting for the rug to be pulled out from under me.
You know when you read that someone has to leave a show or a tour because they had 'nervous exhaustion'? Well, I had one of those and discovered that I was quite close to death. I always assumed that my lifestyle was going to take me at an early age, but when it was actually occurring I was, 'Not yet!' I pulled back.
People think it must be wonderful being in movies or on television, but it can be very tough on a child. I had two friends in elementary school. That was it. There was a clique of girls that were brutal to me. They pulled some very mean stuff. My two friends got me through it. Without them, I would have been all alone.
I was doing a movie, 'Diana,' and I pulled aside the guy who was making the nose for Naomi Watts and said, 'I'm about to do 'Cyrano.' So he did various Photoshops of different looks that might work. I was really against any kind of 'Pinocchio' theater thing. The way that it's described in the play is this disfigurement.
Donald Trump's election was a watershed moment. Even those like me, who had previously pulled levers for candidates of both parties, felt that Mr. Trump had not only violated all sense of common decency, but, alarmingly, that he seemed to have no idea that there even existed such an unspoken code of civility and dignity.
I prefer 100 per cent cotton Ts. They are kinder to lumps and bumps than figure-hugging stretchy Lycra ones and feel nicer against the skin. Extra-long-sleeved T-shirts are a lifesaver for me. I wear them either underneath a shirt with the sleeve pulled out of the cuff, or underneath gypsy tops, tunic tops and waistcoats.
When I watched the first fight between Woodley and Thompson, and I want to make clear that I really admire both guys, for me the fight was really boring at UFC 205 because nobody pulled the trigger for three rounds. The fourth round there was a scramble and that was really exciting, but then the fifth round was so-so again.
I can totally identify with the younger kids. I'll never do what Jon Spencer did to me when I was 16, though. I made a tape with my friends and I put it onstage right near his mic stand by the pedal board and he pulled it out with his foot, kicked it to the center of the stage, looked me in the eye and stomped it to pieces.
To understand the intensity of driving an F1 car, you have to be in it. When you're driving a 750hp machine at 200mph, the noise and the vibrations are incredible. The G-force when you take big corners is like someone trying to rip your head off. You hit the brakes, and it feels as if the skin is being pulled off your body.
As an actor you are supposed to do some kind of action in case it is required. I remember this sequence where I was pulled up by a wire 100 ft above the ground. This was my first time that I was hung with a wire and I was a bit scared. But I must say it was a very beautiful experience looking down at everybody from a height.
When I travel overseas on many occasions, I get pulled out because I may be buying a one-way ticket, I may be traveling with my sister and we have different last names. That's smart profiling. Just pulling people out one at a time when we have millions of passengers in random screenings I'm not sure is the best way to do it.
We never had books at home, but my dad, seeing how keen I was to read, took me to Islington Library when I was about eight and we pulled out two - a Biggles and a science fiction novel. I never got the ace fighter pilot but fell in love with all things to do with the future and space. Isaac Asimov soon became my guiding star.
My dad was fine about me doing modelling at 16 because I always said school was important to me. I always chose my jobs carefully so I wouldn't have to take too much time off. It got harder toward the end with my A-levels; there were sleepless nights, and I was doing my homework on the plane coming home, but I pulled through.
People don't understand what fighters at the top have to go through. You know what, even half the fighters don't understand what the guys on top are going through. You're being pulled in so many directions. Contract negotiations, business opportunities, people come out of the woodwork, and it all happens when you're so young.
I wrote 'Snowy' as a result of spending a week on a narrow boat with daily classes of children, helping them to write about canal life, the work of barges, the simple pleasure of watching the water creatures. There was no doubt that the star of their week was Snowy, the working barge horse who pulled us daily along the towpath.
One night, I lay awake for hours, just terrified. When the dawn finally came up - the comfortable blue sky, the familiar world returning - I could think of no other way to express my relief than through poetry. I made a decision there and then that it was what I wanted to do. Every time I pulled a wishbone, it was what I asked for.
It took me a while to get back to 'The Queen of the Night.' I was angry with it as an idea because I felt like it had sort of ruined my life by taking so much attention away from 'Edinburgh.' So it essentially languished in a drawer until 2004, when I pulled it out, dusted it off, and thought, 'Oh, I actually really like this idea.'
The audience for 'Lootera' is far less than for my other kind of films. Just because I pulled it off doesn't mean I will change my tastes. I love to watch masala films, and I love to sing, dance and say those larger-than-life dialogues. But whenever I get a chance, and I really feel the connect, I will do a performance-oriented film.
I've been singing properly every day since I was about fifteen or sixteen, and I have never had any problems with my voice, ever. I've had a sore throat here and there, had a cold and sung through it, but that day it just went while I was onstage in Paris during a radio show. It was literally like someone had pulled a curtain over it.
What many fans don't realize with fighters, this is our job. But at the same time outside of this, we have regular lives where we do the same things that everybody else does. We have the problems. We get speeding tickets, we get pulled over, we have family issues, we have girlfriend issues, we have issues amongst ourselves, self doubt.
'Blind Curve,' the book I'm working on now, sprang from a crazy incident that happened to me last year while on my book tour. I was pulled out of my car for a minor traffic violation - an incident that escalated into my being thrown into cuffs and told I was going to jail. Except in my story, the hero doesn't get off as easily as I did.
I loved my soap days. I really loved them. A Martinez and Marcy Walker taught me how to act, basically. All those people pulled together and helped get me started. Like, showed me how to hit my mark, made me do this, made me do that. That was my first long-running professional gig. And it was like, they were just - great, great with me.
I'm happy that I have my family, and I'm happy that I had Virginia, where I grew up, to retreat to any time I felt overwhelmed. Whenever there were times when I felt like the rug was being pulled out from under me and I was floating in this crazy space, I would stop and go back to that neighborhood and realize nothing's changed, really.
I was in New York City and my sister and cousin came out to see me, and I brought a guitar on stage. But all the audience wanted was for me to play so they weren't listing to anything I was saying, I bombed hard. On the cab ride home, my sister pulled a sticker off the cab and put it on my guitar which I still have today in my man cave.
The most successful hyperpowers are the ones where there was actual intermixing. Tang dynasty China was China's golden age, and contrary to what I was told when I was growing up, Tang China was founded by a man who by today's standards was no more than half Chinese. It was a mixed-blood dynasty that pulled in 'barbarians' from the steppe.
One of the things is that the good intentions of Prohibition, from reading over the years and from becoming obsessed with the research of gangs in New York City, seems to have allowed crime figures at the time, like Luciano, Capone, Torrio and Rothstein, to organize to become more powerful, which pulled all the way through until the '70s.
During its retransmission dispute, CBS pulled its signal off of certain cable TV systems - and also blocked all Time Warner broadband customers from accessing CBS's Web-based content, even outside the territory of dispute. This is precisely the kind of content-blocking broadband providers are so often accused of but aren't actually doing.
Texas Republican political leaders take perverse pride in how deeply they have cut our state's education budget. Thousands of teachers have been pulled from classrooms, schools have closed and valuable programs have been canceled. In many places, districts are forced to choose between prekindergarten programs and English, algebra and art.
When my parents went off to Knoxville to work, I lived with my father's mother. She was strict - the kind who starched and ironed dresses. I had to sit more than I played. Oh, I was miserable. I liked being out with the animals. I'd come in the house with my hair pulled out, sash off the dress, dirty as heck. I was always getting spanked.
The media in the States can be quite self-reflective. When I lived in England, I was much more aware of the day-to-day politics that were happening. Living somewhere where the media involvement is greater and so omnipresent, you become pulled into it and, at the same time, because of that, politics changes and the way it's handled changes.
One of my favorite poses was when working with Steven Meisel. It was one of my first photo shoots with him, and we were trying to get the cover of Italian 'Vogue.' Then, I literally took my Balenciaga hat, pulled it down, and gave a rolling-eye, 'ugh' face, crossed legs on the floor. And lo and behold, that was the cover of Italian 'Vogue.'
By always looking out and always moving myself forward and being disciplined and being open to new experiences, I think that's how I was able to diversify because if it felt right to me creatively, I went for it. It didn't matter if I knew how to do that, I just did it because my creative heart felt pulled to it. That seems to have worked out.
The distance between number one and number two is always a constant. If you want to improve the organization, you have to improve yourself and the organization gets pulled up with you. That is a big lesson. I cannot just expect the organization to improve if I don't improve myself and lift the organization, because that distance is a constant.
Dale was just trying to get third. Maybe he was thinking that he could get a run on everyone coming out of Turn 4. But the race was over. Junior and I had pulled away, so there was no need to block. That always hurt me when people said he was blocking for me, because it almost felt like it was my fault that he died. But I don't think that anymore.
I was going to be a storybook illustrator or an editorial illustrator. I ended up in a comics class by mistake because all the others were full, so I was like 'I'll stay for one class, and then I'll go take something else, because I don't care about comics.' I got pulled in really fast; I discovered I had a voice in comics that I didn't know I had.
