Quotes of All Topics . Occasions . Authors
I'm a writer who stacks cat food for a living. It's true: I have a master's degree in creative writing, I've published two critically successful books, and I get paid to replenish the shelves of my local food co-op with pet food, sponges and toilet paper. Nine days out of 10, I do it quite happily.
I don't think music affects what words I choose to type in what order, within what punctuation, at this point, because I'm rereading and editing each sentence, at this point, in my published books, probably 100-150 times each, on average, and listening to probably 20-60 different songs in that time.
If you want to be traditionally published, then you most likely want to get a literary agent. To sign with an agent, you need to send them a query letter, but agents can get up to 20,000 query letters a year. With numbers like that, it helps to get in front of agents with every opportunity you have.
When I was first writing 'Feed' - which was the first book I published as Mira - I talked about it very openly on my blog, on Twitter, that I was writing this book, and it wasn't until after it was sold that I said 'Mira Grant' wrote this book. And the reason there was really purely marketing-based.
I read everything I could find in English - Twain, Henry James, Hemingway, really everything. And then after a while I started writing shorter pieces in English, and one of them got published in a literary magazine and that's how it got started. After that, graduate school didn't seem very important.
In the story I eventually called 'Archangel' and published in 2008, Eudora MacEachern, working as an assistant to a surgeon at a hospital in Archangel, one night finds outside the gates an exhausted and frostbitten soldier crouched over the reins of a pony sleigh carrying the body of another soldier.
I published a thesis about animal rights when I was studying in England in 1991. Back then, I was a human rights lawyer and people condemned me for talking about animal rights when human rights are still not guaranteed. However, human rights are guaranteed in a society where animal rights are secured.
I started by writing short stories, but they weren't very good; I tried them on various magazines, and none of them was published. People were nicer then about turning you down, and so I didn't lose heart - I kept on writing and wrote a lot of books, one or two of which I finished, and others I didn't.
I think that anyone who likes writing views 'The New Yorker' as the, you know, pinnacle of the publishing world. If you get 50 words published in 'The New Yorker,' it's more important than 50 articles in other places. So, would I love to one day write for them? I guess. But that's not my sole ambition.
Many of Judy Blume's books - which I devoured when I was growing up and where I found characters that were believable because they were a lot like me - caused considerable consternation when they were first published, but now they're widely accepted as an essential part of the children's literary canon.
Ultimately, I'm in the fitness industry. But, I've branched out from there quite a bit. I began doing consulting on writing and getting published in magazines in about 2011. Right around that time, I started doing some angel investing and looking to grow my skills and general experience outside of that.
I did an audiobook for 'Rough Crossings,' which I thought was one of the best books I had published. But it was an absolute embarrassment to read it. All these horrible mucked-up bits of syntax, over-the-top adjectives. I found myself editing it while reading. Alert listeners will notice the difference.
We sometimes think that the best doctors are the ones who have the most specialized knowledge or the fanciest degrees, but in fact, study upon study, including one published in the 'New England Journal of Medicine,' show that the best doctors are the ones who also know how to connect with their patients.
After the novel was published, I came to feel that I couldn't call myself Orthodox anymore. It's so patriarchal, anti-women, anti-gay. There was something about writing 'Disobedience'... it felt like I had put it all in the book. I had done my best by it, recorded what it meant for me. I felt I was done.
I've been all over the world on my own because, as a scientist, you travel a great deal if your work is reasonably successful or published. I get invitations to go to all sorts of strange countries where I would mostly be by myself and just meet other people there, instead of having travelling companions.
You get early inoculation against the idea of success if you're a poet. When I published my first collection of sonnets, I sold about five copies; now kids study them for A level. Wanting to be successful in that other world of money or fame is not interesting. Poetry isn't like that, and it never has been.
Part of my problem as a young writer was that I was too much a New Yorker, always second-guessing the 'market.' I became so discouraged that I decided to write something that would please me alone - that became my sole criterion. And that was when I wrote 'Forgetting Elena,' the first novel I got published.
On June 22, 1793, Vancouver's Discovery and Chatham anchored in Klekane Inlet. Archibald Menzies, the ship's botanist, wrote that on the evening of June 28, they were visited by eight natives in two canoes who brought them two large salmon. This is the first known published encounter with the Haisla people.
I do feel like, especially nowadays, we are inundated with the message that, 'Oh my God, you aren't making your own clothes? You didn't make your own bread? And you also don't have a career, and you don't look unbelievable, and you have 5 pounds on your frame? Where is your book that you haven't published yet?'
Hollywood loves pre-validation. Even if someone has a property that was first published as a comic book that sold only 5,000 copies, for Hollywood, that is a stamp of approval. 'Oh, it was already published in another medium? Must be good!' They get assurance from knowing that someone else already took the risk.
Class of 2009: you are going to have to figure out what it means to be a human being on Earth at a time when every living system is declining, and the rate of decline is accelerating. Kind of a mind-boggling situation... but not one peer-reviewed paper published in the last thirty years can refute that statement.
When I wrote the first Betsy book, 'Undead and Unwed,' I had no idea, none, that it would be a career-defining, genre-defining book, the first of over a dozen in the series, the first of over 70 published books, the first on my road to the best-seller list, the first on my road to being published in 15 countries.
Cory Doctorow should be too busy for lunch. He's co-editor of, and a prolific contributor to, one of the most influential blogs in the world, Boing Boing. Over the past decade the Canadian-born writer has published 16 books, mostly science fiction novels. He campaigns vigorously on the politics of the digital age.
What I want, when I write a poem, is no more than this: that it be preserved in some published form so that, in principle, someone, somewhere, will be able to find it and read it. That is all I need, as a poet, and that is the beauty, the luxury of my position. My lyric is mine and remains mine. Nobody can ruin it.
Forrest Mims is the author of the famous book 'Getting Started in Electronics,' published by RadioShack for many years. I bought the book in the 1980s and had a blast making the projects in it. When I was editor-in-chief of 'MAKE,' I asked Forrest to write a column for the magazine, called 'The Backyard Scientist.'
One thing that we learned that we published on our blog post is that uniformly, men lie about their height by almost exactly two inches. So if you look at a plot of census bureau data on the distribution of men's heights in the U.S. and you plot men's heights on OKCupid, it is exactly shifted two inches to the left.
Say you're an American novelist, published by the largest publishing house in the world. Their goal is to make as much money from you as possible, to have as many people read your book in as many formats as possible. How can you hope to speak intimately to the numbers of people that represent the book sales required?
I worked on 'Blue Peter' and 'Tonight' and lots of TV plays, filmed people like Rudolf Nureyev and Ted Heath, and ended up a senior cameraman with my own crew. I'd had my first short story published in 1947, and when my writing really started to take off I decided to go freelance, and eventually left the BBC in 1965.
Since the advent of the Internet - more recently compounded by blogging - everyone can be a published voice. Any cowardly, anonymous anger-monger can have an audience of thousands. That doesn't make them a journalist any more than my throwing an onion and a few carrots into a pot of boiling water makes me Julia Child.
When I am teaching, I first give out Tolstoy's 'Childhood,' his first published book. It is so transparent. It gives you exactly what it was like to be on a Russian estate in 1830. You are there. And that is the hope when you sit down and write still, I think - that you can transmit something of what life is like now.
There are many days when I want to throw my computer out the window, when I tell myself I'd be better off selling shoes at the mall. But I always keep at it, because I have to. Writing is completely part of who I am. Even if I never published another book, I would keep at it - because it feeds my life and makes it richer.
I think - since I was about 7 years old - that was when I was first introduced to the comics called 'Amar Chitra Katha' that are published in India. They're not about a superhero, but they encompass all the stories of India, the folklore, the mythology, everything. But most of these stories are about Indian historical figures.
McDermott and two colleagues - James H. Fowler of the University of California, San Diego, and Nicholas A. Christakis of Harvard University - published a paper titled 'Breaking Up is Hard to Do, Unless Everyone Else is Doing it Too.' Their study shows that divorce can spread like a virus among friends, siblings and co-workers.
The silver lining of those years when I was trying to get 'Tinkers' published but couldn't were the years when I had to decide, Why do I want to be a writer? I realized that writing is the thing itself; writing is not a means to publication, writing is not a predicate of publication, so I spent years making art for art's sake.
Though I didn't quite plan it that way, I had my two sons at just about the same ages my mother saw me and my sister off to college, and my first novel was published when I was 46. This 'tardiness' isn't something I'm proud of, but I'm happy to be an inspiration to others who arrive at these milestones later than most of us do.
At the age of 10, I had my first piece published in what was known as the 'Junior Post,' which was part of the 'Yorkshire Post,' and it was just for kids. I read it every week. And I got paid for it. So I thought... 'I can actually do this. I can get paid to write, and this is going to be fine.' I wrote several pieces for them.
I love cookbooks for completely different reasons. I love 'The Harry's Bar Cookbook' and Marco-Pierre White's 'White Heat' for their feel. For pure learning, Gray Kunz wrote a great cookbook, 'The Elements of Taste', published in 2001. The first time I read Charlie Trotter's, the Chicago chef's first cookbook, I was blown away.
I was well acquainted with the Calcutta literary circle since I was 17, when I lived in Bangladesh and published and edited a little magazine called 'Sejuti,' for which young poets from both Bengals wrote. If you look at my life, there is no question of using anyone for anything. I have only got banned, blacklisted and banished.
If Google decided at any point to publish my search history, or your search history, or anyone's search history, there's a litany of things they could idea police you about, and if it was published, you would be publicly shamed. Everyone would be publicly shamed. But we trust Google, and we trust the people that run that company.
I was allowed to write about race using an elevator metaphor because of Toni Morrison and David Bradley and Ralph Ellison. Hopefully, me being weird allows someone who's 16 and wanting to write inspires them to have their own weird take on the world, and they can see the different kinds of African American voices being published.
During my last voyage to America, I enjoyed the happiness of seeing that revolution completed, and, thinking of the one that would probably occur in France, I said in a speech to Congress, published everywhere except in the 'French Gazette,' 'May this revolution serve as a lesson to oppressors and as an example to the oppressed!'
If you're going to have a book published in China, that means that you're going to be subject to in-house censorship at the publisher, and then also, of course, the government has an apparatus that is in charge of making sure that ideas that are considered disruptive or overly critical, that those don't get onto bookstore shelves.
The photographs of space taken by our astronauts have been published all over the place. But the eye is a much more dynamic mechanism than any camera or pictures. It's a more exciting view in person than looking at the photographs. Of course, I personally am sick and tired of hearing people talk like that: I want to see it myself!
Plagiarism has been around far longer than the Internet. In fact, I had a poem published in 'Seventeen' magazine when I was 15 years old. About a year later I was informed that there was a girl who used that same poem to win a statewide poetry competition in Alabama. It took months for people to put together that this had happened.
Judging by the volume of titles published each year, mystery readers are restless in their pursuit of literary escape. They might travel to far-flung places or stick close to home with their favorite hobbies. They can solve the world's greatest conspiracies or root for a lone wolf grappling with personal problems mundane and bleak.
For those of you who still believe in the Easter Bunny and that the letters that appear in your local newspaper come from concerned citizens who really care, I've got troubling news. At least in politics, most of the letters that get published on the letters-to-the-editor page originate in the campaign headquarters of the candidates.
I started work on my first French history book in 1969; on 'Socialism in Provence' in 1974; and on the essays in Marxism and the French Left in 1978. Conversely, my first non-academic publication, a review in the 'TLS', did not come until the late 1980s, and it was not until 1993 that I published my first piece in the 'New York Review.'
I was writing at a really young age, but it took me a long time to be brave enough to become a published writer, or to try to become a published writer. It's a very public way to fail. And I was kind of scared, so I started out as a ghost writer, and I wrote for other series, like Disney 'Aladdin' and 'Sweet Valley' and books like that.
Back when I went to Louisiana State University a million years ago, we got the Baton Rouge paper. But if you wanted to read 'The New York Times' or 'The Wall Street Journal,' you had to go to the reading room of the student union, and you got the edition several days after it had been published, and you had to read it on a wooden stick.
I never set out to become 'famous.' I mean, when you're 14 you think 'I'm gonna become a writer and people will want my autograph and that'll be cool,' but you grow up and you learn that's just not how the world works. I resigned myself to the fact that I would probably never be published and if I did it probably wouldn't be a big deal.