Quotes of All Topics . Occasions . Authors
I want to play so many different characters. I want to, like, understand so many different people, and psychoanalysis, everything. I love that about my job: getting into the character and understanding it and doing the psychoanalysis and creating that character.
Early in my career, I was disappointed that psychoanalysis was not becoming more empirical, was not becoming more scientific. It was primarily concerned with individual patients. It wasn't trying to collect data from large groups of people who have been analyzed.
I was interested in the nature of human mental processes, which is what got me interested in psychoanalysis. And it became clear to me after a while that mental processes come from the brain, and in order to understand them, you need to be a biologist of the brain.
I'm not a big fan of psychoanalysis: I think if you have mental problems what you need are good pills. But I do think that if you have thinks that bother you, things that are unresolved, the more that you talk about them, write about them, the less serious they become.
Only the emerging specialty of psychoanalysis seemed to understand that mental maladies are not fully analogous to physical disease. They resist classification, and might better be known by their symptoms and the individualized sufferings of patients than by assigned names.
In the 1950s and early 1960s, psychoanalysis swept through the intellectual community, and it was the dominant mode of thinking about the mind. People felt that this was a completely new set of insights into human motivation, and that its therapeutic potential was significant.
In the traditional urban novel, there is only survival or not. The suburban idea, the conformist idea, that agony can be seen to and cured by doctors or psychoanalysis or self-knowledge is nowhere to be found in the city. Talking is a way of life, but it is not a cure. Same with religion.
I'm not an academic philosopher, and don't agree with the way the universities approach the subject. I'm a philosopher only in the very loose sense of someone interested in wisdom and well-being attained through reason. But I'm as interested in psychoanalysis and art as I am in philosophy.
All along, I've been writing about our fears, our longings, our fantasies, our ambivalences. When I decided to study psychoanalysis, I did it because I wanted to understand the psychodynamics of it all. Though far from perfect, psychoanalysis offered me a huge, wonderful window on all that.
I had always thought my fantasy career would be making indie films and doing my own thing. But then 'Superbad' came along, and it totally changed everything. It was so hilarious and smart and extreme; you could probably do a psychoanalysis term paper on the male sexual psyche going on there.
I looked into studying psychoanalysis, wrote to the governing body and was about to start the year where they psychoanalyse you, four times a week, before you get to do it yourself. I just thought I'd taken the ventriloquism as far as I could. My act is so deconstructive, and I'd made all the monkey jokes anyone wanted to hear.