Quotes of All Topics . Occasions . Authors
Well, I think certain roles are chosen for us. The moment I read Pete Campbell I thought: I can do this, this is mine. And in Money, too. The truth is I turn down a lot of projects. If a character doesn't have some kind of internal struggle, it's no good for me.
I've definitely taken more family-friendly roles. Honestly, sometimes the edgier acting roles are not age-appropriate for kids but I have taken more projects that I feel have a great message or my kids can watch because of their age and that were just plain fun.
At our company, our Design and Construction Consulting Service Team not only helps eliminate the risks inherent in the construction process, they typically save our clients 5% - 10% on overall construction costs. They also help make sure projects come in on time.
You make your first album, you make some money, and you feel like you still have to show face, like 'I still go to the projects.' I'm like, why? Your job is to inspire people from your neighborhood to get out. You grew up there. What makes you think it's so cool?
I've been working with them for a couple years and a couple of projects. Essentially Robert F. Kennedy Jr., is the chief litigator for this corporation, this Alliance, and their job is to prosecute corporate polluters of the great bodies of water in North America.
The kind of system Kickstarter uses has been used for hundreds of years. Unlike Medici-style patronage, where the richest people in town give large amounts of money, Kickstarter's system relies on the general public for funding projects, and rewards those backers.
To work in architecture you are so much involved with society, with politics, with bureaucrats. It's a very complicated process to do large projects. You start to see the society, how it functions, how it works. Then you have a lot of criticism about how it works.
I really did have this powerful sense, when I was in New Orleans after the storm, of watching all these profiteers descend on Baton Rouge to lobby to get rid of the housing projects and privatise the school system - I thought I was in some science-fiction experiment.
I travel around the world constantly promoting my projects and endorsing products. Yes, I do get paid to go to parties; in fact, I'm the person who started the whole trend of paid appearances. But when you see me at a party, I'm always working or promoting something.
There's an arrogance of assuming that we can interpret the past - that we've left the right footnotes, that we're doing the right reclamation projects, that we're not overcorrecting. Actually, we have no idea where we're going. It's this Tower of Babel type scenario.
I'm really into sci-fi. The reason I'm an actor is because of 'Star Wars' - I saw that and I knew that's what I wanted to do. But most of the projects I'm offered as an actor are straightforward dramas, so I haven't really been given a chance to do that kind of role.
The brain builds a version of the universe and projects this version of the universe like a bubble all around us. So I can say with some certainty, 'I think therefore I am.' But I cannot say, 'You think therefore you are,' because you are within my perceptual bubble.
It's so important to create roles and characters and projects that feature black people in a way that's not specifically targeted towards the niche market, which is, like, a black movie is created, and it's produced and pitched so that only black people will watch it.
My background is not typical hip-hop. I didn't grow up in the projects. I grew up in a single family home in a middle-class suburb. That doesn't mean I didn't experience hardship, but to me it's not about that, it's about the future and where we are trying to take it.
In 1999, I was in St. Louis with Martin Luther King III as we led protests against the state's failure to hire minority contractors for highway construction projects. We went at dawn on a summer day with over a thousand people and performed acts of civil disobedience.
For the last 20 years of my life, I've had the mantra to do amazing parts with amazing people in amazing projects, so I'm attracted to good story, writing and character and good people. That's what I'm always searching for and I don't think that's ever going to change.
Mankind always sets itself only such tasks as it can solve; since, looking at the matter more closely, we will always find that the task itself arises only when the material conditions necessary for its solution already exist or are at least in the process of formation.
The things and the projects that I want to be a part of are not the ones that I get offered. I get offered a lot, but it's not what I'm interested in. So I have to fight very hard for the things that I want to do and to work with the filmmakers that I want to work with.
When I took office, Liberia began to recover from years of neglect. Our people have brought clean water into the heart of Monrovia to children who have never known water from a tap. Efforts are underway to expand water projects as much as possible throughout the country.
I am endlessly inspired by both the tenderness that can exist between two people and the excitement of falling in love. I'm very fortunate that I've been able to explore that in novels, a television show, some early development film projects, and essays about my own life.
Some writers and producers are currently writing a sitcom for me, so we'll see what happens there. I'm somewhat reluctant to talk about some of the upcoming projects that I'm working on; I've a lot of stuff on the go, including five pictures that I'm looking at producing.
They are damn good projects - excellent projects. That goes for all the projects up there. You know some people make fun of people who speak a foreign language, and dumb people criticize something they do not understand, and that is what is going on up there - God damn it!
I grew up playing with kids from Hurt Village, playing with kids from other housing projects, Lamar Terrace, because my grandmother lived in that particular area. So, I always wondered how I would have turned out if I would have lived in that particular given circumstance.
I feel that for the first time in a long time, educated Pakistanis are returning to their country to start up educational projects, to start up businesses, so instead of the brain-drain that happened in the 1950s and 1960s, the country is growing and improving economically.
My agents usually get a breakdown of all the projects that are out there. When I got 'Divergent,' they hadn't finished the script. They knew they wanted the leader of the Dauntless to have a certain demeanor and energy. They had me read a short monologue, and I got the part.
We are probably the only artists in the world who have a 2,000-page book on a work of art that doesn't exist. But in this way, these projects reveal their identity through this whole process. When I'm starting, I only have the slightest idea of how the work of art will exist.
It's important to understand that oil and renewables do different things. Wind and solar are for power generation, so they don't replace oil. About 70% of all oil produced is used for transportation fuel. Renewables are good projects, but they don't get us off of foreign oil.
There were open source projects and free software before Linux was there. Linux in many ways is one of the more visible and one of the bigger technical projects in this area, and it changed how people looked at it because Linux took both the practical and ideological approach.
What women represent to the male is, historically, a big burden. It's a lovely dream, but it's the stuff of literature, art, and everything. Living up to what the male psyche projects onto the female is the stuff of books. You'd need a lot more than an interview to go into it!
The Momofuku Culinary Lab started as a space where we could focus on creating and innovating. I didn't want us to worry about working on projects in a restaurant; there are just too many distractions in service and running a kitchen to be able to focus on creating your dishes.
There've been moments where I just was tired of being in L.A. It was very difficult. I mean, you're constantly rejected. And that's OK, it's just really frustrating for me, because I try to read scripts and projects that have really great, deeper, meaningful qualities to them.
One of the things about being on Twitter, for me, is mostly about just being on the pulse of what people are interested in, what people are doing and what people are looking for. I look at entertainment projects and storytelling, and I really try to think about what people want.
Alphabet would be a holding company to house its wackier or noncore efforts - like its Verily life sciences, Waymo self-driving cars, and Loon Internet balloon projects - while Google's advertising-oriented business would stand apart and continue to drive the company's finances.
The death of a 20-year-old woman is intuitively worse than that of a 2-month-old girl, even though the baby has had less life. The 20-year-old has a much more developed personality than the infant, and has drawn upon the investment of others to begin as-yet-unfulfilled projects.
For me [ Giovanni Lorenzo ] Bernini, [Francesco ] Borromini, and [Donato] Bramante have been as significant as Alvar Aalto, Frank Lloyd Wright, Le Corbusier, and Louis Kahn. I still marvel at their works, which have a quality and a timelessness that I seek to have in our projects.
I feel like because I've done more gay characters, gay scenes, or gay projects than most straight actors, people see it as some sort of mission. It's more of a case-by-case basis, and just trying to capture figures that I love. I guess that a lot of the figures that I love were gay.
Normally, in anything I do, I'm fairly miserable. I do it, and I get grumpy because there is a huge, vast gulf, this aching disparity, between the platonic ideal of the project that was living in my head, and the small, sad, wizened, shaking, squeaking thing that I actually produce.
Who indeed, after pulling off the coloured glasses of prejudice and thrusting out of sight his pet projects, can help seeing the folly of these endeavours to protect men against themselves? A sad population of imbeciles would our schemers fill the world with, could their plans last.
Jefferson never entertained the folly that he was of immigrant stock. He considered the English settlers of America courageous conquerors, much like his Saxon forebears, to whom he compared them. To Jefferson, early Americans were the contemporary carriers of the Anglo-Saxon project.
I always tend to think, even in residential projects, about what a space is being asked to do - where is it located, what are the circumstances, where can I attack the problem, so to speak. How can you create a narrative for people moving through it? How can you convey its character?
Now undoubtedly, we face some very British challenges when it comes to infrastructure. We rightly cherish our back yards and green spaces, and we'll defend them passionately when projects are announced. We live in a democracy, and we like to debate these things, often for many years.
Not everyone gets the 'Sunday scaries' or dreads going to work every day, and you shouldn't, either. If you wake up most days with anxiety over what the day holds or find yourself checking out at work to avoid progressing on tough projects, it may be time to reevaluate your situation.
I think always what happens when you ask men questions on the red carpet, it's always based on what projects they're working on, whatever they're about, rather than this, 'Give us little tips for all of us women'... because we're all the same. Questions should just be more individual.
President Franklin D. Roosevelt had to find a way to help the American people. In 1933, he created a relief program known as the New Deal. Two years later, he expanded the New Deal by adding the Works Progress Administration, which was renamed the Work Projects Administration in 1939.
When I talk to some of the younger filmmakers, they are so worried about their films that, eventually, this state of being worried reflects itself in and helps the final work. Whereas, with projects that are meticulously planned, you look at the end result and it is full of emptiness.
Being in the public eye is part of what I do, and taking on a multitude of different projects - television, radio, fashion, writing or deep-sea diving - is a blessing. It is also how I pay my bills and fund my own skating, as I don't have a sponsor or financial help from my federation.
As far as my projects are concerned, I have always maintained a healthy balance. My south Indian projects have never taken a backseat even though I've been busy in Hindi. Both regions have loved me, and being wanted by both the north and south film industries is a compliment by itself.
There are some projects where you have to just start doing it, and, after a while, the show starts telling you what it wants to be. You put your spirit in and, after a while, something bigger takes over, and it turns out to be much more fun and creative than what it was at the beginning.
Gothenburg is the Baltimore or Liverpool or Marseille of Sweden - plagued by the death of wharfs and other industries, and with complex segregation of the populace from southern Europe, which once brought in a labor force that suddenly found itself living in remote projects without jobs.
As far as an actor-director connection, I think those can develop, and when they do, they're really great, and you just cultivate it like you would any relationship or friendship. If you find that something special, it helps down the line when you want to do more projects with each other.