Quotes of All Topics . Occasions . Authors
Israel's discourse with the United States on the subject of Iran's nuclear project is more significant, and more fraught, than it is with Europe. The U.S. has made efforts to stiffen sanctions against Iran and to mobilize countries like Russia and China to apply sanctions in exchange for substantial American concessions.
As a Christian, but also as a scientist responsible for overseeing the Human Genome Project, one of my concerns has been the limits on applications of our understanding of the genome. Should there be limits? I think there should. I think the public has expressed their concern about ways this information might be misused.
The negotiation of city space has been made more difficult with the idea that redevelopment is an improvement for some vague future - but it's never like that, is it? Once you get there, for economic reasons you have to generate the next project - so you're immediately starting to dig up something else, and so it goes on.
I'd love to act more. I've had to turn down multiple movies because I was on tour, but it's encouraging to know that someday there might be the right role, the right timing. And I've been writing a lot of music, so hopefully very soon I'll have recorded a project of my own. I also want to get a boat and open a restaurant.
I've always loved doing research. I remember doing a research project on the Babylonian numeral system in the eighth grade and thinking, 'This is pretty awesome - is this really a job you can have?' This led me toward a career as an academic, although it took me until college to realise that economics was the right field.
Project 523 was both a good and a bad thing. They held so many meetings, and there were so many competing centres, it was a real mess. Nearly every province had their own research centre, and they all asked me to share my research, which I did. But that's no way to do science. They wasted a lot of money and a lot of time.
'2001' used a lot of what's called 'front projection.' You project an image onto this giant reflective screen, and the image bounces back and comes back to the lens and seems to be in the background behind the actors. The whole 'dawn of man' sequence in '2001' was projected eight-by-ten photographs of the African savannah.
But 'Cuban Linx' was a project that really needed to come, and I really wanted to get it off my chest because I know that the fans were really skeptical about it, like 'is this really gonna be what it's supposed to be?' So once everybody caught it for what it was and everybody was happy, that's mission accomplished for me.
The media has changed. We now give broadcast licenses to philosophies instead of people. People get confused and think there is no difference between news and entertainment. People who project themselves as journalists on television don't know the first thing about journalism. They are just there stirring up a hockey game.
I often put any project I write in a different decade just to roll the thought around in my head. There's a thriller I've written that I think would be nice to set in the '70s or '80s, just to take cell phones away from the movie. There's nothing like the piercing ring of an old-school telephone to really scare an audience.
The first thing I learned as a producer is that you have very little control over the life of a project. Anything can stall a film from financing to scheduling to casting. Things fall apart all the time. Don't waste time on something that just won't get made. Try to have as many projects going at one time as you can handle.
If you have the 'Total Information Awareness' project working, it might be relatively easy to find everyone who had bought more than a ton of fertilizer and 500 gallons of diesel in the last year, which would be a great way of spotting potential Tim McVeighs - but it would also spot half the farmers and ranchers in America.
Starting in my teens, I was always standing on the corner near our apartment singing harmony with friends. We'd also go to the park and sing under the bridge near the lake for the echo. When it was cold out, we'd stand in the little heated lobby in the project's administration building, where my mom paid the rent each month.
I don't think any actor has the luxury of knowing exactly what scripts are going to turn out well and what ones aren't. It would be wonderful to have that particular skill, and maybe people like Tom Cruise have it more than most, but you go into each project hoping that a good, if not great, film will come out the other end.
I started my career as a liberal arts major from Berkeley, wrote about enterprise IT for a few years, then followed my passion for the digital narrative into graduate school as well (also at Berkeley, the Oxford of the West or, perhaps, the Harvard - sorry Stanford!). My first project out of grad school was 'Wired' magazine.
When you are overworked and exhausted, there is a sense of kind of delirium and that's why I think architects do all-nighters and they kind of do those deadlines. For four days I remember doing four nights in one row with no sleep. I mean nobody, unless you are crazy, would do that, but you are totally focused on the project.
I went to squat with a bunch of friends - creative, intelligent, political people. We got involved in a community project funded by the Arts Council and we made this video. I sang a poem and somebody, I think it was Richard Coles, who was later my partner in the Communards, said I had a very strange sound and I should use it.
AdNectar was born out of a class project at the Stanford Graduate School of Business in January of 2008. The founders are all avid social network users and we wanted to see if we could discover the optimal way for advertisers to reach consumers in a way that felt authentic and organic, and yet was scalable to a mass audience.
If you help disabled children, it's very appealing. If you help kids with cancer, those are the things you get credit for and those things are beautiful. But when it comes to stopping violence or really putting the time into rebuilding schools, that's just a different kind of project. It takes more than just money to do that.
I have the Midas touch, in the way that when I hook up with a project, I feel, not speaking cocky or conceited, but there's a confidence I have. I learned that from Muhammad Ali; I used to bodyguard him. He taught me about confidence. So when it comes to any job I work, I'm gonna do it good; I'm going to bring it over the top.
Forest restoration is a challenging and complex undertaking of raising young trees, transplanting them, and then cultivating them year in, year out in the face of harsh challenges of nature; it is a gigantic nature transformation project to turn all the mountains of the country into 'treasure mountains,' into 'gold mountains.'
We're trying to be very careful and precise in our use of language, because I think the language we use and the images we project really do have resonance. It's the reason why I don't use the term jihadist to refer to terrorists. It gives them the religious legitimacy they so desperately seek, but I ain't gonna give it to them.
I was badly bullied when I was in the seventh grade - relentlessly, mercilessly - by a group of 12-year-old girls. And it left me with a determination that no matter what, I had to throw my shoulders back, stick out my chin, and project a sense that no one and nothing could hurt me. That turned out to be a life-changing mistake.
In the field of astronomy in the mid-'60s, quasars were very sexy objects - gigantic, star-like masses about which little was known. I was a graduate research student at Cambridge working towards my Ph.D. and chose quasars as the subject for my thesis. Part of my project involved surveying the sky for them using a radio telescope.
A good mother remembers to serve fruit at breakfast, is always cheerful and never yells, manages not to project her own neuroses and inadequacies onto her children, is an active and beloved community volunteer. She remembers to make play dates, her children's clothes fit, she does art projects with them and enjoys all their games.
There are people who literally cannot start a project until the deadline is four hours away, even if it's a big one. And those people have a serious problem. My recommendation is set up mini-deadlines. You might say, 'Okay, here's my deadline after three days for this and there's another deadline for that and then a third deadline.'
I thought Daredevil was kind of cool because he couldn't do anything. I mean, he's blind. It wasn't that he could fly. His major power was an impediment. So I was intrigued. When I took over he was kind of like Spider-Man-lite, but I was able to project a lot of my Catholic imagery onto it. And I'd always wanted to do a crime comic.
Yeah, with 'NASARATI,' that was my first project. I really worked literally three days on it, writing on the beats and putting it together. I'm not saying that I don't love the mixtape, but it was really my first, first move in rap. I tried to make sure everything sound different, so you hear no two songs and think they sound alike.
The federal government's role is to establish a process whereby industry can pitch a project, and Canadians can be reassured that this project is worth the risk. That's at the heart of governments granting permits and communities granting permission. People understand we do need economic growth. We do need natural resource projects.
Thinking about free speech brought me to media regulation, as Americans access so much of their political and cultural speech through mass media. That led me to work on the FCC's media ownership rules beginning in 2005 to fight media consolidation, working with those at Georgetown's IPR, Media Access Project, Free Press, and others.
For each project I do, I try to surprise myself, do the unexpected, and change my own status quo. From the One Laptop Per Child, the Herman Miller Sayl, or the latest Movado watch collection, there is always an insecurity about being able to do something important. I think each of those projects makes me feel like we have progressed.
We live in worlds that we have forged and composed. It's much more true than any of the species that you see. I mean, it seems to me that one of the most distinctive features of human intelligence is the capacity to imagine, to project out of our own immediate circumstances and to bring to mind things that aren't present here and now.
Everywhere you look, there is a charity or a project in school to get involved in. In eighth grade, there was this program called CJSF, California Junior Scholarship Foundation. We were involved in soup kitchens and toy drives, and your school can set up something like that. If your school doesn't have a program like that, set one up.
In improv, the whole thing is that it is a relationship between the two people, as a back and forth. In standup, you don't really want to be listening to what somebody is saying; you want to project your jokes into their face. And that's really not a good instinct with a 'Daily Show' field piece, where it's supposed to be an interview.
About a year ago I got really exhausted from reading bad scripts and I know that I am a writer and that I have stories to tell, so I thought, 'Let's do this!' So I'm co-writing a screenplay now with another screenwriter and loving it. Absolutely loving it. And I would like to be the producer on the project and of course the lead is me.
I was in Beijing a month ago working on the smoke project in collaboration with an architect there, and I was asked very directly whether it was safe to breathe in the smoke. They did not have confidence in the museum not to use harmful smoke, and they certainly didn't have confidence that the city would protect them from harmful smoke.
I always want to work on things that really scare me and interest me at the same time, and you know, I definitely had some projects in the past that did that, but the stars never aligned in getting them up. So 'Lion' was another project that really interested me, and the stars did align on this one. It just happened to be my first film!
The mindset of chasing that next #1 record doesn't exist for me anymore. It's more about being a well-rounded entertainer than being a pop artist. Obviously, it would be wonderful to have a hit record but I don't base my happiness on that anymore. It's about the accomplishment of a project that satisfies me. I just want to enjoy the ride.
I carry my own film guys with me now. People think that's a huge expense, but with technology like it is these days, it's not. You can film videos and everything with a Canon Mark II, and shoot a movie. They're doing it for next to nothing, by comparison. I can do ten videos for a project for the price of one mainstream video in the past.
My office has two buildings that function like the right and left sides of the brain. There's a room where everything is being edited for an upcoming project, but you can pull out of that into a tranquil space to work in a different, more solitary medium. It's an architectural unfolding of the process instead of just one chaotic structure.
With 'Scratch,' you create computer programs by snapping together graphical programming blocks, much like LEGO bricks, without any of the obscure syntax and punctuation of traditional programming languages. After creating an interactive 'Scratch' project, you can share it on the 'Scratch' website, just as you would share videos on YouTube.
I do think that people get really emotionally involved in the TV shows that they love and I think that is fantastic. Of course they are going to have opinions. The other thing is that people project onto their television shows. They see a character and layer on many traits that are actually their own or their idea of what that character is.
The journey of filmmaking is so amazing. You start off with great confidence, and develop insecurity at the time of release. When you are ready with the finished product, you are constantly wondering if you have been honest to the story you started out with, if you got what you wanted. One is too close to the project by then to be objective.
The biggest challenge for me has been in coping with my perfectionism. I have a stiflingly hard time moving forward in a project if it's not 'just right' all along the way. The trap I so easily fall into is rewriting and rewriting the same scenes over and over to make them perfect, instead of continuing on into the wild unknown of the story.
At first, 'Family Ties' seemed to just be a wonderful project of its time. These were the Reagan years, the new conservatism. Alex P. Keaton quickly became the Fonzie of the '80s, so it seemed very much a product of its time. But I soon began to realize that it went far beyond that. These great family shows transcend whatever time they are in.
The thing that was most harmful was that there was always something that was about to happen. So I found myself indulging in the writer's luxury of doing another draft, another idea. If this project isn't happening, then I'll shelve one script and start writing another. And in that way, the years go by, and there's very little money coming in.
Conducting is more difficult than playing a single instrument. You have to know the culture, to know the score, and to project what you want to hear. Some conductors are well prepared but cannot transmit their ideas to an orchestra, and others are good communicators but have nothing to transmit because they are not absorbed enough in the score.
Projects are usually undertaken to either solve a problem or take advantage of an opportunity. The probability that the project - even if precisely executed - will complete on time, on budget, and on performance is typically small. Project management is utilized to increase this probability. So in a sense, project management is risk management.
Human Needs Project is really about how to come up with a different approach to helping, really focusing on the dignity of people living in communities you are not a part of, and how to approach these communities with help, but more look at it as an investment and a collaboration with these communities rather than, 'Here comes the white savior!'
I like to leave things open to interpretation. But I also like to make a point. There's two meanings behind each EP title. With 'Time,' that was 'time to move on': you know, you've been in a bad situation; this is enough. But it was also time, in my life, for introducing myself, my first project I was putting out with Mustard. A new exciting time.