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When I first moved to New York, I wanted to be a dancer. I danced professionally for years, living a hand-to-mouth existence. I never tapped into nightlife; all I knew was dancers. We went to bed early and got up early and went to free concerts at the Lincoln Center and Shakespeare in the Park.
My first job was playing 'Nurse 2' in a film by Ben Elton called 'Maybe Baby,' and the first actors I worked with professionally were Hugh Laurie and Joely Richardson. I was totally star-struck. I got that job on my final day of drama school, so it was a nice bridge into the professional world.
Before my first child was born, I had nothing going on professionally really, and it's been a very blessed period of creativity for me since he arrived. It's very surreal. It's almost as if the babies are out there pulling strings somewhere, deciding what kind of life they want to be born into.
I've met so many who have opened doors for me and remained in my life both personally and professionally. After a while, networking doesn't feel like 'networking.' It's both serendipitous and unpredictable, and something that just naturally becomes part of your work life and your personal life.
I'd got a part in the original cast of 'Cats' when I was 16, and that kept me going for a while. After that, I felt lost, both personally and professionally - I was trying to find a way not to be seen only as this bubbly, bright, vivacious person. It felt like I'd lost the freedom to make mistakes.
I feel like I was born to do this... I started working professionally as soon as I could, doing weddings and things like that in high school, while everyone else was having keg parties. I just felt destined to do it and really committed and driven; it was something that just felt right all my life.
My little boy, West, and my wife, they're my rock and that's the thing that keeps driving me to do better at what I do professionally. There was a time in my career where I had been on this huge roller coaster ride and I'd really got in the spot where I could've hung up it and just been a songwriter.
I'm proud of my hard work. Working hard won't always lead to the exact things we desire. There are many things I've wanted that I haven't always gotten. But, I have a great satisfaction in the blessings from my mother and father, who instilled a great work ethic in me both personally and professionally.
I try to live in the present. I learn from my mistakes in an effort not to repeat them, but I remain totally focused on today and tomorrow. Many of my mistakes turned out to be incredible opportunities for growth, both professionally and personally, and therefore, in hindsight, they were deeply valuable.
I was in high school, and I was the guy that always got cast in the school play. Theater is huge in high school in Minnesota, and I knew that I was very good at that, and gifted, and I was 'the guy,' but it still wasn't something I ever thought of as 'a job' or something that one could do professionally.
I was definitely incredibly close to my dad, in a way that was all-encompassing. I am close to my mum, too, but there were areas that she and I did not share. So his loss to me was huge, personally and professionally. He believed in me, not just as a father, but as a director, and that always meant a lot.
I'm drawn to talented, creative people who often just don't know how to support themselves - they're more focused on their work than trying to figure that out. So I commission a lot of works with artists who I like personally or professionally, and through that process, I wound up collecting a lot of art.
I acted professionally for about eight years, and I was writing all that time but never showed anybody any of it. There just came a point after those eight years when I thought, 'There's a lot I can do with acting - there are a lot of things I can express and do creatively, but there are also limitations.'
I didn't have any stability in my life, so I was probably a bit lost as a person. I didn't know where I fitted in professionally and I didn't really know where I fitted in with my personal life and seeing my son, and it was really confusing. I think if you have one solid, then the other one you can manage.
Doris Roberts had an energy and a spirit that amazed me. She never stopped. Whether working professionally or with her many charities or just nurturing and mentoring a green young comic trying to make it as an actor, she did everything with such a grand love for life and people, and I will miss her dearly.
I always thought I wanted to play professionally, and I always knew that to do that I'd have to make a lot of sacrifices. I made sacrifices by leaving Argentina, leaving my family to start a new life. I changed my friends, my people. Everything. But everything I did, I did for football, to achieve my dream.
Anyone who has played the game professionally, you're always taught that the ball is the most important, most precious thing, so when the ball hits the ground, it's always a mad scramble. It's amazing how many times there is a fumble, and the person who recovers it initially doesn't walk away with the ball.
I played softball at George Washington University, and then I played professionally for the Mid-Michigan Ice. I had a couple of tryouts with the U.S. Olympic Team, but I don't know if I have a word to describe how bad one of the tryouts was. It was the worst tryout in the history of tryouts. It was that bad.
Mr. Trump is more than just a boss to those of us who have been fortunate enough to be close to him, both professionally and personally. He's more like a patriarch, a mentor. These qualities make him very endearing to me, which is why I am so fiercely loyal to him and committed to protecting him at all costs.
I just felt like actors - I watched a lot of 'SNL,' and those guys just seemed like they were superheroes - that that wasn't a reality for anyone other than people with superhuman strength. So, I mean, I acted a little bit in high school, but the idea of doing it professionally was just never really an option.
I trained in martial arts and wanted to become a UFC fighter. That was my goal. I only really learned how to dance three weeks prior to making 'Step Up Revolution.' Dancing will always be fun, but MMA is something I'll never give up. I will eventually get back in the octagon and be fighting professionally again.
In the 1970s you would have had lots of black goalkeepers and defensive midfield players but never made it professionally because the perception was, 'You don't think too much, you can't play in positions of responsibility so you play on the wing or up front.' Lots were lost to the game because of the perception.
I think professionally I admire people and the way they've handled their careers and being in the media. But the people that I used to inspire me and keep me going were my peers in Toronto - I would see the same girls going to audition after audition, and their resilience to do it again, and I found that inspiring.
I had danced with Janet Jackson and P. Diddy so I had done a bunch of hip hop. Really and truly my roots are in modern and ballet but, professionally, that's not really out there any more, unfortunately, so these artists aren't really having a lot of ballet dancers behind them so I had to learn hip hop really quick.
I'm very focused on what I do professionally, and I'm very focused on my family, and I don't really get too stressed out about what people say or what other people think. In fact, it's not on my radar at all. If there's anything negative, I don't want to know about it. I just do my own thing and get on with my life.
In the first two projects I've worked on professionally, I've been doing ensemble work with other young women, which I think is pretty cool. And they both were directed by and written by women. It's been a wonderful experience of real ensemble support and women lifting each other up, and I feel really lucky for that.
Sometimes I make very selfish choices; like I did 'Once Upon A Time' for my inner 8-year-old and my hypothetical future child. I've done some movies because I would regret them if I didn't, but other projects I've done because they've scared me or if I felt I needed to do a big romantic comedy to help me professionally.
Acting was something I did growing up. I never it took it too seriously; it was just one of those things I got into high school and was like, 'Nah, I don't want to continue acting.' Cause I got into it professionally by local theater, and from there, I just decided to do sports and be more a high school kid and have my fun.
I just want to be at peace with myself, personally and professionally. I want to lead my life the way I want to without having to worry about what the other person may be thinking. Professionally again, I would like to be able to just do films that I want to without having to explain my reasons to my friends, family and fans.
In this life, we are in a constant search for inner peace. We long for it in all aspects of our lives, both personally and professionally. The truth is that we cannot have inner peace without balance. It seems that having too much or too little of anything completely throws off our balance, therefore limiting our inner peace.
At school, I'd sing in groups in the locker room or in the bathroom, which was like an echo chamber. The problem is I didn't know how to get started singing professionally. The pool hall was my Facebook. I'd hang out there to keep up with what was going on and to let people know where I could be reached if singing jobs came up.
I've always loved reading and always loved the movies. Storytelling is one of the oldest of human endeavors, and they give us our understanding of the world and our place in it. When I discovered that there were people who professionally were involved in the creation of stories, it was game over - I knew what I wanted to do it.
We have known Hillary Clinton both professionally and personally for close to 20 years, dating back to before President Bill Clinton's first trip to Africa in 1998 - a trip that they both acknowledge changed their lives and gave considerable meaning to their post-White House years and to the activities of the Clinton Foundation.
I participated in every spring musical my school did while attending: 'Pippin,' 'Little Shop of Horrors,' 'Once on This Island,' and 'Hair.' The great thing about those projects was that I was able to work with my peers who were allowed to work professionally and gained some insight as to what it might be like to work with pros.
It took a while to decide I wanted to do Hamlet. It wasn't that I was daunted - I'd been acting professionally since my mid-20s and had some pretty big Shakespearean roles under my belt by that stage, at 32: Petruchio in 'The Taming of the Shrew,' Edgar in 'King Lear,' Antony, Richard III. But when it came to Hamlet, I hesitated.
While I was boxing professionally, I never thought about my looks. The furthest thing from my mind was 'messing up my pretty face' when I was on my way to the ring to meet my opponent. Yet, people I'd meet along the way would always ask me if I was worried about my looks. Then they would go on to say that I was 'too pretty to box.'
Professionally, I was at Bristol Old Vic Theatre School and did lots of things there, and then I won the BBC Carlton Hobbs Award, so I did some BBC Radio drama work, which is a lovely way to start out because you work with lots of great people, and you're working all the time, so you're learning rather than sitting around and waitressing.
There was a shop in Birmingham called Autographs, where I'm from in Birmingham. My uncles and dad used to shop there. They played professionally, too. When I started, I went to Autograph, and they had brands like Rick Owens. There are loads of brands, like my go-to brands that I will go to if I want to buy jeans, like DSquared or Balmain.
I think that, initially, I was most passionate about music and particularly about playing the piano. I started playing when I was nine, and I was obsessed with it, really. I wouldn't even go spend the night at a friend's unless they had a piano. But I didn't have the chops, the extraordinary talent to be able to play the piano professionally.
Working with the children on 'Matilda' has been a joy. They don't do this professionally - their sense of discovery is instinctive, and the challenge for us adults is to keep that going in ourselves when we're doing it for the fiftieth or the hundredth time. To my delight and amazement, it hasn't gone stale - we discover it freshly every time.
My dad and I didn't talk much. Our relationship was OK but not amazing. So there I was, dressed up in my sort of uniform, the clothes my band was wearing at the time. He could tell I was I getting serious. I guess he knew I was going to go for it. So he told me how to handle myself professionally, not to take what people write about me to heart.