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I finally, you know, moved to Mexico City, where the film industry is. I started working there as a producer, which is a very, very valid thing for women to do, because we always produce for men, right?
I started out as a producer. and I used to work at Disney. and I worked with a lot of the animators and went on to become great friends with a lot of these guys and worked on a lot of projects together.
I would always rather be working on the band. All that other stuff is stuff I really enjoy doing, but I don't consider it... like, I don't want to be a producer. I don't consider that as my life's goal.
Maine is the largest producer of wild blueberries in the world. The woody plants occur naturally in the sandy gravel understory of Maine's coastal forests, where little else bothers even trying to grow.
I don't think there's anything wrong with not knowing how to play an instrument, but the rise of the non-musical producer has done away with musicianship and focused attention purely on the song's hook.
The problem is I'm a perfectionist, so the producer might say he's happy with my vocal take but I'll say, 'No, it can be better.' I'll do it again and again until I feel I've got the truth out of a song.
Everybody in L.A. is a songwriter, producer, actor, creative. For some reason, you're supposed to go to a bar and all hang out and act like you like each other. There is a lot of fake stuff that goes on.
With technology you can now be your own record company, director, producer, etc. If you have talent, you can display it on the Internet and the world will tell you their thoughts in the matter of seconds!
He makes me laugh, Mick! He tended to turn up when we were having lunch and entertain us all. He bought an Enigma machine! I've never worked with a producer who was more famous than everyone put together.
I was an artist, I was executive producer on my first album, so I've always had to manage both. I couldn't get a record deal. It wasn't by choice - I couldn't get a record deal, so I had to figure it out.
Part of the fun of working on 'Beverly Hills, 90210,' for me, was that I got a lot of freedom from our executive producer, Chuck Rosen, to add things, change things. I got a lot of freedom to be creative.
I thought I'd be a low-key producer or something, politics and film at the same time. But also, I'm not a big movie person - my girlfriend gets mad at me because I go to sleep whenever we go to the movies.
When I recorded 'Cooler Than Me', I had been singing for like, three months at the most. I was just a producer experimenting with my voice on tracks, and now I'm, like, a really good singer in a legit way.
Honestly, I don't think it's harder to be a producer as a woman. I think it helps me because I don't get bogged down in shows of male dominance that can sometimes get in the way of the best idea prevailing.
I've always thought of the project as a sort of sexually driven digestive system, that it was a consumer and a producer of matter. And it is desire driven, rather than driven by hunger or anything like that.
I don't like it when celebrities get voice work. But then again, if I was the producer, I wouldn't want a bunch of no-names doing my show and have to worry about word-of-mouth. I see both sides of the story.
With 'Badlapur', I wasn't even thinking about casting. I was wondering whether any producer will want to make a film with a story like this. It is not your expected, feel-good, or even your regular thriller.
In 'Maaya,' I'm going shirtless for the first time in my career. My producer requested me to take off my shirt in one of the scenes. I have been working extremely hard to flaunt a perfect body for the scene.
I'm the one who's dating the craft-service guy instead of the producer. Plus, if a producer is going to date a hot young thing, I'm probably not the first person on their list - the weird, quirky, funny girl.
A producer is always behind the scenes, even more in the movies - nobody sees you. I didn't even meet most of the actors. When I worked on 'Top Gun,' I never met Tom Cruise. You were always in the background.
I'm without a doubt a producer first. The lyrics happen towards the tail-end of the process, mainly because they're more stream-of-consciousness. It's very rare that I'm going to tell a really concrete story.
Every actor, director, and producer want all their films to do well. So you choose the role carefully, listen to the script, and work hard. But there is no way of predicting whether it will be a hit or a flop.
My brother's friend worked at a TV station, so we went in; the producer of a show asked if I wouldn't mind taking some photos for his wife, who was a talent agent. Next thing I know, I'm enroute to the agency.
I'm not going to go to a producer that's going to take me in a studio and charge me my whole budget and give me a fake head nod. I'm just trying to make good music. I appreciate everybody that's supporting me.
I started at the 'Wall Street Journal Report' as a production assistant typing chyrons and rolling the teleprompter, and then I became a producer, producing stories in the field, then the show's line producer.
The art is what can't be put on a timeline. You can't say, 'Well, I'm going to make a record in May because that's when the producer has a window.' So just recording and getting things out is paramount for me.
People think that by living on some mountainside in a tent and being frozen to death by freezing rain, they're somehow discovering reality, but of course that's just another fiction dreamed up by a TV producer.
You know, in the days when I started, if you had Chet Atkins' name on your record as a producer and it was on RCA, you could work the road. It didn't have to be a big hit record, it just had to have that on it.
My father was a director and producer, so when I was a little kid, he would take me to movies and show me what's good and what's not good and why, and often that would take me to a conversation about directing.
Agatha Christie holds special personal memories for me because my mum, a television producer called Pat Sandys, had been the first person to persaude the Agatha Christie estate to put one of her stories on T.V.
For the movie 'Bhaskar Oru Rascal' I had to let go of a part of my agreed salary and in fact, had to lend money to the producer when he couldn't meet his financial obligations at the time of the movie's release.
Many years ago, I was a producer on a movie called 'My Dog Skip.' Willie Morris, the great southern writer, had written the book. We had adapted it and taken 17 years of his life and compressed it into one year.
I became a producer and learned I was pregnant within a five-day span. I wanted both things badly, just not at the same time. I cried and hid my pregnancy for an absurdly long time as I proved myself in the job.
It was immediately apparent that it was full of tricky ingredients to balance. In fact, I found it very intriguing. What held me back from saying yes to the producer was that I wasn't sure who could play Truman.
If you really want to be a music producer, stop watching 'Friends' when you get home from school. Start trying to make music. If you're not going to try, then it's impossible. When you try, it's always possible.
I thought I wanted to work in music production for a while. I worked for a film producer. Then I was given the opportunity to open a bar in New York. So, I was like, 'You know what, I'm going to give it a shot.'
I was working at a restaurant in L.A. when a producer came in. He said I should audition for this movie 'Cellular.' I did, and I got the part. It actually makes me sick to tell that story because it's obnoxious.
I played a paraplegic on a show called 'Neighbours.' Just turned up on set, sat in a wheelchair. The producer came up to me one day and said, 'We have to cut around that entire scene because your leg was moving.'
When I do an album I try to find a producer that's excited about something that they want me to sing, and I check with the record company to find out what they think they can sell - which is their No. 1 priority.
I'm a producer and not a rapper. So I can make any style of music I want. I can make an EDM beat. I can put an EDM track out one day and I can put a grungy hip-hop track out the next day, like, it doesn't matter.
When I started writing the screenplay for 'The Queen,' about the aftermath of the death of Princess Diana, both Stephen Frears, the director, and Andy Harries, the producer, begged me not to put Tony Blair in it.
I think a lot of what I loved being a studio executive was the variety and freedom. But now, as a producer, you're much more able to enjoy those two things. What I loved about it doesn't necessarily exist anymore.
I think, in our life I think that when you are an actor, when you are a producer, you have to be very discreet about your personal life, and you have to be closed in, in harmony and in affection and in everything.
You have to find a sound that reflects what our souls feel like inside, how our bodies actually feel. That's why we made our own beats. We couldn't find a producer who could give us the feeling to match our lyrics.
I feel it's my job to continue being a student of music if I want to continue being an artist and a producer of other artists. You have to keep filling your mind with other music. You have to be ahead of the curve.
I wanted to be a great producer so I studied great hip-hop producers, but also stuff beyond that: Phil Spector, David Axelrod, Gamble and Huff. They're equally as influential to me as Dilla, Premier, and Pete Rock.
It took 17 years to get 'Rambling Rose' made from the time Calder Willingham wrote the script adapted from his novel. Ed Scherick, the producer, was interested in it. Martha Coolidge was interested in directing it.
My part as an actor ends on the last working day. I think the success or failure only really matters to the producer or whoever it matters to. For me, when I finish the film, I'm done, and if I'm happy, that's that.
It's funny, because '1600 Penn' was the first time I really started to read the reviews, because I am an executive producer and I wanted to see what people were enjoying and not enjoying as a means to an end, right?
Once, I went to the premiere of a film, and the producer asked me if I liked it. I said it's crap. But I don't say that anymore. Now I say I have to think about it. If you ever hear me say that, you know the answer!